Amitabh Bachchan's Official Blog

Month

May 2008

42 posts

Day 40

Prateeksha, Mumbai      May 30, 2008      10:03 am

(to be read in continuation with DAY  39)

Prayer and reverence were not a mandatory occurrence in the house. We were never guided into following a particular divinity. If we felt pious we went ahead and did what came from within.

My early years of school were spent in a Convent and later in a Christian Missionary establishment. Going to Church or the Chapel was a part of a voluntary curriculum. Around that time my Father translated the Gita in the language and rhythm of the Ramayan, a very unique rendering initiated by a gentle and benign sage of his acquaintance, and in the mornings the four of us in the family would sit and sing from it together. During College days I was taken by my Mother to visit our relatives from her side ; all Sikhs, land owners and all farmers in Punjab and UP, in Lucknow and Jullunder and Sirsa and we paid our respects at Harmandir Saheb in Amritsar. The peace and tranquility and the ‘vani’ of the Granth still rings in the ears and the purity of the dip in the Holy water body around the Golden Temple a heavenly feel that has remained with me for years. When my Mother passed away we took her ashes to the Sangam in Allahabad, to Haridwar and Varanasi and Chitrakoot – a location she was extremely attached to, and we ended that journey at Harmandir Saheb where we were joined by all her relatives in prayer. My cousins from my Mother’s elder sister recited the Granth the entire night as my Mother lay in Prateeksha waiting to be put to flames the following morning. The blessings from the priests form a dedicated presence in my house and in my Mother’s room which I have kept the way she left it, as I have my Father’s room.

When I came to Mumbai to pursue my current profession I stayed for a very extended period of time with one of my dearest friends in the city, Anwar Ali, the younger brother of the great comedian, Mehmood. During the shooting of ‘Bombay to Goa’, my first film as leading man, Annu and I visited Tirupati together; our first visit. Annu’s older sister Baby Apa who looked after us like her own children, prayed for our well being at the Haji Ali Dargah. It is a place of worship that Annu and I visit several times in the year. That and a smaller dargah at Worli sea face. After which I bring him along to SiddhiVinayak. During my overseas visits I have had the privilege and the reverence of some of the greatest places of worship. From Rome and St Peter’s to England and its historic Church’s, even a visit to the Vatican and a personal audience with the last Pope. My dear friend Anil Ambani and I have through his meticulous organization been able to seek blessings at BadriNath, KailashNath and AmarNath and some of the great temples in Gujarat. Amar Singhji, a family member set up my recent visit to Dwarka and PashupatiNath in Kathmandu, Nepal. Some of my dear producer friends in Chennai have given me the honor of paying obeisance to prominent shrines in the entire Southern region of our land – temples, churches and mosques. I have even, with them, performed the rigorous and disciplined pilgrimage to Sabrimalai with the mandatory 40 days of abstinence. During my near fatal accident in 1982 on the sets of ‘Coolie’ my room in the ICU and the space under my pillow used to overflow with sacred waters from every corner of the world – the ‘aab e zam zam’, ganga jal,  the Holy Mother Mary and threads in the hundreds and ‘vibhuti’ from various temples a symbol of the prayers offered by millions for my life.

After all this, would I now go to the Almighty to ask for something ? All the above is my greatest blessing and gift. I ask for nothing. I believe that there is a hidden force that exists, one that we cannot see. There is so much in the universe, in our world, that is beyond explanation, answers for which we do not have. I revere and respect that. I go to HIM to give my thanks. To seek strength and protection to exist with honor and grace. I cannot prevent the media from making it look like a public spectacle. I do not and never have invited them to follow me. They must do their job as must they do and I mine. My religiosity is my democratic prerogative in a free society. No one has the right to question it or to paint adverse malicious comment. My visit of worship is my private moment by constitutional decree and I am not obliged to divulge my purpose. Media will always have the right to speculate on it. I may agree or disagree with it but shall fight with my life for their right to express it.

The portals of divine presence belong to no particular individual. HE is the only VIP. In HIS presence all are equal. I deny any special treatment meted out to us. For better people management certain locations have intricate procedures in place. If it is accessible to all and if I fall in any one legally programmed category I shall avail it. My presence there is that of a devotee; as one with the others.

If my visit is an inspiration I feel blessed. Inspiration is important for the human breed. It is important for progress, in art and literature and speech and belief, in our daily lives in our very existence. We are inspired to do better to improve to correct our faults to better ourselves and society.

But I will not be inspired by wrong thought and its ugly manifestations.

I am most disturbed and immensely upset and angry by anti secular comments made by certain elements on my blog. I shall not mention them by name but they must know that they will never be entertained or acknowledged here. They are ignorant and wrong in their assessments and accusations. May the LORD forgive them for they know not what they do or say !

Yes I am a common ordinary man. My beliefs and actions are similar to every other. I shall bow my head, be servile and subservient to an inspiration of faith.

Because it is our tradition.

And because my Father writes –

“Manushya ko apni parampara se bahut door nahin jana chahiye”

Human beings must not go too far away from their tradition !

In hope and peace,

May 30, 2008
Day 39

Prateeksha, Mumbai       May 28/29,  2008            12:34 am

Devoted Friends, 

Your responses to my visit to the temple have been overwhelming. And even though I had wanted to perhaps talk of other matters, I must dwell on this a little more because some very valuable and interesting observations have come up.

Many amongst you wonder what I ask for from the Gods when I am in their presence and the need for me to make a public spectacle of it. Others complain of keeping devotees waiting in cues whilst we get special treatment. Many amongst you and a large majority, draw inspiration. And some misguided elements mischievously and wantonly make disgusting non secular remarks.

A new born child has no idea of what religion is, among several other things they have no idea of. Their upbringing their parenting guides them into  the world, into life, into belief. My Mother was a Sikh, my Father a Hindu. Neither of them ever deliberately forced me into following a particular religious thought. I grew up with my Mother reciting the verses and virtues of the Granth in one ear and the Ramayan in the other through my Father.

My apologies -

I wrote an entire piece on this further and the internet connect went off and i have lost it all.

I am so frustrated and angry.

I must now rush to several promotional activities for Sarkar Raj and shall end for now but I promise I shall complete what I can remember from memory and put it up.

Urghhrgh… so annoyed !

Amitabh Bachchan

May 29, 2008
Day 38

Prateeksha, Mumbai May 27/28, 2008 12:05 am

The walk last night or rather early this morning to SiddhiVinayak was fulfilling. Walking bare foot has its own hazards but where there is faith and resolve, obstacles seem to dwindle away. The tar roads, still warm from the aggressive sun in the day are fairly comfortable but the cobbled portions due to its uneveness causes some discomfort. The people were lovely. They come around, hundreds of them all walking in the same direction towards a common goal. There is excitement among them and smiles and a certain decorum. Intermittently, shouts of ‘Ganpati Bappa’ break the general silence. And the entire mass of people join in in unison -’Morya !’

There is always strength in a slogan when a hundred voices give it common lung power. Crowds at a football stadium cheering for their team sing songs or shout cheers together. The stadium reverberates and the players feel a sense of belonging. Some energy transformation must physically be in operation. Atheletes at meets ask for the audience to clap for them to give themselves that extra impetus for a better performance. Live performers on stage would crumble and perish if the audience failed to applaud. Battle cries in the army fill that extra adrenalin needed to combat a difficult enemy. Bhajans in temples and the hymns in church provide in us more than adequate religosity. Workers on the roadside manually pushing or pulling a weight give the exercise a common chant..

Sound !!

Sound in unison has the power to become physical. Opera singers when reaching higher notes have been known to crack wine glasses. Our own classical ragas have the capacity to bring on rain and to bring on emotion.

When a hundred voices chant ‘Morya’ and continue to chant it as we walk along, the pain, the distance, the surrounding becomes a distant aberration. As you emit the words from your own mouth and throat, apart from the devotion that envelops you, there is a peculiar strength that manifests itself; a strength that somehow you never knew existed. A strength spiritual in nature but providing you with energy that is physical. It propels you. Your stride suddenly becomes lighter and stronger. The body responds with unusual vigor. Which reserve has been wakened no one knows and no one cares. There is just strong movement. A movement that is ignorant of the sharp obstacles on the street, the rough surfaces, the traffic that goes by with the odd window opening to screams of recognition. Sometimes the name is mentioned, most of the time it is the name of your recent film, or a film that they identify you with -

‘aye Bunty Babli !’

‘arre Bhooth Nath !’

And you move along, oblivious of all else; blinded in the eye by the lights and flashes of the media that follows the entire 4 hour walk and blind to the stories that they would make of this private act.

As you approach the temple a sense of urgency grips you. Your pace increases. The feet are now sore and each step sends a shooting pain through the entire body. They are not used to being bare. Too cared for with elegant expensive foot ware. But you move regardless. Mass movement has the capacity to overcome all that. The chants now match the speed of your pace. Its like clawing your way up to the crescendo of a symphony, the final electric moments of the sitar in the classical raga. The crowds along the roadside increase in numbers. A gentle roar develops and culminates into one continuous deafening mix of excitement. The chants continue. The sitar and symphony at its maddening peak. Media frenzy increases. Security personnel now working overtime screaming and pushing to keep the path clear. Cameras flashing. Chants. Crowd frenzy. We holding each other to keep the group together. In through the electronic scanners, the flower vendor holding his hand out with his basket of ‘mala’ and offerings, paying and grabbing them for all and then guided into the portals where Ganesh resides, a tush half broken and his trunk flowing unlike any other Ganpati in the other direction. The cool marble on the floor a soothing relief to the arduous walk and damaged blistered feet. The ladies cover their heads in reverence. Jaya has joined us now, she not being able to walk because of a bad knee. We are now in front of HIM !

It is quiet. And peaceful. And sombre.

Somewhere in the back a drum starts up a beat. The main priest lights the ‘aarti’ and with deft movement invokes the God. The singing starts. Crowd joins in. A rhythmic clap almost pleading Ganesh to awaken this wonderful ‘mangal’ morning and accept the prayers of his devotees, rings in and echoes inside the deep ceiling. People in various modes of prayer now gently swaying, hands folded, heads bent, lips moving but not divulging their contents. An emotion swells up and travels to the insides of the eyes. They moisten and threaten to flow out. Thank you Lord. Thank you Lord for giving us, for keeping us, for blessing us. You have been generous and kind. What may I have done to deserve this ? Thank you Lord. Just… thank you !

No one speaks in the car as we drive back. Jaya, Abhishek, Aishwarya quiet, contemplative.

I look at the road in front. Is this the way we just walked on. The luxury of the automobile so effortlessly covering the rigors of the road. Just a few hours ago we had set off with prayer and sweat and pain and now we go back. In peace ?

ये महान दृश्य है, चल रहा मनुष्य है,
अश्रु, श्वेद, रक्त से
लथ पथ, लथ पथ, लथ पथ
अगनीपथ! अगनीपथ! अगनीपथ!

This is a wondrous sight. Mankind is moving drenched in blood, sweat and tears -

the path of Fire ! the Path of Fire ! the Path of Fire !

May 28, 2008
Day 37 (ii)

Reference DAY 37(i)

On the sets of ‘Aladin’ above as refered to in DAY 37(i) .

Its midnight almost and I am getting ready to leave for the SiddhiVinayak temple on foot. Tuesday tomorrow and the special aarti of Ganesh. Wonderful moment. Hundreds of Mumbaites on the streets. Walking, mingling with the others, devotional and sincere. Everyone barefoot. A great feeling of unity and oneness !!

May 26, 2008
Day 37 (i)

Mehboob Studios May 26, 2008 5:52 pm

On the sets of ‘Aladin’ again and a song !!

Petrified ! Songs have always been a nightmare for me. But more of that later.

The above stills are from ‘Aladin’. The climax song. The first, at the start of song and the second with all the dirt on the coat, the start of the action.

The story is contemporary but set in a fantasy world of make belief. The dresses are modern or well, seemingly modern but the surroundings and the settings, larger than life and imagined.

My role is that of the genie and yes I will appear at the rub of the lamp to fulfill the three wishes of the one that carries the object of desire.

I had mentioned in one of my earlier blogs that I wanted to talk about the making of ‘Aladin’ and more particularly its technical aspect.

The one feature that you do notice in both the stills is the green backdrop with little red marks on them. These are where digitally images will be filled in later. Green backdrops are used when greater depth or volume is required and when they cannot be physically built. So a minimal construction is set up, actors act around it and imagine that there is a lot more to it. There are photographs on DAY 37(ii) too of another sequence – the genie atop a snow mountain. There is a lot of blue that surrounds the image. This is all cloth where digitally snowy peaks and a large mountain will be filled in. And you would never know the difference. I mean now you would, because you have been told of it, but in general it is seldom noticed.

For actors these days it is getting to be a common phenomenon. Most of us in such extenuating circumstances are made to imagine an invisible presence – a character, a large beast, flowing rivers, anything. A bit impersonal and not quite the required environment when emoting a scene, but that is the future.

We often joke on the set and request the digital supervisor to replace us with our image and carry on the work so we could remain home. But recently the joke turned on us. There is a process in the making where the artist will be required to merely come in for a few minutes and do some basic movements of his body and leave. Science would then be able to construct an image of the actor and the actor need never come on set again.

Frightening !

They would be able to reproduce your form and make it act in your absence too. Even after you are dead and gone movies could be made with you. Er.. your image !

Wonder what the reaction would be of fans. How would they contend with an actors most recent work when the actor has been dead and gone much before the fan was born !

How would film critics review his talent after a release. Would they send a digital or virtual image to a function. A book launch, the opening of a mall. Would the actor write his own blog.

Complicated.

The world moves into a difficult and interesting era. Ever since man stepped on to the moon there has been very little written about its romance in our songs and in our scripts. The moon was an integral part of the films of the 40′s and the 50′s. Science removed it. Would that happen to humans too. With DNA and cloning being vociferously discussed in international forums, would we see several of our samples moving around us.

Better to get back to my song on the set and face that nightmare than this perceived one !

My non digital love for you as ever

May 26, 2008
Day 37

Click here to enlarge the above image

Prateeksha, Mumbai May 25/26, 2008 12:20am

That is Drona !

Abhishek’s film directed by his childhood friend Goldie Behl, son of the late Producer Director, Ramesh Behl who made films with me – ‘Kasme Vaade’, ‘Pukar’ and with Jaya ‘Jawani Diwani’.

‘Drona’ has been shot extensively in South Africa and in Rajasthan and has a lot of special effects, being executed by a British Company. It is the same unit that is working on ‘Aladin’, where I have been shooting today.

I was keen to put up a photograph of the working in progress of the shoot in order to talk about it, but not knowing the technology of doing so will have to wait till tomorrow for the server to give me some assistance.

I am afraid today’s blog will be short and hopefully sweet and tomorrow….

In brevity, I remain with you -

May 26, 2008
Day 36

Film City, Mumbai May 24, 2008 7:20 pm on the sets of ‘Aladin’ / 11:03 am on May 25.

What an amazing instrument the mind is. Functioning tirelessly, in consuming in emitting, absorbing and repelling. It forms opinions, gives us the capacity to uphold ours, to reject at times others. It gives us character to forebear and strength to suffer.

Human beings utilize just 33 % of it during their entire life. 67 % remains unutilized.

That is a large percentage of vacant dormant brain power !

Most readers express concern and surprise at my hours and intensity of work through a single day. If you have the will and desire, the body will walk with you. If you will push, it will respond. If we do not, we shall never know its limit. The consumption of the mind is never read out to us; there is no meter. But if there were to be one I would have loved to read at the end of my life that I consumed a percentage more than the average. 33 % to 34 % !

The mind ! Beautiful in its bearing. Beautiful in its demeanor.

Relaxed and unmindful one moment, stressed and overflowing the other.

I was so today as the morning came. Pressured by work, apprehensive by deed, uncertain by consequence. The reflection in the mirror fogged and wrinkled.

Then suddenly – a flash !

The mirror became happy. The feet strode confidently towards the camera. You could feel the clouds underneath you and the air of assurance bursting through the lungs.

Thank you Harneet, my journalistic acquaintance from the Indian Express. Your text message on my mobile appreciating and lauding the blog of DAY 35, turned the day for me. Your understanding of my emotions and the additions to them read and re read several times, now stored in an important folder within me.

Appreciation is always welcome. But when it is linked with emotion, it’s strength multiplies.

And I hurriedly pull out some other folders – Shobha De and her gutsy encouragement, ‘Bravo ! Amitabh’, Upala from MidDay and her link and connection to an earlier blog of her own personal experience, Amul from MidDay again and his kind words of caution, Vivek from MumbaiMirror…

Thank you. You have all been gracious and kind.

And even though some comments disagree about the mention of personal remarks on the blog, I must perforce agree with my desire to indeed mention them on mine, because my conscience and my will desires so.

And so too I appreciate Jitesh Parekh, a commentator on my blog, for his words of appreciation. And disagree, humbly with his remarks on journalists. They are human too Jitesh. There is no hatred or malice in their writing, nor in mine. They exercise their right of free expression. And I ?

I attempt to demonstrate, somewhat abruptly and angularly but with the soul of great magnanimity and rectitude the need for eternal vigilance to guard that gift of freedom.

And indeed of many of our freedoms !

And many write in their reactions and compliments. And some do not.

Pradnya Danke does. I thank her and her husband and brother-in-law and the next generation 5 yr old for their respect even though she may think that her English is poor.

Amrita wishes for me to use a less flowery language for her to understand. I shall endeavor. But flowery accusations or comments will and should get flowery responses.

Navin, Suresh and Aniket express resentment at my answers to some of the editors. But I plod along with my belief in the need for eternal vigilance. It is the price we all need to pay to value the importance of our democratic freedom.

Purvi Dani, I am happy to know that my father’s words have influenced you. You ask how to face betrayal from those that have been close to you. You are fortunate that you are now aware of it. Imagine if you never did and the harm it would have continuously created to your faith and trust. Those that have betrayed you have shown you their face and character. What a benefit for you. You have come to learn that that is a face and character you should never possess.

Amit, wishes that I declare ShahRukh my successor and remove all further discussion and argument on this unnecessary and ill founded topic. But of course he is. He is the ruling superstar of the nation and almost a sixth of the world ! There can never be debate on this. But naming a successor would imply that there is an existing dynastic ruler. I do not believe there is one.

Veena wants a translation of my father’s autobiography in English. My father’s autobiography is in 4 volumes and an abridged translation in English exists. It is called ‘In the Afternoon of Time’ by Rupert Snell, a Hindi reader in the School of Oriental and African Studies, University of London and is published by Viking Penguin India, Delhi. The official launch of the book was done several years ago by the great columnist, Khushwant Singh, an old and dear friend of my parents.

Saba, from Pakistan – thank you for enjoying ‘BhoothNath’

Ketan Kothari – I am amazed at your condition. You are blind and you read and respond to my blog ! I am so touched.

Smita Pandit – I have been moved by your description of your Bhuaji and her correspondence with my father. I am happy that in some way he was able to provide solace to her. I am collecting all I can of my father’s letters, photographs written to friends and colleagues. I shall be most grateful if you could send me a Xerox copy of your collection of your Bhuaji’s letters received from my father. Just mark it to my office in Juhu, Mumbai.

Kunal has bumped into me at the Grand Marriott the other evening and has regrets of not being able to come up to me even though he was so close. But, you should have. It was my ‘samdhan’s’ , Aishwarya’s mother’s birthday and we had just taken her out for dinner.

Rohit Bhutoria mentions the tears that rolled down his cheeks as he read the blog. Rohit, may your tears ever roll down your cheeks in happiness and happiness alone. May there never be a sad moment ever in your life.

Debashish talks of my father’s poems being in his study curriculum and puts me in a category of great elevation in front of my father. Wrong. Very wrong. People will forget me in a few years, or earlier, but they will remember my father for thousands of years ! I can never be compared to him.

Soumik, my father’s thesis is indeed in print. In fact it is coincidental that you talk of publishing it, just when I have only today set up a meeting to reprint it in a fresh format.

Sagar – thank you for your comments and please thank your friend Sandip for introducing you to my blog. Your English is fine. If you are uncomfortable in it write in Hindi or Marathi. Jai Maharashtra.

Vibhuti Love – your grand father’s ( Shri Krishna Mittra ) poem was beautiful. I am certain that if you write to my office in Mumbai they could set up a meeting in Delhi for us to meet. I visit Delhi often. My daughter is married there.

Fozia Bashir still wonders if I write my own blog. Yes I do and it is people like you that give me the inspiration to do so.

Swamy asserts that in my responses to the media I should not be so blunt. Alright. Lets take a vote on that. Those in favor say ‘yes’, those not say ‘no’.

A blunt remark invites a blunt retort. It does not signify hatred. When media writes bluntly it is not to express hate towards me. So too with me.

Priyanka ! Never ever say ‘aapko meri umar lag jaye’. I am not deserving of such blessing.

And from Cairo, Egypt, the city and the people that gave me so much affection and love during my visit in the 1990’s, Rasha Zayed, thank you.

Sreeram talks of his Sanskrit teacher’s comparison between my father and me. How wonderfully and correctly put; that my father’s creative contribution is greater than mine because it is easy to act an emotion in front of a camera and film with all its technical inputs to enhance the moment, but indeed very difficult to do all of that by writing mere words. So correct.

Varsha Rai, I note your observation of the incorrectness in taking pot shots at Hollywood celebrities. I submit to that and express regret. In fact, it is strange that you mention this because Aishwarya on reading it had expressed similar sentiment. But before I could change the contents the server had already posted it.

Perdy Mohindru from Auckland, NZ thank you for writing in.

Nina Arora, your mother’s gracious memories are so valuable in time. ‘Is paar priye madhu hai tum ho, us paar na jane kya hoga’ and so many others. I shall try.

And Subbu, thank you too of the many references you give of my father’s works. They are my favorites as well.

Ajay Singh ji – your quote of my father’s poem is wrong. The correct words are –

‘bair badhate mandir masjid,

mail karati madhushala ‘ !

Harish Srivastava wishes to know more of the incident about Gandhi ji and Madhushala. Well, when my father wrote the poem, 135 verses of it, in 1933 its first public recitation was conducted by him at the Shivaji Hall of the Benaras Hindu University at a poetic symposium. There was such an immediate and stupendous response to it that overnight my father became a national celebrity. His work and his style created a new ‘vaad’, the ‘halavaad’ in poetic literature. As his popularity grew envious and vested interests spread a vicious and unjust campaign against him by stating that Bachchan was propagating alcoholism, completely missing the deeper symbolic meaning of his work. News reached the Mahatma and he expressed a desire to meet the poet during a literary symposium that he was chairing in Indore. My father was presented before him and asked to recite Madhushala. After the recitation was over, Gandhi ji said ‘There’s no wine-glorifying in these verses !’.

With this exoneration my father took leave, being the first and last time he had sat in such close proximity to the Great Man.

Gsr – thank you for your one-ness and I have noted that some of my harsh comments to the media have been depressing for you. I would never wish that to happen to anyone. But perhaps you can now assuage how depressing it is for us to withstand their harsh words. All the same I value your observation and shall endeavor to speak of other topics as well.

Abhishek – you are right ‘ bachchon ke beech ki bahas mein, bahas nahin karni chahiye’ !

Tunna – you have desired that I talk of my films and their craft more often. Point taken and I shall initiate that soon by writing about my experiences on ‘Aladin’ and the craft employed because it is a technical novelty.

Whew !

I have tried to cover randomly as many comments as I possibly could address. The search is on and the effort, for more as well. I shall persist. Your comments are invaluable to me and to my existence.

In ending today I must confess I had never expected to find such a large section of the readers to have interest in words of literary consequence. That there breathes a sensitive poet in all of you is a delightful revelation.

And that you pay homage to my father is my greatest honor.

My love as always with you –

May 25, 2008
Day 35

Film City, Mumbai May 23, 2008 6:00 pm / 3:34 am on the 24th / 1:06 pm on the 24th

My father, acknowledged as a great Hindi poet, wrote his autobiography in four volumes and literary minds unanimously accepted that his prose was better than his poetry. Many however are unaware that even though he wrote in Hindi, he was a professor in the English Department at the Allahabad University and later the first Indian to do his PhD in English Literature from Cambridge. His thesis – WB Yeats and Occultism gave him his doctorate in 1954.

My father came from very humble beginnings. He studied by a lantern at night and walked several miles to conduct tutions in order to feed his family. His struggle through out his life and his determination to succeed in what he took up have always been propelled through his immense will power.

A dissertation that would normally have taken four years was completed in two, simply because he would have been unable to sustain himself due to the paucity of funds. He worked 18 hours in the day, at times sitting on a desk, on the floor and even standing. He constructed a special table where he would when tired of sitting, stand and work.

He prepared seven drafts of his thesis. In pencil. The ink required for the job would have cost him. And when he returned from England, instead of bringing us children the customary toys and games to play, he brought along the biggest and greatest gift I ever received from him. The seven pencilled drafts of his thesis.

“This”, he said with utmost pride “is all that I could afford to bring you”.

We have those drafts safely sealed and kept away as a testimony of his labor. Not one of the hundreds of films I have done will ever compare, or in substance ever match, the strength and value of those writings.

When he wrote in his study at Willingdon Crescent in Delhi after we moved there, he would often put up a small painting outside the door of his room. It was an indication for us that he was not to be disturbed. There were times when I never saw him for days, even though we lived in the same house.

There were no computers then and no typewriters for him either. Everything was hand written. He guarded his writing tools with the possessiveness of a lover. If on occasion we would accidently tamper with his pen or pencil there was severe punishment in store.

His discipline and will towards his work was prime. Nothing else had the importance to distract him. During one of the many earthquakes that have shaken up Delhi, we had all screamed and run out into the open. He had remained calm and concentrated. As the earth shook with frightening ferocity he quietly walked out from a back door in his room and slid back to his chair and to work after it was over, as we panicked for his well being, stationed at a little distance from the house on the lawn.

When he willed something, nothing could alter his commitment towards accomplishing the desired result.

In his early years he gave one of his poetic works to be published by a printing house. Not satisfied by the accounts of the sale of the book, he discovered that he was being cheated in his royalty. After many unsuccessful attempts to extract his due, he got on to his bicycle, the only mode of transport he possessed and rode throughout the city speaking and announcing out to every one, known unknown; every little thing, trees, stones, pillars, posts, every object that he encountered, that the owners of the publishing house were cheats !

He writes in his biography that within 6 months it just so happened that the publishing house went bankrupt and shut. Poetic justice he felt or the strength of his will or the honesty of his karma !

During the years after he passed his 60′s he quite by accident developed a new interest. His morning walks took him to undeveloped areas of the Diplomatic Enclave where now all the Embassies of the World are housed in New Delhi. The terrain was wild and full of stray rocks and stones. He would see something hidden in some of them, bring them home and with a gentle touch of a paint brush accentuate that rock to bring out a human form or a bird or just a figure. They would adorn the front verandah of the house.

Unable to carry it he pushed a huge rock every day a few feet for six months till it reached our doorstep, painted a few lines re positioned it and it became Garuda. It lies at our entrance in Prateeksha as an inspiration of not just his craft but the will and determination and the simple logic of transporting it from its wilderness, some distance, to our home.

When physical pain overtook his writing hand he would through will, transfer it to his other hand and continue writing. The unused hand getting treatment for pain.

I am blessed to have had him as my inspiration, my example and one I strive each day to emulate.

His words teach me each day a new lesson -

Jo beet gayi so baat gayi

Jeevan may ek sitatra tha,

Mana woh behad pyara tha

Woh toot gaya toh toot gaya.

Amber ke aanan ko dekho,

Kitne iske tare toote,

Kitne iske pyare chhoote.

Jo chhot gaye phir kahan mile

Par poocho toote taron ka,

Kab amber shok manata hai,

Jo beet gayo so baat gayi.

What has happened has happened !

In your life there was a star,

Agreed that it was bright and beautiful.

If it has broken today it is broken !

Look at the courtyard of the sky,

How many of its stars break away from it,

How many of its stars leave it and go away.

But of all the stars and loved ones the sky loses,

Have you ever seen the sky mourn for them !

What has happened has happened !

Let us not mourn for the absence of loved ones.

In life, life happens. What happens, happens.

Look to tomorrow with fresh thoughts, bright ideas and not be remorseful of the loss of an opportunity.

In a forward to his collection of works my father wrote – and this is my translation of his thoughts in Hindi -

‘ My life has been the life of an ordinary man and this I consider my greatest privilege and my greatest joy. If I were to get another opportunity to live my life again as per my wishes, I would never want to hold a desire to live any others but my own life, with all its shortcomings and failures and regrets. For it is only then I shall be able to experience the oneness with the ordinary man.

In this wide world there is no greater binding than the experience of being alone.

In this wide world there is no greater mukti than the experience of being one with the others.

The best and considered mukti is this – sabse yukt hokar mukt – to remain one with others and yet be mukt, away, delivered. ‘

My oneness with all my readers is my greatest deliverance -

May 24, 2008
Day 34 (iii)

Click here to enlarge the above image

Cast in our Likeness 

It is most interesting that the author chose as his opening gambit what Brecht wrote: “Unhappy the land that is in need of heroes”. It is also most relevant to my own response to his article, for which I duly thank him.

May I remind Mr Harsh V Pant that Brecht strongly disliked liberal individualism, considering it a bourgeois pathology, unless of course this prejudice is shared by Mr Pant himself, in which case a reminder is therefore unnecessary. This would be an unfortunate oversight on his part, for it is the ascendancy of that very bourgeois liberalism that provides him with the opportunity to freely express his opinion to all and sundry without fear.

I would counter with some wisdom from Bob Dylan: “A hero is someone who understands the responsibility that comes with his freedom.” Mr Pant, I should hope you endeavour to be such a hero. I should hope you fully comprehend the responsibility, both professional and personal, that comes with your own freedoms. From one hero to another, I give you advice, having the benefit of greater heroic longevity at my disposal.

As a professional writer, particularly one who concertedly affiliates himself with such an estimable academic institution as King’s College London, there comes responsibility with the public expression of opinion in a liberal democratic society.

It is the ethical responsibility of accurate and fair reporting. In your article, you have been unable to fulfil this requirement, and thus your freedom suffers.

You have not discovered anything about my private spiritual activities, which you exploit as an example for your argument about the general social conservatism of present day India. Surely you must have informed yourself adequately enough of my habits, in order to write a public document, that you are aware of my visits to religious sites varying regularly between those of Christian churches, mosques, and Hindu temples?( I visit the Haji Ali Dargah and the Mount Mary Church with the same frequency as I do the Siddhivinayak Temple ) Your description is not only in error but distasteful by suggesting that my spiritual beliefs have little merit beyond mindless superstition. Again, you force me to respond to this slander. I have a right to private worship in a secular society and I uphold it.

You refer to events relating to a marriage in my family that I have clarified ad nauseam even to the Times of India newspaper itself. The editor-in-chief, Jaideep Bose himself, has accepted that the allegations in the gutter press regarding my family’s ‘parading from one temple to another’ and the marrying of various flora, all for the benefit of lifting a putative curse from my daughter-in-law, were not only unfounded but ludicrous. Again, you force me to respond to this slander. I refute it.

You speak of Aishwarya Rai Bachchan as a ‘demure bahurani’ who chooses to ‘stand behind quietly’. This is insufferable and I will not remain silent on such a serious issue as women’s liberty and equality in our society. Aishwarya has continued an independent career since her marriage with the full family support and respect which she rightly deserves. Her mother-in-law is a Senator in the Indian Parliament, hardly a role model for a quiet bahu. Nor is her intellectual background amenable to such a position, having studied architecture at university in the pursuit of a career prior to her present one. If you had taken the time to read of our recent family trip to Cannes, you would have learned that it was Aishwarya who attended in an official capacity and the rest of us were very much her humble entourage. Inform yourself by reading my recent speech delivered at the launch of Shobhaa De’s new book (which you will find on my blog) and then you may more adequately assess the gravity with which I try to follow a feminist perspective.

You falter again with regard to your assessment of my relationships with prominent politicians. It is erroneous, I should hope, through ignorance. My parents’ close relationship with the Gandhis, long before either Rajiv or I were born, has been well documented. That we were close childhood friends was not predicated upon our future careers but upon a natural fellow sympathy and companionship of youth, as any other. You are also unaware that Amar Singh lived with my family prior to his life in politics. That he then determined to commit himself to such a thankless profession and succeeded through sheer grit and hard work is something for which I cannot take responsibility. Indeed, some of my friends happen to have prominent public careers. But this must be balanced by the fact that others of my friends live in quite opposite circumstances of absolute obscurity.

And indeed, you have not informed yourself of the UP campaign that you use in your article to demonstrate my political philandering and hypocrisy. Please refer to the Supreme Court ruling of some weeks wherein the case alleging the illegality of my appearance on the public advertisement was thrown out. Twice. I decided upon acting in this campaign due to my concern for the state of Uttar Pradesh, wherein I pointedly corrected prevalent inaccuracies to defend its honour.

Again, you force me to respond to this slander. It is tiresome, yet I will not permit your error to pass, for it is your responsibility, not mine, to check your sources and provide a knowledgeable account for the public. It is my responsibility to defend my name, the honour of my family and it is my right to refute public slander. You consider that I merely complain. Note bene: faulted in silence, faulted in speech. But really the truth of the matter is that you are missing the point.

If I choose to fight injustice with words rather than blows, it is because I value more highly than you the freedoms of this very bourgeois liberal democracy, my country. I take the responsibility of its freedoms extremely seriously. I need hardly remind someone of your intellectual refinement that in a democracy, one fights with careful discourse, sane rational argument, credible persuasion. That I have a genuine concern for the quality of public discourse in my country and respond by active engagement may leave you incredulous, but it is a possibility upon which I would appreciate you to reflect at the very least.

If a hero is someone who understands the responsibility that comes with his or her freedom, then it is about time that we all endeavour to be heros, and ones in the real world, not merely abusing the art of film and its heroic characters to compensate for the failings of our own profane existence. Art, when it moves us at all, is there to inspire: to provoke thought, quicken the imagination and give us strength for the living of our own lives.

You want me to give you another Zanjeer? What do you really mean, Mr Harsh Pant?

Is it that you consider that I do not deserve a life as a real human being but should remain eternally incarcerated in fictional characters, that this is the price of success? Mr Pant, success is not a sin. It is not a Faustian contract.

Is it that you have such little respect for any of your fellow humanity that you do not care for the truth? Such misanthropy is more likely to make an unhappy India – for you say that we are unhappy – than anything else.

Would you really prefer me to strike you with my fist in response to your bout of professional turpitude or are you simply unable to find the maturity to accept the difference between the real world and an imaginary one?

Your admonishment that I take it on the chin I happily embrace as the metaphor – not literal – that it deserves to be.

In the real world, Mr Pant, I take it on the chin, and every day. But in the real world, Mr Pant, I don’t just take it on the chin. I give it plenty as well. Either get used to it, or get out of the ring.

May 22, 2008
Day 34 (ii)

Prateeksha, Mumbai       May 22, 2008             1:09 am

An article by Yamini Lohia in the prestigious edit page of the Times of India -



OF BLOGS AND DOGS – ‘TONGUE FIRMLY IN CHEEK‘ !

It looks as though the members of animal farm are upset.
No longer do they have the hegemony of the field.
No longer do their muzzles bark their own vicious pleasure or shriek for the sheer volume of copy.
No longer do their edicts of ‘Four legs good; two legs bad’ hold any power.
No longer can they madden a mob of disinformation, hearsay, distortion, the very stuff of their own wild and irresponsible imaginings, and force this chaotic mob on the public with impunity.
No longer can they con us, harangue us, terrorise us, define us.
Yamini Lohia, you need a job. Not only has your raison d’etre vanished with the revolution of the internet, but you demonstrate the kind of limitations that make you profoundly unsuitable for your past career. You just couldn’t be bothered to read your sources, could you? If you have, then you commit a worse misdemeanour than slothful ineptitude.
I categorically refute your claim of “rechristening Shah Rukh’s new quiz show as Paanchvi Fail”.
I categorically refute your claim that I intend to demonstrate anything but the utmost respect and admiration for my colleague.
I categorically refute your claim to professional legitimacy when you so carelessly practice the crime of slander. Your tyranny is over and you will go hungry – your ‘meows’ to the public won’t feed you anymore.
Yamini Lohia, you need a job.
And with regard to your (illegal) slander of my being involved in “lucrative blog deals”, it is clear that you cannot imagine how anyone might write for free, and for the good, and for better public discourse, rather than conforming to your own sad little life of being a paid-up hack.

‘Deliciously juvenile’ this, Yamini ??

With love and affection -

Amitabh Bachchan

May 22, 2008
Day 34 (i)

Prateeksha, Mumbai May 21, 2008 11:54pm

Shobha De wrote the attached and I wish to make comments -

Click here to enlarge the above image

Thank you Shobha for your acknowledgment and for making my blog the ‘talk of the nation’. There have been some other editorials on similar topic expressing similar sentiment and I shall be expressing my views on them later, but your column has its own gifted prominence. Shobha De is Shobha De, everyone reads it.

Your advice of not to apologize I shall not be able to accede to, simply because if I have felt strongly that there has been error on my part, I will submit regret. Some characteristics I shall not be able to change, otherwise what would be the difference between Shobha De and Amitabh Bachchan !

And please Shobha, reference our conversation on Anil Ambani’s private jet to Goa for the launch of his brother-in-law Raj Salgaonkar’s exquisite book, DO NOT change the design of your own book that I had the good fortune to launch.

My remark at the end of my speech for your book launch – ‘Finding the name of the author in a font larger than that of the title of the book is a conscious and brave beginning’ – was not to ‘put you in your place’ as you self consciously whispered to me on stage, it was a fitting culmination to the context of my speech. It was a compliment to the power of woman, a recognition of the strength of 50% of their presence in society, an acknowledgment of equal if not more opportunity to women in our world and to make it a right for them to share equal space in this otherwise male dominated chauvinist archaic belief.

And do not let Vir Sanghvi, Editor, Hindustan Times tickle you on this !

Oh ! About the creases on Aishwarya’s dress, I never noticed any and it is hardly expected of a team of 15 stylists, dress makers and make up professionals from Armani to L’Oreal working on her for hours since the morning of the event, to have overlooked such obvious detail. The protocol at the venue is strict and disciplined. Celebrities are seated in respective special Festival cars to ride in a motorcade almost 50 meters long to a destination just 100 meters away; the crowds, and traffic and paparazzi making this innocuous little journey an hour long ! Sitting on any dress this long would crease.

I am disappointed though that your customary wit failed to notice the creases that needed repair on the faces of many of the other celebrated stars from Hollywood. Whither patriotism ??

Talk to me sometime. I was seated in close vicinity to several of them. Not a patch on our Industry beauties !!

Love to all -

Amitabh Bachchan

May 21, 2008
Day 34

Mumbai, On set for ‘ALADIN’,            May 21, 2008              6:04 pm

 
Back home !

And straight on to the sets from the airport !

I had expressed a desire to talk about our Cannes visit. I shall.

I also have comments to make on some editorials that came out prominently in the leading papers.

And, I want to mention to Pearl, one of the hundreds that write in to me, sorry for missing your name out !

For now a reproduction of a recent interview with the Telegraph from Kolkata and then later at night shall write on other issues -

my love as always -

1. Your blog has been covered, reviewed and written about extensively. Whatever you write in the blog is becoming “news” in print and on TV channels. Do you think, like Aamir Khan says, you do not need to talk to the press separately anymore?

ANS: I am surprised and intrigued by your observation. I have been travelling out of the country for some time and am unaware of print and TV channel reviews. But its interesting to know from you on the interest on my blog. I have not read or heard Aamir’s remark, but as you can observe, by responding to your questionnaire I have not paid heed to it !


2. Blogging for most is a very personal medium but Indian film actors have used it as a public medium to clarify his or her stands. What has your experience been like? Is it close to writing a diary or is it more a public rejoinder to accusations?

ANS: I have yet to find a definition for the blog or a blog or just blog. It is an intriguing word and I doubt if it would matter what it meant to those that use it. There are no rules for it, so I would imagine it is a medium where an individual has the opportunity to express himself and through that to others as well. If the process is being looked upon as a document of personal thoughts or as a vehicle for clarification and rejoinder so be it. I think for celebrities or those in the public sphere who sometimes desire a method for response this could be the answer.

3. Your usage of English and your writing style are truly praiseworthy. Have you ever thought of writing fiction or memoirs in the language?

ANS: My language and its usage is very pedantic and not worthy of praise at all. You embarrass me by this observation and no I have not thought of writing fiction or my memoirs.

4. Has the response to your posts brought to light anything new about your fans? What is your response to their response to your posts?

ANS: Yes it has. It has brought to light that they have a deeper perception of our profession and our character than we imagine. That they are extremely intelligent and conscious of their bearings. That their affection and love is spontaneous and exuberant and the reason for our existence. That their criticism and abuse at times needs careful consideration, for they are able to see and observe what we may not have and that it is the most joyful experience to connect with them first hand.

5. You son Abhishek and daughter-in-law Aishwarya have become global faces and have been the only movie stars from India on the Cannes red carpet. How does that make you feel?

ANS: I am not so sure of that. We are all here on a private visit. Aishwarya is brand ambassador for L’Oreal which is one of the sponsors for the Cannes Film Festival, so her participation in the festival activities is part of her contractual obligations. The rest of the family is here to be with her in her moment. The family has been spread all over different parts of the world for some time due to our schedules and we decided to meet up here. Aishwarya is a popular face in France and it is a very proud moment for all of us to witness the respect and honour that is accorded to her.

6. You have poured your heart out in your blog about things that have bothered you, about certain people’s actions and words. If you didn’t have the blogging medium would you have been able to express your hurt in some way?

ANS: I cannot say. It is quite possible that I may have kept that inside of me and allowed it to dissolve or fester. But now that there is a viable medium I am happy to be able to express myself.

7. Would have life been any different had things like blogging been around 20-30 years back because with you boycotting the media at that time none of your fans could hear your viewpoints on anything?

ANS: That is an interesting and valuable observation. The media boycotting me and vice versa did erase the opportunity of any documentation or record of events that may have happened in my professional career. I cannot say whether that held any importance at all. Media is the only credible source of any record for posterity other than official documentation by recognised sources. I do not think that media felt it necessary to keep on record what went on in my film or personal life, during the time of the ban. And quite frankly they were not wrong. But I would like to believe that fans love and appreciate your work on film and so long as that was in order, other aspects did not matter. So thank god for the films and their presence, for they kept me alive so to say in the minds of the people.

8. Has there been any pressure on you to use your new love for blogging commercially to promote your films?

ANS: No there hasn’t. But I talk about my films and my roles and my daily activities connected with them and at times putting up photographs and other material. If that helps in the promotion of the film then good.

9. What are the plans with your upcoming website? What features are you planning to include in it?

ANS: Plans are under construction for the website and it should be up shortly. It will have the presence of all members of the family, most particularly my father and his prolific work. I believe it would also invite comment from those not in the family as well, if we feel and consider it to be of value. It shall be a gradual process and we would love for any tips or suggestions on it.

10. Finally, Sarkar Raj is round the corner. How was it shooting with the family? Having shot for the film and perhaps seen it, do you think it can live up to the expectations from a Sarkar sequel?

ANS: Yes Sarkar Raj is due on the 6th of June and the experience has been wonderful. All three of us in front of the camera at the same time has been joyful and exciting. I will be seeing the final copy in a few days so I cannot comment on it yet, but yes we always expect the best to happen with all our products and Sarkar Raj is no exception.

Amitabh Bachchan

May 21, 2008
Day 33

London, May 20, 2008 3:05 pm

Dearest Ones,

I travel again. Back to Mumbai and to the sets of ‘Aladin’ straight from the airport.

I had been promising that I would make every effort to respond to all those that have taken the trouble to comment on my blog. The task has been huge and of great magnitude. Random names and a few words on their views have been managed in the past, but to get each and every name has been tough. I will want to even as I write this, be able to take up specific queries and answer them, but for the moment I thought I would tabulate all the names that came close to me and thank them for being a part of my life.

Most of you have been extremely generous in your reactions and I thank you from the bottom of my heart for your support and love. Some have had questions to specific issues and I hope that I may have answered them in a more general manner. There has been anger in a few and some have carried excessive abuse. To them I can only say that if there is fault in me, I shall endeavor to improve and try harder the next time. The abuse has been at times misguided. The perception or accusation has been wrong or could be wrong. For them I shall pray. Pray that the harshness that festers inside you for it to be converted into disparaging abuse, be calmed. I feel those that harbor hatred, cause damage to their own body their own being. Life has so many happy moments to deliver and enjoy. Relish that and ban hatred.

My love as always for you -

Sanjeev dave AJ Mohandeep Sandhu Sachin MD SHAHNAWAZ AKHTAR ABHISHEK Tarequzzaman amhh Mohit FATAB Manish Dubey AJITH Maulik Zaveri NITIN jhon rana PAPPU Anupama Abhijeet Ibrar Hussain Amarendra ibrar hussain Ambika Jalaj Amir khan Pradeep Wadhwa Hamid Amirsemsari Tushaar AMIT TRIPATHI tabish Amit s Deepesh Amitabha Neil Ray ANSHUMAN Anamika Suresh Maurya Armaan Madi Arpit drgm Ashwin arti sharma Arif Meeit Patel sweetyManchow meena SACHIN PAUL BAMBA Meena BIMAL Meena Kharatmal BINDU Meena FOR SAKHI Meenakshi Anisha Boggiano Meenakshi Bhaiiravi deepak joshi Bhavin Patel meena.n Bhupendra Kumar kishore vadali Bindu Meenu Brinda Tisha De Cookson Govender meenu CH Sukhjinder Kaur MANOJ Meera varma SAMIR Meera Carina Goessel Meera Chitra Prasad Meera DEVKIVALLABH Sahar DAXESH SONI meera daxesh Munish Deven Singh munish NAINA meetu DIABA Meeta DIANA MEETA DINESH Meeta VINAYAK CHOUDHARY Meet CHINTAN Hasan Mahir Jessy Sewsunker Ravi L N Daniel Navin Singh Darsuhail praneeth Debrup Mital Debrup Bhattacharjee Ashit Someone Whom Passed By.. 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Anirban Sengupta Mrs Deep Singh Vasanta ~Desireè_an American fan~ Sudesh Desi Sudesh Shukla Sneha Ferdousi Amrit Ashok ferdousi Doggy Shahrukh megha Dr Ashok Sachdeva Mona Dulari Mona vaishnav FIRDAUS UL HAQUE Megha pankaj soni megha GAURAV SINGH amit jain AMBIKA RATHORE meghana PRAVEEN Meghna Saxena Ghanu Meghana Jinette meghU Abhay Gairola mehul Gayatri kiran lama Gaurang Bookseller Mitthu Bhojgi vishal MEHAR SEKHON Bhojgi vishal CHANDIGARH mehek Vishal Jayen Mehta Vishal bhojgi chandigarh Rushabh Vishal chandigarh Pragati Mehta CHETAN K.HAJARIWALA Apurv DEEP Ashish Mehta NAMAN NIrav Mehta HIMANSHU DUSHMAN HUSNI Surendra Hiren Solanki Prashant Mehta Ashish Naik VJ from LA Hitesh B MR YOGESH Mehul Diwali Mehul VEENA Mehul JATIN Mems JAWAID AKHTER mekhala Jamnadaas Choksi sadaf JT Melvin pereira SAMARTH saxena melvin pereira JOYTI SHARMA PakSpeaker joy Megha janani cecilia nooruddin sheel J.B.Patnaik Nand Menon Hrishikesha Shobha JT from Las Vegas Anuj Jetty raghav narang Joyce Viscomi VIKAS SRIVASTAVA K K AGRAWAL Aman KALPESH Mervin KANKANA Vinod Kumar NEERAJ KHEMKA messiahfromouterspace MRS GERALDINA DINESH MAHENDRU KULDEEP SALOKHE Gurman Kaal Ka RV Kajo MF from NZ  ???? 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PANCHAPAKESAN V IYER Gopi harshali Sanjay Mishra DEEPAK Dhanchik DEEPAK CHAINANI Islam Mohammed Parul Krishna Poornima Akhilesh Kumar Misra Prakriti Dave Sharma AMITABH MISRA Pramodh gazal Prashant and Ria sara Prashant Rathi Tara PRASHANT sanjay mishra Prashant Thomas Prateek Thakker Manisha Priyesh Arnab Proma mita Puneet MITALI purvi patel mitali sharma Adil Mitaysh Sawant RAGHAV GAKHAR Mitesh Asher VIVEK Mithali VIVEK Mithan Shetty RAJESH CHOUBEY Mithilesh kumar Yadav RAHEMAT RAJI mithilesh Dipti Trivedi 16 May 8:34 U.S.A. KAKU PIYUSH Mithun Ritesh mitr Roman Juranek Debjit Mitra ROHIT Basu Mitra ROHIT Mitra ROHIT Sujoy Sanchit garima radha ravishanker Mittal Dolly Subhash Mittal Raj Thackeray Mittal Raj Dr Mitu khurana Rajesh Kejriwal Manish Goyal Ram Naidu Madhav Iyer Ravi Kumar Mehveen Ravi Mehveen Riaz Reemas Mayank Jha Achin Melanie ria mahesh chawla Ritesh Gupta manish Ritesh sharma ,Rajnandgaon(C.G.) 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Moon PAVAN Moon Jana DEVRAJ murugasamy Adwin Awadh moosa sheetal Moosa Rizvi Sheetal SHREY S JAIN sheetal Deepti sheetal bahl Mothilal Learner Mrinal Learner/ Acumen motif Shalini SAMARTH SHARMA renu prakash mouli aajatsatru mouli dexterous Mou Maanu AAKASH SARMA Moumita B Aakash mouparna banerjee annadorai maheen Arun Shrivastav Murtaza aalia Mitasha Paintal chacha mohan patel aamir Manish Anil Amireddy Manish Patwari anand bhaiya gandhi Naren aanch Mahendra ANINDYA Mahendra ANINDYA CHAKRABORTY Vikash Guwahati Assam Ashok Abhijit aarifkhan rakesh yadav Rupesh Shah Usman aroohi Nitin Shrivastava Aarpee Prashant Kumar Mishra Aanand Kumar sanjay sen sagar Arti sumit Aarti Dear Amitabh jee aarti Mya Arti Khanna Mya Aarti Deodhar m r brahmachari ( m-59 yrs ) Aarti Dhriaj Aarti Saxena Mrinali Aarti Saxena from USA mridul chaturvedi R Varadarajan Mridula A Baig Mridul Joshi swarnadeep Mriga aashima Mriganka Singh Aashish Jain Mrinal Kanti Rai Aashish Shhetty mrinal Aashish Mrinmoy Das Aashish Sharma Mrinmoy Ganguly AAshish Bora MRizwan Siddiqui jany jyotin kumar Ashish Kunal Ashish Mohan RaghukulTilak aashish bafna from bhopal Madhu aashish Mangesh Aashish Mayur Shah gurpreet panesar sehmi Aashna Shalz Anand Ashrit sheronia Ashutosh Srivastava zara aatish kann rajan Mrudul dhawade Vivek Awasthi Mrugesh Patel Ajay Pandey moses sapir ALPESH SHAH manish srivastava alpesh shah Sai aayush gupta madhu sardana Anshu satish babu Anshul bharath Arun Bhardwaj M S Chandani gajendra Shweta Abhishek Baheti Seema Ajay Batish Minnie Meenakshi mahshid AbbA Gopalakrishnan Mohammad balasubramanian Mihir Abbas Ali Manish Abbas Jaya Joshi ARB Mamta Shetty Amogha Mandar Soman desi Srinivasa M Umesh M Srinivasa Prasad MAK Suhas Abrar Siddiqui Sujoy LondonIndian Manoj Tailor KRown Vijay Mathur Viv Milind Ranade Vivek Mukul Saxena Vivs Mudassar Misarwala From Baroda Rosy Singh Satish Mudaliar Abdul Mahad Mudassar Kazi gafur Vishwesh jamal shah Mudit Tiwari Isa Abdulkareem Haque Razzaq Mugdha Arundhati Mugdha Anand muhammad saleem abha Mujtaba Abharika Mukesh abha kumar Mukesh Bhargava abhay singh mukesh sharma abhay Mukesh KUmar abhayk rishna Mukesh Shah,Mumbai Abhay Saxena MUKESH MITTAL Abhay mukesh pandey abhay sudhakar Mukesh Patel abhay mukesh singh Abhaya Simha Mukesh Kumar Soni Abhaye Mukesh Abhay Kumar Mukesh Udeshi Abhay meghdoot dr abhay Ratna Mukherjee Abheeshek Sarkar Amrita Mukherjee Abhi Shalini Mukhraiya sweetie Muktak Abhinav Raj mukti gupta Abhishek Muktikanta BHarati Abhishek mukul upadhyaya abhi Mukul Sinha abhilash Mukul Arya abhijith mukul verma Abhiraj Mukund Desai Abhijit Bunty as in Bunty n Babli Abhishek Gupta Mukund Abhishek bunty as in bunty and babli Abhishek Mukund Abhishek notrick Abhijeet MULLANAZUMI Abhishek Agarwal Manish Abhinav mumbaiker gagan Mumtaz Abhimanyu Srivastava Munaff GAGAN manish abhishek pandey Munish goyal from punjab atia munna ABHISHEK JAIN Praveen Abhishek Rai Bhavanishankar Rao Abhishek Singh Jag Marwaha tinku Muqaddas Abhijit Bera Muqaddas Ejaz Abhishek Tiwari Murali Krishna Abhishek Gupta krishu abhigna Murali Gouri K Murali Mohan Abhinav Singh Murali Gabbi Newyorker Murali Ramanathan Abhisek murli manohar srivastava abhijeet murtaza abdullah abhijeet MURTUZA TAYEB Abhijeet SenGupta murtuza Abhijit Dhakephalkar M SHAIKH Abhijit Dhakephalkar M V Devraj Abhijit Shanker Parameshwaran abhijit Suzzanne Abhijit Lalita Abhijit Myeisha Abhijnan Mukherjee misaal khan Abhishek Sara Abhik Mitra Anu Basu Agarwal Abhilash Desi Melange Abhishek Jitendra kumar singh Abhishek Kumar vivek Ashish Mayank Abhilash Rai Sheetal Gaikwad Abhi Myriam Abhijit Mane Gandhi Sakthivel AbyTheBaby Gandhi sakthivel abythebaby Adam Sandeep Nishant Aggarwal Abhilash Vimal Abhinab Ruchi Abhinandan Sharma SISTER MYTHILI Abhinav Gupta daisy abhinav Whoa,you are big B! 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Nagarja D Abhishek Chattopadhyay Nagaraj Abhishek Chakravarty donny abhishek Nagendra Abhishek Johary Nagendra Pathak Abhishek Narang nagesh ABHISHEK Rekha Nagesh abhishek rajvanshi Reema Bates Pooja Nagpal abhishek singh Sridhar N Abhishek Sengupta swapnil Abhishek Tiwari Ashutosh Naik Abhishek Raghvendra Abhishek Shraddha Naik Abhishek shukla sandeep naik Abhishek Jain NAIMA KHURSHID Abhishek Bali archit mehrotra Abhishek Naina Abhishek Ritesh Nain Abhishek Bansal Lata Abhishek Singh Nisha Nair Abhishek Rajiv Nair Aditya Rishi Abhishek Malpani Sudhir Nair Abhishek Kumar Ramesh Abhishek Tiwari Ramesh Nair little b DeepakDSN abhishek prakash Pradeep Nair Abhishek Sukhdevan Sheej Abhishek Kumar Naishadh Vyas Abhishek Kumar Sinha Naive Abhishek Sinha Najah Abhishek NAJEEBPH abhishek roy choudhury najeeb-kuwait Abhishek NAJIF Abhishek Sharma najmi sunny nakhva chirag Devayani from Nairobi Naleen Kumar ONE OF THE BIG B FAN nalin Vaishali Anant from Nairobi Nalin Tikkoo Vaishali W. from kenya nalinabh Arati Chadha Nalini Rao aditya abhilash Abhya Yet another Fan Abhyuday Modi Shubhangi Agnihotri Chandra Bhushan Anil Abishek Kumar Anil from New jersey abni aashish Anil kumar New jersey abni ashish Vini Iranian Namit yashita Namita Abraham namita Abhishek namita from Ahmedabad ABROCKS Namitha Narasimha sreejita Nam Qasim namrata Ambarish Sengupta GISLAINE Absurd Baba MALPON Ali Namrata Sharma Abhishek Bundela Namrita Wanchoo Sayak Bose nammita bhatia Sudharshan Namrata ashwin Nandini Shyamal Biswas Nana Ashu Mehra Girish ACHAL Nancy acharya manu Brij achraj manu nanda awanish nandana Abhishek Jain Samrat Amy Samrat Bandyopadhyay argha dutta Nandan Jha Adam Sulagna Nanda A Agarwalla Subrata Nandi AA NANDINI Adarsh Kali adarsh patnaik naneria ADI Ritika Adarsh sunny123 adnan Nanyaar? covenant Bally Singh (Hong Kong ) AD Narasimha Ashish Devalekar Narasimha Aditi Ghosh Shankar Narayan Melissa laxminarayanan dr aditya narender ADIL. GAZDAR. NARENDRA BABU amandeep narender sharma Ashish Tripathi Narender Soni adititoursandtravels narendra jitendra gupta Narendra Aditi Narendra adi narendra mohod aditi narendra A Fan Narendra Aditi narendra aditi Naresh Sharma aditya naresh Aditya Pathak Naresh Kumar Agarwal Aditya Rohatgi deepak naresh Aditya Naresh Kaushik Dr Aditya chewle Naresh Aaditya and Family ANKUR SETHI Aditya M NARESH SETHI Aditya Raj Kapoor Naresh Sharma aditya totla Narender Kumar Kapoor adidesai Narjis Chohan Aditya Narsimha chary Secunderabad aditya Nilay Band ( Reserve Bank ) Aditya Tripathi Nilay Band Reserve Bank Aditya Pratap V Avinash Aditya Pratap V. padma Aditya Worah natasha mehta aditya w Kaushik adity Kaushik Nath aditya Manish paras tyagi Manish Nathwani Rahul Rajesh Gor Bollywood Natraj Shekar Rao Rohit Kumar Bhutoria NATRAJAN Ramanean Natraj Doke Kamal Gupta Tashana Pratee Sona Md. 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Ajit Narayan Avish Ajit Bhuwan Thapaliya ajita bajpai Neeraj ajitabh gautam OneBigFan Ajitabh kumar Sanjay ajitwalia Nethra Rajesh AJITESH NAG Netra Kulkarni Ajith Shenoy Tajinder Pal Singh Ajith Prabhat Kapoor A Damodaran Neville Pardiwalla Ajith NAIR Anand Ajit Preeti Ajit Lakshmiratan dellila Ajit sarika srivastava Ajit Shrivastva Newtone sreenivas Mr.Nitin ajay bansal Narayan Gautam Ajay Mishra Nitin Joshi ajmal neeraj Divya Singhal Niranjan Goud Afshan neenu ASHUTOSH Belwinder Singh AJITH Rick ajith nickie ojha AJ from USA Nidhi AK Nidhi Aj Nidhi Aj from USA Nidhi Ak NIDHI SHETTY Ak from USA Artist Nidhi Bandil Agarwal ajay Nidhi ajay from USA nidhi Ashok Agrawal Nidhi Yasha AK PAWAN KAPOOR Ashok manoj Ajay karthik Nightingale* Anand Poonam Nigam anand tushar nigam Anshu indian ANIL KUMAR Niharika Akanksha Jan Niharika Aseem Kanungo Niharika ashwin Shreya Akash Agrawal nihar Akash nijen Akash Jain Nijo Joseph Akash Nikhil akash sinha Nik akash tiwari Nika Akash Mehra Niket Akash Mehrotra nikhil kamath Akayla Deshpremi Nikesh Nandan Akayla Deshpremi Nikesh Panchal Karima Niket ASHWANI BHATNAGAR Niketa Kanwar anil dhairyawan Niket AJAY GOYAL nikhil dachawar akhani satyam g NIKHIL GUPTA AKHILENDRA Nikhil Akhilesh Shukla nikhil Dr Akhil Govil Nikhil akhil nikhil Akhilesh Nikhil Joshi Akhilesh geetha mukund Akhilesh Singh adarsh singh fan_in_Beijing nikhil singh akhilesh gaur Nikhil Agrawal akhil Nikhil Akhtar Nikhil Buland Akhtar Nik Ashish Khushu Nikhil Varma aaksh Niki akash Niki akash niki Ashet Kikani N N Akila Ramachandran Nikita M Akil Pritha A K Jagwani Pritha Mondal Capt Ashok K J Pandey Nikki ~Liudmila~ Nikky Aakash Sharma Nikhil Prabhu Anil Kukreja Bangalore Nikhil Anil Kukreja,Bangalore Nikunj Poddar Abhishek Singh Nilanjan Arun mehta Niladrish AURO Nilang Rindani Akriti Puri nilay upadhyay Anil Nilesh Raje AJAY SHARMA AHMEDABAD NILENDU DEB Ajay Sharma NILESH SANGHAR NIDHI SHARMA Nilesh Keshav Nilesh Ashok Nilesh Shah Akshay Mehta Nilesh R Ashar Bharat Pattani nilesh bharat pattani Nilesh akshara pathak Nilesh mishra akshat shrivastava Nilesh Modi akshata Nilesh Modi Akshatha Kamath Nilesh Akshatha Naik nilesh akshat Nilesh N.Madia akshat suryavanshi nilesh Akshay Nilima Akshaya Nilkamal Sunil Goyal, Coonoor nilesh koli akshay gupta Niloy Gupta akshay Niladri Sekhar Khatua akshay Nilufar Islam Mona Akshay Shrivastava nelshi Akshita Patel nimesh singhania Alka Nimesh Amit Nirmala Nagarajan Akshatha Shenoy Nimisha akshaya Nimisha AD nimisha Akshat Srivastava Nimisha subiksha Nimit Arvind Nimmi Harisinghani Keshav Neha amit Nina Arora atul kumthekar Ninad Bhatkar arun kumar Nina Anurag Niranjan Srinivasan Alamjeet Niraj Alankar Nira Rahman alankrita Niraj Kumar prem Niraj Singh Alekh Neeraj Shah alek Niraj Vashi chintu niraj singh alexn Niraj Alex Niraj Alhad Sathe Niraj alhad sathe Niraj Prasad Ali Shah Niraj Ali Shah Hasan Niranjan ali niranjan saraswat Student Niranjan Pandit ali Niranjana Ali Haider Aftab Niranjan S HAJIPOUR Niranjan Shah ali Niranjanshah Deepali Jain vivek Ali Ahmed Nirav Alka Patta Nirav alka Nirav Jhaveri K CHANDRAKAR Niravra Kar Tina Nirav Sheth alkesh kapadia NIREN PRAJAPATI alkesh Nirjhari alok srivastava Nimmi allahabadi at delhi Nirmala Alok Nirmal Alok Ravi Nirmalya Majumder alok shrivastava Niroshni Nitin Alok Varshney Nirali ALOK KUMAR Niranjan alok Jaspreet alok Kumar Nirupam Kalidhar Alok Kumar sumnima Alok NISARG alok srivastava Nischal Alok Trivedi NISES Alok Tripathi nises alok anuj roohi khan Alok Srivastava mrs nisha sidhu Alok Bakhshi seep Alok Rinki Alok Kumar Nisha in Peru A Nisha Arora Alok Nisha jha aloke Nishad ALOK SRIVASTAVA nishad Alok Gupta nishant Alok Jain nishant bhatnagar Alok kulshreshtha Nishant Mishra Alok nishant alok Nishant Shrivastava Alok Kumar Sharma nishant choudhary Alok Sharma Nishanth Alok Shukla Nishant ALOK TOMAR Nishant Alok Yadav nishant singh Alpesh Patel nishi Alphy Nisha Alpna nishchal jharia alrounderhemant NISHI AGNIHOTRY alok shankar Nishi Agnihotry Jaipur sachin swatantra nishi agnihotry Avie Nishith bose Althaf Nishi Sinha Tapan Nishita Bharadwaj Rashmi Nishith Rubal Singh Nishkam Jain Aly K nishrin Aly Karsan Nishant sometimes fan sometimes not Nishant Abhishek Mishra ratnesh Amy ratnesh kumar upadhyay AMAD KHAN Nisrin Amad niteesh amad khan Nitesh Nema Miss Amal Nitesh Pal Aman Nithya Subramanian aman diwan Nitika Uniyal aman Niayati Bunty Nitin Aman Varma Nitin Punjabi amania nitin vijan Aman Yadav Nitin Aman Moudgill Nitin Kumar Gupta Amardeep Kanwar nitin amar Nitin Gupta Amar and Ekata Shah Nitin Aggarwal amar phatak Nitin Bhardwaj Amarjit NITIN KHEDKAR Amar nitin Amarpreet kaur Nitin Amartya nitin srivastava Amit K. Chandra (53) nitin gupta Ambarish Roy Nitin Alzende karthik nitin ashish Ambika GoAB Ambika Menon Nitin ambitesh nitin Vijay Nitin Dutt Sharma vishal amble Nitin Venkat nitin Ambrish Nepu Amit Kapoor Nitin Kandya Ameet Satam Nitin Hindustani Ameet Nitin Kulkarni Ameet Vithalani Nitin Amena Nitin Sawale Sufyan Nitin sufyan Nitin Tyagi Amar Varma nitin tyagi Ameresh mishra nitin vijan YATIRAJ CHARI Nitin Yadav amey Nitish Varshney Anand nitesh Ami Nitshv Amiene R e v nittykochhar Amit Yamini Ami nitu saria medhashree nitu amir Nityaprakash Amir Bukhari Nivedita Amir Neena Amita Shekar Nivedita Amish Rao nivedita banerjee Amit Mishra Nivedita Girotra Amit Sinha Niv Koustav Bhattacharya mustapha saha niwaz ali Koustav Bhattacherjee anand koustav bhattacharya Navendu Srivastav Amit Nitin Amit Jindal Naresh Kumar Bhargava meight Nitin Amit nkc amit Narender Jain Amit Mathur neeraj guwahati Amit Mathur neeraj kr jain guwahati Amit Mehta neeraj kr jain guwahati Amit Mohan Navin Kumar Jha amit pandey Naren Amit Pandeya Nithin Krishna AmitP Narayan Krishnan Amit Vivek Amit C N K Sharma Amit Sethi ankit bhatia amit sinha Nishant Kuliar Amit Tibarewal ..N Amit Vaish ANGRY YOUNG MAN amit ANGRY-YOUNG-MAN amit kolhe N K Gupta Amit Nilesh Singh Shrawani Amit Shah Legolas greenleaf Amit Duggal Naresh amit Neeraj Mahajan amit Nishant Dayal amit Manoj N amit nitin puglia Amit Thakur Nitin amit avasthy Niyati amit choudhary namrata Amit Neeta Natrajan Amit P Karmalkar Neeraj Mathur Amit Kumar CP Amit Mishra Nirav amit lunia from jaipur Narendra Srivastava Amit Tripathi NARENDRA SINGH TOMAR “ANAND” Amit Shanker nobab munna amit shrotri Rahul amit pralhadrao jathar Chelaram amit tiwari, jaunpur U.P. INDIA Raj Amit Agrawal Krtit Amit zara sochiye Marina from Russia Dinesh Amitabh Bose neha Amitabh Satapathy Rahul Dhansare Amitabh Srivastava Noreen Mustapha Ekendra Paulet Amitabh Srivastava aref Amitabh Bacchan Rahul Saini amitabh orissa M BIG B FAN Tomson Cherian Ibrar South Indian Amitabh M V Bhat Bangalore ROHIT BAWEJA ajay lodha Amitabh Telang abhishek amitabh garg ajay lodha Harry Krishna C amit amlani c Amitava Bhattacharyya chitra Amitava Nothings Aplenty Amitava Bhattacharya Indian Car Blog Amitava Chatterjee Nousheen Zakaria AMIT BHARATI VG Amit Sharma Novo Amit Chatterjee Parvati Amit Dasgupta Prasanthi Amitesh Srivastava N Shah Amit Nikhil Bendre Amit NPMATHUR Amit Gupta Purva Vaidya Amit Nehal Amit Jain Nitin Amit Jain Nitin Rai Amit Jain Raja N Amit neerajh Mumtaz N RAMPAL Amit Kumar Navin R Amit Kapoor Nrip Dr Amit Karkare Nripun Amit ANGRY YOUNG MAN Amit Kumar Upadhyay Dr NS Balaji rao Amit Deepu amit mahajan Shaveta Nayyar Dham Amit Mahajan Neeraj Sinha Amit Malhotra from Dubai Nitin Suryakant Musale amit mali NAMITA Amit Mathur Sujatha amit mathur Sujatha N AMIT MATHUR Sujatha Narayanan Amit Nidhi T Amit Moolwaney ntente mhayise amit Dr RahulDP amit tiwari Dr RahulDP Amit Haldwani Baltimore Amit Ranjan amit anuja Amitra Sudan Kar Mufaddal Fakhruddin Amit Rathi Nupur Srivastava Amit Rathi Nupur Barua Amit R nurain akram Amit Gupta varun srivatsav AS Rajkapoorfan Amit Sarna Nutan Amit Sharma Nutan Bajracharya amit shrivastava delhi Venkata Satish Namburi Amit Singh Vishnu Amit Sinha Krishna Nujella amitsinha Nagesh Amit Verma Nav amit banerji Mujtaba Merchant danny denzongpa annirudh bhati Amit Tiwari Namrata Amit Vikram Nyjil Joshi ComicsRulz Renu amit zijoo Amit amiya Amit Odedra A Sharma Vinod Kumar Konala adam Ojoswi amlan ghosh Satya ammalu oliverstone Ruksana marie Amy sudhir Amjad Shiva IYER Amod hardik bhatt amod badhe abhishek amogh Omendra ashu omendra Singh ashu omid khosrojerdi Amol Dave om kapoor Amol omkar damle Amol Joshi O.P.Nautiyal Abhilash Sunil Mittal Amoolya Amit Singh Amresh Mishra Komal Amrit yash Amrita Bedi ravi sharma Amrit Swarup dkv Amrit V S Manku Prasanna Kumar Amrut Vikas Amrut Love Amitabh Sharma Vinod Agarwal amulya naresh murali Priyanka KHALIDA Amit Sethi AMITABH UPADHYAYA alok kumar amya jeetesh a Jain SriKanth a.jain SriKanth Moka Anindita onyeka Anushka anuj Anaadi Oopali Operajita anamika Oopali Operajita Dr Alok Srivastava Majida Ana from France Satya Anam ika Vijay anamika Abhishek Kumar anu Ranjit Singh anu from Beijing oshmoksh anu from China Prabhakar anu from beijing oza Anamika Ghosh Subbu anamika Prakash Anamika Hey Mr. A. 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Sinha Ananda Agrawal P K Sinha Anandan Niar Riti Anand Joshi Priyankeshu ANAND SRIVASTAVA Priyanka S arshit anand Pramod Sharma Anand Susheela Anand Kamal Sush Anand Susheela Anand pincha Prashant Vasudev ABCD Pankaj AG Aartee Anand Gupta A student of Life BG A student of life Anand Sachdev Pawan Anand a student of life Anant Prasad Anant Arvivnd Pachouri Anant Pracheta Patel Anantha Krishna S N padmanabhan markandan anantha Padma Aant Padma Anant Padmaja Iyengar anant Padmanab Sridhar R Anant PADMNABH MIRASHI anant Padmanabh Subramanian ananya ganguly Arunabh ananyaganguly prakash patel Ana raviranjan Anand Bharadwaj Sachin Palewar continued contemplation S P anupriya Pallab marketing expert dr p desai online marketing pallav shivani pallavi Andy Verma Pallavi Bali Neehar Athalye pallavi Aneerudh Singh Adhirana Pallavi aneerudh Pallavi Aneerudh VisheshandPallavi Anita Akanksha palo Sumit Sameer pal sangeeta Milind angana Ajay Switzerland Jennifer murli Angshuman amit pamnani angsuman pankaj verma Ani payam anirudh Panache Hrithik Fan Ajay Pandey Aniket Nirav Panchal Rajat Panchapakesan Iyer anil dadhich pinku Anil Lodha anitya bandhu pandey Anil Ramachandran Awadhesh Pandey Anil Indu Anil Amit Pandey S. Anil Kumar Amit kumar pandey Anil K Khanna amit pandey Anil Anand kuldipnarain Anil Nair ?????? ?????? anil virender pandey Anil yogen pandya Anil Richhariya Abhay Raghuvansi Anila Ashok Pankaj Anila pankaj kumar anil007 Pankaj Pandey Anil Baldua PANKAJ GOENKA DR ANIL BALDUA pankaj goswami Anil Arora Pankaj Kumar Shukla Anil pankaj Vikas Pankaj Kumar Anil Pankaj Gupta Anil Kar Pankaj Anil Pankaj Shrouti Anil Pankaj Anilla Pankaj Anil Malik pankaj anilmalix Pankaj Nayan Pandey anil narula Pankaj Number One Anil Kumar Pankaj Pandey Anil Rawat Pankaj Potdar anil saraogi Pips Anil Pankaj Shukla Anil Kumar pankaj singh Anil Bhandarkar Pankil Shah (Florida, USA) Anima Dr PN Mohan Animesh Panna Animesh Sanjay Pandian Animesh Singh Anand Panthagani Animesh Gaur Papiya neeraj kumar Prashant Poojara animesh joshi Prasad Ramesh Anirudha Pappu Kumar Anindita Sen paddy dhanai Anindya Sengupta Naresh Parab Anindya Parag Gogari Anindya parag pateria Anirban Mitra Sethji Aniruddh trivedi Parag Aniruddha Mohod Parag anirudh kashikar Parag Anirudh Parag Makhecha Anirudh parag Anirudh Paramendra Bhagat Anu Dsouza Param Ishya Paramjeet Singh Anish Abhishek Paranjpey Anish Paras Saxena Anisha Gorty paras saxena Anisha paras tyagi Anish paras Anish Dhamecha Paras anish paras Anish Jhaveri Parasnath Singh dr.anish suthar AMRIT PARASHAR anish Paras Shah Anirudh PARAS SHAH anu Paras Shah Nika PARAS SHAH anita Paras Shah Anita Das pawan soni Anita pardeep anita Inderjeet Kaur Anita Dave Sid Parekh Anita Dhar Paresh Das Anita paresh Anita Karra Renuka anitakumar dr.parichay das[ravindra nath srivastava] ANITA Animesh New York ani Animesh Parida Anita Sharad Animesh Parida New York Anit Gopinath Kuldip Parikshit anjali Parimal Tewari ann parimal anjali parind anjali prayas Anjali Parinita Satpute anjali saxena m singhal Anjali Gandhi Abhishek Anjali Chetan a s parmeshvar sharma Anjali parminder Anjali Paroma Anjee Prashant Kapoor Anjana Parul Anjan Parimal johana Parimal Joshi Anjil Kumar Srivastava Parikshit Dubey anjali sharma parth chauhan Anju Chandel parth patil Dr Gupta partha Always Aparna Partha Dutta Anjulikaa Bhagchandani Mumbai Partha Ankur Srivastava Partha Dutta ankur shrimali parth Mirchi Parthasarathy ankhi mukherjee Parthh Ankit parthee ANKIT Parth Mehta Ankit Gupta Partho Ganguly Ankit Deepika Ankit Nayyar Hemant khare ankit raj ASHISH Ankit Saxena Srinivas Paruchuri Ankit parul Ankit parul ankit parveen kumar ankit Parveen Sachin ANKIT SINGH preet ANKIT SINGH RAJPUT parvez khan Ankit Parvez Ankit Parvez Hossain Khan Ankita Baxi PSV ankita Pashabhai Ankita Dubey Rinkesh Ankita khare Amit ankita Hetal Patel III ANKIT BHATIA III Jay Patel Ankit Jain patel Ankit jain Vivek Ankit janhvi Ankit Mehta Anand Pathak Ankit Raghuvanshi Rajan Ankit Singh Ramesh Ankit soni Uday Ankit Chandra Dr Anand Pathak Sunny Rahul Pathak Ankur Ankita Rajesh Pathak Ankur Tripathi RamaKrishna ANKUR SETHI Vishal P ankur pathak Anil Patil Ankur Deepali Patil Ankur jayesh ankur goswami AP Ankur Gupta Samikshya ankur sharma sarita ankur Patrick anky Patrick Fernandes Ankur Sahu patty Ankur Sahu pranav Ankur is urs Paul Antony Jose Ankur Pavan Ankur Gupta Pavan Anil Kumar Mathur Paven Sidhu Ankur Mathur Dr. Praveen Ankur Mathur PAVITHRA Ankur Pavna Ankush Pavan Ankush Sadashiv Dombe sharine Ankush Pawan Sharma YoooPeeeWallah Pawan anamika Pawan Srivastava ANNADORAI KANNADHASAN pawan Kumar C.R.Annapurna Pawan Annapurna Samantaray Pawan Lahoti anollaLop pawan manshani Ak Pawan Sharma Anne G Pawan Tiwari Ali pawanpreet nahal annie pawan sapra AnnihilatorUS pawan singh Annihilator_US Pawan annapurna Pawas Annu payal Anu Payal Barua Avinash Chandra Singh Payal anonymous Payton anon Abhishek fan Priya hmmm kash anon Paritosh Bhattacharjee Anonymous Pinak Ari Preeti Anoop Saxena P B RAJAHGOPAL FCA anoop srivastava Kazelhnl anoop prem jain anoop dwivedi paresh Chanchani Anoop Joshi Naresh G Anoop Mangal Pratik anoopaaggar Pareekshit Dheer Anoop Prasad Karnik 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Bhavvna Dev Rajesh M Sharma Bhavya rajesh Bhawana Rajesh Tailang Bhawna rajesh tailang bhawna Rajesh thakkar Dhananjay Deendayal Murarka Bhisham dr rajesh gandhi bhisham mansukhani Raj Gogia bhishm sachin Bharat Raj Hiray bhogi gondalia Raj Bhoomika Rajib Roy Bachchanfan Rajib Rocky Rajib Chakrabarti Bhootnath Rajiv singh sindhu Rajini Sachin Gurbir Bhullar Rajit RAJ BHULLAR Rajit Patel Bhupendra K Joshi Rajeev Gandhi Bhupendra Rajiv Gopinathan Dev Rajiv Chhabra bhushan rajeev gupta jabalpur Bhushan rajiv barnwal Gaurav Rajeev Bahri Ajay Bhutani Rajiv Philip Bhuvan rajiv singh bhuvan Rajiv Dixit Bianca Saldanha Rajeev Bianca RAJIV MOHTA Bibhudutta Rajiv Rattan Raj P RAJIV ROUTH Piyush Bichhoriya Rajiv Rahul Srinivasan rajiv taneja Bhomik Rajkumar BigBfan Raj Long time Fan of yours Raj Kuamr Saurav V Love U Brijesh Tripathi Rajkumar ojha big prem Raj Sanjeev Sinha Rajkumar Naipal bijal Malathi Bijan Rajesh Manchanda Bijay Sahu raj Bijesh Mitra Rajneesh Biji rajnesh bijish Rajni Mirchandani Jo Jo Rajni JoJo Rajnish Jojo1976 Rajnish Bhatia Bijoya Kundu Rajnish sinha bijupatnaik Raj Nanda santosh patnaik R BIkash Raj Parimoo Bikash Rajpreet Sondh Ajay Sharma Rajeev Ranjan Bilal Ek Dara hua Bharatiya Bilen Rajsevak bimal Priya Mathur Bimal rajshekhar Bimal Shivaji naveen soni bimoseptyop rajesh srivastava bina Raj Trivedi Binal raju Bindu Mohan g r shekhar well wisher 788 Bindu Unniraj Raju Sabka Mama Shree dh Bindushree Rajkumar Shree Raju G binish wasti Raju Binita raju jotwani Binitha rajumithra binky khyati Binod Sharma Raj Binod Singh Jo BinodSingh Rakesh binodsingh Rakesh Kumar Nayak binu thomas Rakes Dwivedi Prayaga rakesh Bipin Mhatre Shweta Ojha Bipin Dev bipin tripathi Dev Dutt Bipuljit rocky sonu Rakesh Bhatt Biren Jasani Rakesh Tiwari BIRJU PATEL Rakesh Bhatnagar deepak sahi Rakesh sharad kumar scotland Rakesh Bishakha Moitra Prajapati Rakesh Jha BISHNU DEO SHARMA rakeshtanmay Bishnu Deo Sharma rakhi sengupta Bishnu dr. rakhi misra Somai Bieswadath TIPU SULTANS SON biswajeet panda ben BISWAJIT BHATTACHARYYA Rajesh Koirala biswajit chakraborty Rakesh Indroneil Raksha Mousumi Raksha tania rajasree rajan Rachna Atul Jeera Ram asma ramin shervin Ram Dalal Kiran Krishna Rama Anna Rama JAG Jz Another Guy kumar jz-another-guy kamarak B.J. 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SANJEEV GUDDU Ravindra Rao Sanjeev Kapoor SAM GEORGE sanjeev kumar Sandeep Goyal Sanjeev Sanjay B Sanjeev Kumar (Delhi) Dr Rakesh Santani A fan Sanwar Agrawal Sanjesh Malhotra sanwar agrawal Sanjeet Bhattacharya Udaipur Dr Navjit kaur Sanjivan pathak Dr. Sanjeev Goyal sanjiv kumar Shashank Vikram alka dr santosh shukla Sanjog Shyam sanjog singh sandeep sanjay pathak Dr Shivakumar Shetty sanju DrSrinivasan Sanju Ayyar drsuhael Sanju ayyar DR SUNDEEP NIGAM SANJAY SHARMA BHOPAL sushant verma Aksh Bharadwaj trupti sankalp Dr Usha K Sharma Sankar Dutta mohd umar Sankar dr varun Sankar Panicker dr vipul shah sankar D Sanyal sunny dalgit matharu Sanket Yeole Davinder Raj Shah Sandeep Shyam Satish Santosh Mullapalli Satish D Subrata dominic savio George Jose Deepak S Rajmohan Srivastava dshrestha Santosh Gudi digvijay singh Sanjay K Piyush Bhatnagar Sant Ram Prajapati prashanth Sant dipti taluja Santanu Goswami Arvindnath Thakur Amerjit Singh Atul Santhosh Ankam Praful santi lakhsmi richa santosh AMIT DUBEY Santosh Kr Jha Ashutosh Santosh Bhat Dr Arwind Kumar Dubey SB anamika sharma Santosh gourav dubey santosh uday singh Santosh hi Santosh Menon abdul rashid dulloo Santosh Uma Santosh Kalra Good Wisher Santosh Chaube Durga Prasad santosh kr. pant Durgaram Santosh Jalota durgesh santosh patnaik Durlabh Jain Santosh ANOUSHKA DURSUN FROM MAURITIUS Santosh Nair Dhaval Shah Santosh rangapure Manish Santosh Dushi Santosh Mishra DUSHYANT PUREKAR Santosh Sandbhor dushyant Pankaj dushyant Rita S Saba Sanu Sankar Abhijit Dutta Aryan PRAVEEN DUTTA Piklu Sunil Dutta sanyam Sunil Dutta Sanyog Keshav Sanyukta dera sanyukta sinha Dwijesh Sanaa vivek Sanny Anandani ajay Amit Saxena ashna Mohit Sapna Naik Eakki Kamal Gupta Amitav Sai Beta Saptarshi Eric Saptaswa Eric Chhapgar Sara Singh Geetanjali sara SHREYA sarab shreya Sharad dadhichi Kalvin and Eileen Dinshaw(74 and 75) jj sunil kumar sarah mukesh jha sarah parvathy Sarang shahid bawany Sarang Kotwal eeshan kant upadhyaya Ajay Saraswat Ehsan Sarbari Ehsan Sarbari from Phoenix AZ EJAZ NAZEER Dr Sarbjit Singh Ek Baazigar namrata Ekta Khosla Nawal Sarda Dolly Varun ekta s sarfraz Elaine parul Elaine T sarika kohli elaine Sarika Lunani Elerook Poonam Elisabeth M S Sarin Gaurav sarita Liz Sarit Elizabeth Sarit Sil Evon Luicien subhadeep sarkar Elana Reuben Shantanu Sarkar from Sydney ashok Sanjit Sarker Rajiv Gupta biswanath sarkhel mahendran Sarla Bhagchandani navee GHANASHAM Sridhar Aruna Sarma Arindam Basu Mayank S Shah Saroj Rout Shah Saroj Kumar jeetendra sarsu Vivek Jain gabbu Amit sarvesh chowdhary Vytor Sarvesh Pal Emily sarwar khan baig Sarina Samaroo Mirabai Sashi Komandur emma lavender saswat nayak emma jnmarie Satish Singh Me Sinista sree kumar veeranna EMRAN HASHMI Satchidanand Sharma Suhasini Mule Hari Amit Pal Sat Prashant Satish Prasad Kulkarni satish Shadab Aham Rohit Sharma Satish Vemuri MOHAMMAD SHOAIB satish singh GaurangJuhu satish sabharwal enrique iglesias SATISH BORA t manwani anand satish Epti satish shukla mrigendra kumar satish yadav Preet the great fan of U Subhra satkaran yogesh sharma Shivani Joshi eram agha Swaminathan er girish anand satya sravan Eric bharti manish dubey Satwika Seema Ahlawat Sudi Ershe GSReddy shashi Satya eshan Satyabrata eskay Satyadeep Sowmya Sudha Satyadev Rawat jyoti Satyajeet Bahulekar swapna salil Satyajit Padhye Sada Shiva satyakam T Eswar Rao Satya Prakash Tarun Choudhury Arun N Rolee Ellen Satyam Durga Charan Satyam gaurav satyan israni rohit Satyan Eva SJ Sakina Dr Satya Saraswat Hyder Satyender Srivastav Chinmay Satyendra Vineet Satyesh Parihar vineet SK palak jain Souvik Eyas Hawashin Majid Siddiqui Ezzat Saugat Faisal Majeed Saugata Datta FARAH AHMED saunak fatemeh Saurabh Chawdhary fairy Saurabh Shukla Faisal Kholiya Saurabh Mohd Faisal saurabh w Hina Saurabh faiz ahmad Saurabh Bhattacharya faizan saurabh gupta Faizan Saurabh Falgun Bhatt saurabh pande Falguni Saurabh Atrey PS California Saurabh Bhakri humbleness is not a pretense Saurabh Jain preeta saurabh from Denver balwant saurabh nolakha Esha Saurabh Sinha Reshmi Soekhlal saurabh ayush Saurabh Srivastava farnaz from Pakistan Saurabh Srivastava Farah saurabh mishra Farnaz Saurabh Turakhia farnaz Saurabh Varma Farah Bookwala Saurabh Bose FarahWadiaWankadia saurav dubey faramarz Saurav farhan Saurav Mitra from Minneapolis USA FJ saurav tikmani Mr. And Mrs. Rashid Saurojyoti Farnaz Saurabh SUman Farnaz Shama Savi,USA Farooq Sherwoodian Farooque Alakh faruk Zankhra Arion Farzana Nisha Faiz Ms Ostwal fas Savitha Das rashi Savitree Devi SURESH MATHEW savi Melvin savneet Fatemah savy fat sawan abdul fattah bin abdul razak amit rahman Greshma Saxena rahman Shweta Sumedha Tarun Saxena Puneet SAYALI farhan Sayantan Chakravarty eman Sayantani Chatterjee Budsmolu sayanti DILIP S khan_08 indu sayed Filipe Soares sneha rajesh sharma SB Rakesh Shalini B Vinaykumar Pandhe Sanjeev Agarwal Ruhi Sri Umesh Pandit Sriniivas Finn Bharathi Sankararaman Harshad Joshi sbharti firoz 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Beguwala Gaurav Goyal Shabbir Gaurav Pinki Gaurav Jalan shabnam gaurav Shogun Gaurav Sharma Shadia Gaurav Saxena shagun Gaurhav H Atri Saniaa Shah Gauri kunal Sunil Gaur Parth Gautam Anand Kaushal Bandido Shah Mohammad Gautam Siddharth shahataaj Gautam Shahbaz Gautam Mehta Bijal gautam prakash KUSHAL JAIN Gautam shaheed gautami Shaheed Khan gautam mukherjee shaheen Gautam Priya fozia bashir Gautam Harsh shah Gautam Arora Hitesh gautam mrigendra shahi Gayathri From United States Shahid Gayathri Salt Lake City UTAH shahid khan Gayathri Malay Gazal Mrs Shah Gazhal Bhalla megh shah devesh007 montu gul masand Niki Shah geet Niki Shah Geeta G Shahnawaz Ali Geeta nirav Geetanshu Ramesh Shah geetahans Sagar Geeta shaik shahul hameed geetha dr vipul shah CHETAN BANSAL ayaz Gemi Farzana Varun Tewari Farzana Mustafa Rasna Channi Arora shailen taran Shailja Aman Maheshwari Himanshu shail mandar DIPAK SHAH veni from singapore Shyla Mousumi Sai Karogal SAJJAN KUMAR KHETAN bindi rajeev Shailen Kumar George shailendra dubey manghnani ghanshyam Shailendra George Koshy Shailen Sukul George W Bush shail Sameer Shailesh Lambe Aniket Shailesh Sharma Anikt Shailesh Amitav Shailesh Agrawal Amit drutpal jivrajani Ankur Pathak Shailesh Bhagwatrushi SHAILESH J NANAL Dipesh Kumar Shailesh Sanzgiri hamid husain shail Rahul Aryan Shaili Nigam sunny Shailja Manish Dattawadkar Shail Kumar mohit sharma Shailley MOHIT SHARMA Dr Shailly Sood Shweta Shailendra Summi shailaja Vaibhav Gupta krishhhhhhh Vivek Shail Gandhar Gautam Jain Shaimanti George Koshy Shaimanti Ghosh Hitesh Ghai Shaiwal Mahajan parul Shajy ghanshyam tiwari Shahrukh Karan Johar shakhawat Rajesh F Ghantiwala Shaktiq LionKing Kumar Shakti Shekhar ghoorbaghe Shakti Gene Howles shakti kumar Biggest B shakti VIKAS shakti medium B Sharad Vishwakarma ParagS Shalabh Gunjan Naipal Shalabh Parag shalaj jain ParagS Shalaka Sougata Shalesh Sharma Ghunoo shalinee ghunoo Shalini Gigy MB Shalini Prabhjot Gill shalini agarwal Sumit shalini k Sumit Gill shally Gina Mehta Shyamala.Rapolu Gina Sid niket ss Ginu George Shama Mumbai karen Arvind Gio Shambhu Nath Yadav Girish Dr Shameera bigb group london Giri Guevara Shameera giri Shameera BigB Group London Giribabu Shameera Bigb Yahoo Group London Giridhar Shameera bigb Yahoo Group London Giridhar Shams girijesh kaushik Shameera giriraj harsh(bikaner) Shamit Vohra Giri Kot Shampa giri kot Shampa Bhattacharyya girish Dr Shamsh Pervez Girish shah GIRISH BILLORE MUKUL shantaram Jadhav Girish Shaanil girish pradhan Shankar Girish Urwar Shankar Jha GEETHA BALSAARA Shanks Geetha Balsaara shanks gita nataraj shankar gitanjali shankar gitika shankar Kukeja peeru Sudarshan Pandey Govind Davey sudarshan pandey dr jayakumar g sudarshan pandey BECHAARA GAURAV Shankhadeep GAURAV KULSHRESTHA Shankhadeep from Minneapolis in USA gaurav Shanmooga GK Awadhiya shanmooga Ratikanta Shanoor, Malaysia GOPINATH K Shantanu Kulkarni dr geeta shantanu Gaurav kaundilya Shantanuu Raina Gary Khroud Shantanu Gautam kruti Shantanu Joshi gautam gupta shantanu Padmaja Shahnawaz Khan Pradeep Chabia shantilal Pradeep Chabria Shant dev Shant Tripathi Gloria Shanu Jain MRS GERALDINA shankar Gaurav Mathur Sharad ARVIND PREET Sharad Agarwal Madhavi Rao sharad Gnyanesh Gadre Sharada Gopinath M rao.g.s. Praveer sharada gurbinder kaur sharada gobindastrologer Sharad Srivastava RAJ Sharad Himanshu Goel Sharad NITESH GAUTAM Sharan nayantara Sharan Monika sharath Rashmin Gohel Sharath Govind Sharath Nandini Desai Your Fan Susheel Harchandrai jay Sudhir Sharda Manpreet Singh shareen betti shareen AUSTRALIA Shilpa shareen from AUSTRALIA Nishtha Gomes harimohan Azhar Sharin micky SHARINA sam Sharique gopal s sharma Sharmila Gopal Joshi Ashok Sharma manoj gopal Anika Sharma gopa namami sharma maheshgopal Pankaj Sharma gopa Sunjay Gopakumar Shrish Pandit Gopi Colonel V K Sharma gorang joshi Vinod Ela amitabh sharma Anand Gagan sharma Prakash RAKESH SHARMA Sunil Brijesh Sagar Sajal Sharma Sagar G murari sharma Pt. Pradeep Goswami, Mathura,UP Amit anjali goswami DR MOHAN SHARMA chandan goswami DR MOHAN SHARMA shalini DR.MOHAN SHARMA gourab mukul GOURAV BERI Ramashankar Sharma Gouri Sankar Patra Vivek Sharma Goutam Barua shashi Goutam shikha Goutam Prasad Vikas Sharma goutam jain Vikas Sharma koikoikoi Sharmistha gkpathak Sharmila Gowri sharmila choudhury Manu Goyal Sharmila Gharpure Gaurav Pramod Shankhdhar SHARMILA girdhar pandwar sharmilla khanna girish bidikar Sharmishtha GP from NJ (USA) SgD Praveen Gupta Juhi misra Gurvinder juhi misra Avni Sharad devkota GRACY shahrukh SRK Abbas sharvari observer sharvil Sunil Shashank anadi Shashank Oshon Shashank Prateek Dani Shashank Grenville D’cruz babaji Greta Shashank Kumar umang Shashank Srivastava Shraddha . Patil shashank paliwal Rintu Gupta shashank GAURAV ROHATGI Shashank Jha mehul buch Shashank Swant Anil Vashisht gulati gourav Shashi Sanjay Gupta shashi G S Biradar Shashibhushan G S Biradar shashi kant suman Gangadhar S Biradar Shashi Rao Gurjeet Shashikant Shalinee SARAOGI Gaurav Srivastava Shashidaran C G.S.Ranganath shashi Sujoy shashidhar colpac sagar & Shashikant Priyanka Shashi Rai MukeshB Shashi Kumar Jayesh Gujjar Shashi h singh bhaiboleto Gulab Shashwat Gulab Singh Dwij Ketav Shastri Just Marro shatakshee Gulrukh shah Shivani Shaunak Ganguly Shivani Joshi Shaurya Srivastava G GOURI SHANKAR shaveta Guna Shavindra Sharma gunita bakshi RANI Gunjan Kumar shawon gunjan sharma edward galstaun Gunjan S edward galstaun gautam sheela anshu prashun Sheela gunjan sethi Sheena Nair Gunjan Taneja sheena Sachin Sheenu Sajay Mittal Sheetal Ambar Sajay Mittal VA USA sheetal Sanjay Mittal sheetal Amit Gupta kishore Nisha Sheetal Varma Shashwat Gupta shephali Diwakar shefali Ashutosh Gupta 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Harini Sheena USA Harish Nanduri Shivani harish nanduri Shivani Srivastava Harish Shivani Srivastava Harish Gupta Shivani Harish Srivastava Shivani Kaul Harry shivarenuka harish Tina Harish shivash Harish Tripathi Shiva Harish Juneja Shivasree harish patel shivendra srivastava Harish Ahuja shivi Harish Amdekar Shivaji Ghosh Harish Srivastava Shivkala harry Shiv Harish Nagar Shivkumar Harish Nagar Khambhat shiv Harish Nagar,KHAMBAHT (GUJ.) shivkumar Harish Nair Shivkumar Sharma Harish Trivedi Kumar Harish Acharya Shiv harish s r mohite haritrushi Shiva Prasad Baani Shahyad Singh HARJIT Shivz harjit singh ubhi shiwangi jai khanna Shivesh Shukla Harman Singh Sidhu saj Harman Shiyas Harmeet subbu harmesh Kumar walia Shweta Harnarain Singh Gill SHM Harnam Shunkumar shobz harneet singh annalex Haroon Rasul Shobhana Haroun Rashid Shobhan Sahdev harpreet Shobhit Harrisham Minhas shobhit harish shobhit kapoor harish Shobha daniel AG harry grewal Nivedha Harsh Prannoy Nair harsh Anand Harsha 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Vashishtha Santpreet Ashutosh Shrivastava hello Prashant Anil Kumar Kanhaua Sonal Shrivastava Nimesh Patel ashutosh and sangeeta anupam Gaurav Shrivastava Harmeet Gaurav shrivastava Deepshika Anu Shrivastava Sunil Anu Shrivastava RhodeIsland US Sanjay Bhargava Anu ShrivastavaRhodeislandUS sanjay bhargava AnuShrivastavaRhodeIsland Hema S AnushrivastavaRhodeIsland usa Arista anu shrivastava from Rhode ISLAND USA Hema anu shrivastava from Rhode Island USA hemant anu shrivastavafrom Rhode Island USA Hemang shriya kumar HEMANT CHANDAN somayajulu Hemant shrizzle hemant from guwahati SHARLA ANDHEE Hemant Aparna hemant kerman hemant Srinivas Hemant Shruthi Hemant Tiya Hema shruti HemRaj Singh GoSh Jee Hemraj Verma shruti srivastav Hemant Srivastava Shruti Hemant Bhardwaj Shruti Hemu Killawala Shruti Hemu Shuaib Baig henna ABHISHEK KUMAR SRIVASTVA kishore bhatt Shubhra kishore bhatt(uk) Shubhada Paigude Rawas Het suvo hk Shubham Bhattacharya Ajit Thakur Shubham Harit (DPS-MIS QATAR) Lavin 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Butterfly unique Raaj vijay Sindhu Narayan M sanajy MK Siraj RS Sireesha Hemal Rakesh Jain Enamul rajesh sisodia Ijaz S Sistla Ijaz Ali Sita Priya Moorthi pradeep Si Imran from NJ USA Sita I K Chhugani sitaksh ila asthana siva ila asthana from INDIA Siva ila srivastava siva Varun Kharti siva shivam saini Seaview K Ilyas khan Ashish Srivastava Ilyas khan kabul ka pathan Ashish Srivastva ilyas khan(kabul ka pathan) Raj Shah ilyas lokhandwala Sizzlingmumbai shashank agarwal Saurabh Jain Andy Jagruti Madhu suresh jaluka Madhu Shala Sania kalpana Saurabh J paresh Sajjad Hussain Iman From France shanu gill uk Ashwini Kumar Sarita Question SUNNY M……. 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Deodhar Suyash krupal suyesh patel Jimmy suzane kedar vidya Kedar Sudhanshu Vachaspati Gaganaut Ashwin Desai Kedar Patra Srinivasa Vemula navalkishore Venky vaibhaw kumar kedia Sandeep Verma Keerti Nair Vijay Patil kashti shirish Keerty Srinivas Nikhil svo16 Astrologer G Kennedi svs Kennedi Shailendra kenny sandeep Sanjeev Menon Swati Pai KERFEGAR H BESANIA swarup kerfegar Swagatam Paul Raja swami rameshwaranand Keshav Murthy Swami Chaitanya Alok Sandeep Swapna mukesh Swapna Viswanath Eswaran Krishnan Swapna S ketan gadhvi Swapna S Ketan swapna ketan h trivedi Swapnil Kaivalya Shah swapnil lalit arora swapnil Keyur Patel Swapnil Kamran swapnil Kumar Gaurav sanjay gajjar Bhuvana Maheshwari swarmista Kanal swarnavaray Sunil Doiphode Swarnika Krishnendu Swaroop Biswas K G Shriram Swaroop Biswas manoj live india gaurav dutt khaisar wajid Swatee Khaled Siddiqui Swati khalid Swati Ram swati DrSami Khan swati K Khan swati AR Khan swati Nitin swati VIRENDER KHANDELWAL Swati Gaurav K phoebe Vineet Swati Gupta & Family Fasel Swati Parashar Dheeraj Khanna Swayam Harsh Khanna Ankita karan abhi Ronak meenakshi ANIL KHANNA Saaniya Khan Sandeep mittal khaoula sun Rohit Shailesh Shah Pawan Khatri Ritu Waheed fatema Khela Rj sophie santosh baburao bandekar iman kheteshwar Iman from France sayer khiaru sattar samah from France Khuram Bhavika Khirod Mallick Dilip Kathuria churpur Sworup Khushali syam Rajesh Kumar Singh syanafwc moona SYED Dr Khushboo Faisal Khushboo syed khader khushboo Faisal khushboo Razi Ahmed Kalpana Chandran SYED ZAKIR HUSAIN Aradhana Chaudhary Zubair aman sharma Zubair Abedin Khushi Aneek joyee Sandeep khyber ANONYMOUS Kerstin Tunna Kishore Kumar Bhaisare Tabby KIKU Tabby Khan KILON MEHTA Tabitha Kilon Mehta Netwalker kim ST Kingshuk Dhar ST Vivek Tagafull Sourabh Tagore Almeida Sudeep Taher M Shaeikh Rajat Rathee Minesh Tailor Kingshuk Bhattacharjee Rehan Abbas Kinjal pooja Argha Ghosh hetal kenny priya Kinni priya marie Kinza ABHILASH MISHRA Kinshuk abhilash mishra Kinshuk Sunil bhopale Kinoness itisha varma Kiran Daranesh manish kiran sanghvi Shraddha STS rakesh KIRAN abrar ahmad Kiran AVNISH JAIN kiran Shuchi Agarwal kiran Vijainder K Thakur kiran Vijander K Thakur kiran India Mobile Forum Kiran kalway Amith Kiran Bangalore Amith Kumar Kiran Panda Sagnik KIRAN KUMAR rajashekar Pinto sarita kiran Vivek Kiran aparna kvs tamojit Kirthi Deshpande Tracy kirthi jain tanay prajapati Kirti sonia Kirti Tripathi Siddhi Mehta K Tanisha kirti patel Tanmaya Sahoo Kirti Tanmoy Palit Kirti Gupta Tanisha Kirtiman Tanoy Dutta Kirtiman Tanpreet kirtish Tantra kirtish bhatt Parent krishna Kavita kishan Tanuj deepak kishaniya Tanuja Vasu rskishore Tanuja Abhinav Kishore Tanuja Vartak kishi Tanu Kishor tanveer sadhana Tanveer balakrishna Tanvi Ranjan Kirtikumar p tanwani Lakshmi VINAY SINGH TANWAR Kumar Iyer Tanya Shah Arvn tanz Kanchan Tapan Bhatt karan singh Tapan Chaudhary Kevin Tapan Karnik Krishna Agarwal Aparna Sharma Krishna Kumar Tapas karan kumar Tapashi Chaudhuri krishna kant pathak Sandeep Kanbulo tara ankur Tara Kunal tara saini Kiran Bhandari Tara Mittal Kiran bhandari Dr Taran Patel Dr Kamal Kant Budhkar Tarun Sharma ketan agarwal Tarun Srivastava HARSHA SONI t k bhandari kaushal pandey Tarun Pandey kamlesh Tarun Arora kapil kumar TarunKaushikaAditya Kishor from Toronto Canada TARUN RATHI klley Don TarunTheTaurus Reena tarvinder HARSH SAXENA BHOPAL Tarun khurram sarah kunjal Tasneem Kirt Mehta Hiten A Parekh Krishna Mohan Tauseef Ahmad Mina Rohit Tayal Krishna Mohan Tanu Bhandari Karuna Tariq Hussain Kal A. 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- Amitabh Bachchan

May 20, 2008
Day 32

London,   May 19, 2008    10:00 pm

I am unable to resist sharing this with you.  It’s personal. It was emotional for me and I thought so relevant to my last post, I had to put it down.

I posted DAY 31 last night from my room in London and when I got up this morning to check my blog, I read a comment from one called ‘little b’. I was unaware of the existence of this title and as I looked through it I realized it was coming from Abhishek. I am copying it here for you to read.

Abhishek was in Cannes with us. Jaya and I left for London and Abhishek was to take a later flight to Mumbai. His Nice-London flight got delayed and since he would have missed his connection to Mumbai from London stayed back in Nice to travel today. He wrote this comment as he waited in the lounge in London, Heathrow. The legacy lives and I hope thrives.

I am also attaching some stills from Sarkar Raj. It releases June 6th and premieres at IIFA in Bangkok.


littleb

hi dad,
just finished reading todays post sitting in the BA lounge in heathrow transiting back home to report for shooting. my flight leaves in 30 mins but had to post you. amazing how clear your thoughts and memories become when one travels. i think you’d agree that we do some of our best thinking when we travel. after reading todays blog post i, too, am taken back to my school days at aiglon. it was the evening before the basketball inter school tournament finals and the weekend before the most eagerly awaited sporting event in the school. the inter house basketball tournament. i remember, it was to be my first ever appearance on the school team. it was a practice session the night before the big game when i landed on a team members foot and ended up tearing all the ligaments in my foot and chipping one of the bones in my foot. like you, i was put in a huge cast and shackled to my bed ( well at least, that’s how it felt ) i was shattered. this was something i had dreamt of for years. and my dream was cruelly snatched away from me! the following week during the inter house competition i was sitting on the side line as the honorary coach. i will never ever forget the visual of seeing you in the stands cheering for my house and more importantly ME! ma told me that upon hearing of my accident you cancelled all your shoots and flew to switzerland to be with me….. later that evening i remember you telling me the same story that you have shared with everyone today. especially dadajis words!!!!!
” mann ka ho to achcha, na ho to zyada achcha ”
these 10 words gave me strength then and till date guide me.
just wanted to share this with you and tell you that I love you for being the man that you are and the best father a boy could ever ask for. and for always being there for me.
now i have to run because i think my flight must be on the runway by now!!! see you at home,
love,
son

May 19, 2008
Day 32 (i)
London, May 19, 2008

DAY 32 carried a comment from Abhishek and this still from Sarkar Raj seems to epitomise all that I had to say or indeed what he had to say sitting in that lounge waiting to catch that flight. Its a moment of truth in the film, a moment that father and son reckon with given the realisation of sudden circumstances that occur. Its a moment that defines the course that each have to contend with.

Shot entirely in close ups, a forte with Ram Gopal Varma, it is a single shot through a circular trolley movement. Once over Abhishek’s shoulder and then over mine. Formal editing patterns or let us say conservative editing patterns never allow shots to be cut when camera is in movement. But this one has been done exactly opposite of that theory.

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An important moment of decision between Subhash Nagre and Shankar his son. A decision that could have severe political repercussions. The intention is common to both, its execution perhaps different. Its the son exerting his desire to take responsibility for the future, politely putting it across the maturity of the father’s reasoning -

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The benevolent Subhash Nagre at his birthday celebrations, in the background. The burden of responsibility on my shoulder Shankar in the foreground. Its business as usual -

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A hard nosed business lady from overseas and the dawning of the harsh and intriguing environment she now finds herself in -

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The angry realities of difficult decisions; sometimes hitting too personally -

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……and the strains of nature attempting to wash it all away

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Deceit, unfaithfulness -

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Life.. is a struggle always as long as it exists -

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..and the determination of support and fulfillment

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May 19, 2008
Day 31

Nice-Vence-Cannes,     France    May 18, 2008    9:35 am/ 11:10 pm

London

Cannes has come to an end for us. I leave to be with my daughter and my grand children in London for a day and then back to Mumbai and ‘Aladin’.

Cannes was an interesting experience and I would want to spend more time on it later. But today as I rush to airports to catch flights, I am delighted with another event about to happen. It’s the coming together of the Class of 1958 of Sherwood College, Nainital after 50 years !

Sherwood, the boarding school where I spent some of the most formative years of my life has its Founder’s Day celebrations from the 3rd of June till the 5th and has invited me as a  guest. The Class of 1958, who passed out of the school after giving their Senior Cambridge Examination, realized, it’s been 50 years since we left school and have decided to meet up. We have, through some enterprising classmates, been able to contact quite a few and are now excited at the thought of coming together.

 Old memories remain so strong and vivid in our minds. We tend to forget the details of what we may have done yesterday, but remember all that happened years ago during our childhood. The School the people the teachers the classes the games the incidents all so fresh and live.

As my thoughts go back to Founder’s Day and Sherwood I can never forget the moment when I received the greatest lesson of my life. A lesson that has remained with me in all that I have done in all that I have endured in all that I have experienced. A lesson that was given to me by my father. A lesson given to me in Sherwood, at the time of a Founder’s Day when I studied there.

Founder’s Day celebrations in Sherwood constituted a varied range of activities. Meetings with old Sherwoodians, sporting events, PT displays, the Annual Concert and some exciting changes in the diet of the boarders !

My interest had lain in the Annual Concert and to be a part of the cast of the play that would be put up for visiting parents and other guests. The stage had been a constant feature with me during my entire schooling years, right from the Kindergarten, where if I recollect, I played a chicken, flapping my feathers and singing a ditty from some prominent nursery rhyme. 

I had done the School Play in Sherwood in pre Senior Cambridge; Nikolai Gogol’s ‘Government Inspector’ enacting the role of the Mayor and winning the Best Actor trophy, the prestigious Kendall Cup, instituted by that great Shakespearean stage personality Geofrey Kendall, who later became Shashi Kapoor’s father-in- law. That was 1957.

It was now 1958. Final year in School and playing the lead character in Agatha Christie’s ‘..And then there were None’, for Founder’s. My trophy for best actor in the previous year had almost assured all that I was slated to win it again this year, keeping in mind the importance of the character I was portraying and the talent required to carry it. I was 16, the Judge in the play which I was enacting was 60 !

The Dress Rehearsal for the Play, performed a day before, for the students had evinced huge applause. Compliments and praises flowed. In school and at 16, it was heady stuff. That night I went to sleep with some difficulty. The anticipation of the activities the following day, the Play in its final performance, the thrill of seeing your parents after almost six months of being away from them – in those days when letter writing was the only form of communication, it taking a fortnight to arrive by post, you can imagine our excitement of meeting Dad and Ma in person !

 The morning arrived and with it came a gentle rash on my face. I thought it was the nestle, a wild plant found abundantly around the hills surrounding the school; a brush from which would generally erupt into an itch and then you scratched yourself into an uncontrollable rash. But my room mate Ravi Dhavan ( Senior Cambridge students had the privilege of cubicles ) saw something more ominous. “Its measles” he said and rushed me to the School Infirmary.

Mrs Pratt, the benevolent wife of our senior teaching staff and qualified nurse cum doctor, took one look at me and gently guided me to an isolated bed.

“Bachchan we cannot let you out. This is contagious. You will have to remain in hospi !”

As I waited in that room for further instructions the only thought that kept disturbing me was the Play later in the evening. I hope they don’t stop me from performing. I shall remain in the Hospital and just go out to the stage in time for the start. Will just do my part and come back. Please I will not touch or mix with anyone. Its merely a matter of two hours. How will they find a replacement, there has been no understudy. My parents are coming all the way from Delhi to see me act. You cannot do this to me.

Nothing worked. The Principal Rev RC Lllewlyn came across and in his measured and sombre tone passed judgement. I will have to miss the Play, Mr Berry our Drama Instructor would play my part that evening.

In a boy’s boarding School you seldom came across boys shedding tears. You were termed a ‘skit’ if you did, a term used to describe a ‘sissy’. A weakling a quitter. Early introductions to that male chauvinist ego thing.

But I wept. Wept inside. Nothing coming out on the face except that defeated smile. The smile, when having lost, you force yourself to laugh the embarrassment off.

I remained in that state for how long I have no reckoning. Evening drew closer and the parents and audiences started walking down the slope of the hill towards Milman Hall, the venue for the Play.

Sherwood was constructed on a prominent hill in the Kumaon range. The highest point housed the classrooms and the dormitories a little lower to the left was Junior School and to the right on an isolated slope, the School Hospital. Beyond the Hospital and lower down was the large football sized playing field laid with ‘bujjree’; a thin grey layer of crushed rocky gravel on which we conducted all our sporting events and to its left on the same level was the imposing Millman Hall, double storied, vast corridors, and named after one of our ex Principals. The ground floor had the gym and above it the stage and hall.

From the School Hospital one could see all the goings on at Millman and hear it too. Sound travels uninterrupted and clearly in the mountains.

I sat on my bed alone, broken and wondering why fate was depriving me of this opportunity. The opportunity not just of participating in the play, but that of winning the Kendall Cup a second time, a feat not accomplished by anyone in the history of Sherwood till then.

The general murmur of an audience seated and anxiously awaiting the performance to start, drifted across to my bed. I could almost see everything. Hand made programs being doled out. Parents, guests, students turning its pages to read the synopsis of the acts, the names of the cast. Judge : Amitabh Bachchan ! Present but absent.

The ringing of the three customary bells before the start, silence, a short opening speech by the Principal, perhaps to inform them of my illness, or would they not, an applause and then silence again. The curtain opens dramatically and deliberately and the first spoken words of  Agatha Christie’s renowned murder mystery get volume.

 I sit there propped up in the infirmary, my heart beats struggling to drown the sounds coming out from Millmi…

And… my father walks through the doors of the Hospital, softly, without a word and lowers himself beside me on the bed and sits down. No one speaks. Act 1, Scene 1 plays at a distance. My father places his hand ever so gently on mine, allows me to feel its presence and then with all the strength at his command clutches it.

We remained like that for some time. We didn’t look at each other. Just stared out through the window.

And then I heard his voice -

“Man ka ho to acchha. Man ka na ho to zyada acchha !”

If things happen according to what you wish. It is good.

If things do not happen according to what you wish. Then it is even better.

And for the entire duration of the Play my father understanding the pain of my mental condition, sat next to me in that Hospital bed explaining to me the meaning of these golden words, not allowing me for a moment to get distracted by the goings on in Millman Hall.

If things do not happen according to your wish then they happen according to the wishes of the Almighty. And the Almighty always does things for your good, hence His wishes will always be better.

I argued against it. It was not logical. How can this be true. How can something that does not happen according to your wish be better.

But he persisted and explained and gave examples and persisted again and again and again. Till I succumbed !

It has been the greatest lesson of my life. One that has stayed with me in every situation. It has been my strength in adversity, my companion in pain and tribulation and my dearest friend in moments of glory and joy.

I shall be in Sherwood for Founder’s after 50 years. I shall walk past the School Hospital to Millman Hall again and time shall stand still as the strains of my father’s words come back to me, strong and resilient.

My father is no more. And one day I shall go too. But I have left these words with Abhishek for him to follow and pass on.

Humans perish, not their words. They are eternal.

‘Man ka ho to acchha. Man ka na ho to zyada acchha !’

My love and more to you always -

Amitabh Bachchan

May 18, 2008
Day 30 (i)

Apologies !

The interview with Subhash K Jha will not be  printed, due to an error on my part. 

I put it on the blog before it could be printed and the press pulled it off. Sorry. I shall be more careful next time !

Amitabh Bachchan

May 17, 2008
Day 30

Nice-Vence-Cannes,    France    May 17, 2008      11:00 am

It’s raining ! 

So for the moment a copy of an interview I just did with Subhash K Jha.. 

On 5/16/08 11:02 AM, “subhash jha” <jhasubh@gmail.com> wrote:

What prompted you to turn blogger?

ANS//

I was not aware of the existence of such a medium. I read about it in the media, spoke to the people who were in the process of preparing my website and they educated me on the blog.

*It’s being said in  a  section of  the press that the blog is a  massive commercial enterprise, that you’re being paid a hefty amount to  keep the blog interesting.

ANS//

This question was asked of me some time back by the same paper that now repeats itself, despite the earlier clarification. I am now attaching a letter written by bigadda.com which further clarifies the situation. And I repeat here again that the blog is not a commercial venture and I have not been paid this ridiculous amount of money to write it. I am merely using the facility of the server provided by bigadda.com to carry my blog. If the reporter carrying this allegation has proof contrary to what I say, let them bring it out. Show me paper work justifying the payment – contracts, bank details of payment made etc. Or, give us details of the source from where they claim they got this information and let him justify his declaration in an acceptable public forum.

The acceptance by same ‘section of media’ of the blog being ‘interesting’ is a compliment to its content which I humbly accept.

How satisfying  has  the  experience  of blogging been so far?

ANS//

It has been a most wonderful experience and I have wondered why this was not known to me earlier. The speed of communication the world over, the responses to my thoughts, the adulation and endearment expressed by well wishers, the vulgar and ugly abuses, the strength of the advices that you receive, the healthy criticism, the demand for more on my father’s works, the requests for Hindi fonts and words, the requests from foreign bloggers not to write in Hindi for fear of not understanding it, all of it has been educative and awe inspiring. It has been like talking to each one of them personally sitting across the table. It is time consuming because I read all the messages myself and I write my blog personally too. I have not permitted the server to allow comments to go through a ‘moderator’ because I want a fair, clean, democratic approach to be practised. To cope with this I sleep a little less perhaps to make time for those that write, but what is the loss of a little sleep compared to the love and affection of those that express themselves in the blog.

You seem to have become far more frank and forthright, far less diplomatic than you used to be.

ANS//

Maybe. But I think it comes from the knowledge that what you write or express has the ability to go across to the reader without dilution or moderation. The absence of the ‘middleman’ in this business, as an eminent colleague from your fraternity described the situation, helps in the purity of my output. This is not to challenge the purity of the middlemen or their intention, but it is sometimes more desirable to deal directly. I try to be as honest as I can in my out pouring and yes they may seem to you to be more frank and forthright and less diplomatic, but I wonder too at times whether that has been judicious of me. As I spoke in my last blog of DAY 28(i), words and expressions can get twisted and misinterpreted and can cause unwanted hurt or a misunderstanding. These are some of the misgivings that all in the public domain have to be careful about. A twisted or misinterpreted thought could create an avalanche of negativity, which in turn could fructify into harsh and ugly acts. I would hate for that to happen and whenever it has, I have not hesitated to tender an apology or to correct myself if I have done wrong. I am human and I will make mistakes.

Your comments on Shah Rukh’s television show and on  a  hostile film critic  have been discussed widely.  Do  you  feel  your  comments  could’ve had an  impact that perhaps exceeded your intentions?

ANS//

Exactly. As I said above, that is just what I am talking about. I narrated on my blog what actually transpired during one of my several meetings with TV heads , who had come with proposals to me to do a show for them. I asked them some genuine questions on the viability of game shows. They described to me the falling ratings, which included shows done by me and by others as well. Out of a desire, purely academic in nature, I questioned them as to why they would want to do another similar show if the ratings were not supportive. They put across arguments and suggestions and ideas, which in keeping with the confidentiality of the moment would be unprofessional on my part to disclose, and left. Our talks are still open as is my intention to work for them. I merely transferred these talks, or at least the basics of it to my blog purely to seek opinion not glory, and the next thing I read is that it is an attempt on my part to show Shah Rukh in poor light. Which was entirely incorrect and a load of rubbish.

I have since, on my blog of DAY 28(i) apologised to Shah Rukh and those offended by this wrong assumption. I have also with folded hand made a plea to the media on this.

The hostile film critic has been pursuing a personal agenda against my family and me, which you and several others have noticed and acknowledged too at times. For my recent film ‘Bhoothnath’ he did a review which blatantly confirmed said personal agenda. Reviews in my opinion are meant to talk about the merits and demerits of the film. Trash the film if you have not liked it, give it zero rating, not a problem. But, if the review will be a personal attack and will be put in the public domain because the writer has the benefit of a medium under his control, then I too have the right to take a personal dig at him through a medium in my control. It is my democratic right and I have exercised it.

It is quite possible that just 2 people may have read my blog and my point of view, but for me those 2 people become more important than the 200 million that would have read the convoluted content of the newspaper in question. And I say this with all due respect.

I will apologise to Shah Rukh a hundred times if there is an iota of doubt in his mind about my conduct and behaviour towards him, but I will not apologise to said film critic, because his journalistic ethics are wrong ! 

How much time  do you set aside for the blog every day? Has it become an addictive routine?

ANS//

Whenever I get the time I write. There is no time set aside for it. It’s more a self imposed commitment than an addiction.

What expansion  plans do you have as a  blogger?

ANS//

The blog will shortly become a part of the website that is under construction. The website will be more encompassing – my father, mother, Jaya, Abhishek, Aishwarya, Shweta or any other family member or non member for that matter that wishes to contribute on it, will have a presence. It will be a huge task, particularly matter containing my father’s works. His repertoire is vast and varied and of immense literary value and I wish to give it its pride of place and importance.

Are you in  Cannes? With the rest of  the family? Are you representing a  film? Are  you enjoying yourself?

ANS//

Yes I am in Cannes and with the family. This is a private visit, there are no films I am representing and have not been asked to either. I believe there has been an article in the Kolkata press criticising the 4 of us for not visiting the Indian pavilion. Well firstly, this is as I said  a private and not an official visit by us, moreover, no one has invited us either. And secondly, I am a little wary of government invitations. They invite you to be chief guest at a function and when you arrive there, tell you you are not invited. At the opening of the Festival on the red carpet I did bump into a government official. We exchanged pleasantries, nothing more. Some producers knowing that we are ‘in town’ have wanted us to visit stalls, but I have desisted because we are here to be with Aishwarya who is here in an official capacity as brand ambassador for L’Oriel. We went to the opening with her and a few films together, but mostly it is to be with family because we have all been away from each other for a long time in different parts of the world. Its lovely to just be together and catch up, before we drift away to our respective schedules.

Thanks Amitji. 

Thank you Subhash

Amitabh Bachchan

May 17, 2008
Day 29

Nice-Vence-Cannes,    France,     May 16, 2008        10:00 am

As I go through the comments a reader points out the colossal tragedy in Jaipur, with the blasts and my indifference  to it.

Nothing can make anyone indifferent to such terrible occurrences. It is horrible and sad to see the loss of life of our countrymen and the innocents that are affected by it. Sympathy is a weak word so I will not express that, but I pray for strength and courage to those affected and condemn this violence.

In prayer for peace

Amitabh Bachchan

May 16, 2008
Day 28 (i)

Nice-Vence-Cannes,  France,     Thursday  May 15, 2008        12:15pm

 Dearest and most loved readers,

fellow bloggers

and those than become the reason for my existence as an actor,

It’s a grey morning. Dark clouds hover above the crescent of the Mediterranean on the Riviera. The mountains in the distant look subdued with the mist and the fog of moisture, the tiled houses scattered about symmetrically adorn the natural beauty of this exquisite region. Birds chirp. Somewhere far away, the swish of speeding cars on a highway, break the sound of silence. I look out of my terrace, but I am not looking anywhere. Silence does that at times. Nothing enters your mind or body except your own lethargy, numbing you into submission. A submission to the elements.

A gentle breeze brings with it the smell of lavender from a nearby bush. A church bell from the village below signals the hour, the sound almost not reaching you.

And then, quietude -

a French word, from the medieval Latin quietudo, or the Latin quietus, ‘quiet’..

Language is so fascinating. Who invented it ? How did it evolve into this mass communication medium ? Why were there and are so many different tongues ? Does the region bring that about ? Does the climate have a part ? The color of our skin our beliefs our demeanor does that have anything to do with it ? Is it because of what we eat or the way we dress ? What ?

And look at us today. Different tongues, different regions, castes, creeds, religions and nationalities agreeing and disagreeing because of it, fighting or making peace, believing or not believing in the faith it represents, strengthening or weakening its existence or its value, coloring or discoloring it with different social and moral hues, adding to its value or in most cases diminishing it. Diminishing it perhaps to a level where the original, sounds and looks like a stranger or an impostor.

I write in English. It reaches many. It is among the most spoken and understood languages in the world. Spainish, I believe being close by .

But the marvel is that it all emanates from the same structure in every human; the mouth; supported and formed by the strongest muscle that we possess – the tongue !

The strength of the tongue and the spoken word has changed belief, temperaments and human nature. It has created history and changed it. It has formed the supremacy of a region and then become the cause of its fall. It has the power to cultivate hatred and the balm to soothe it. It can take two people apart or bring them together for eternity. It can spread or it can be confined, but it can never be eliminated.

Yesterday I was quiet. Today I speak. When I was quiet others perceived what I would speak. When I speak others perceive my quietness. Human nature, so mercurial, is beyond perception. Writers, thinkers, philosophers, editors, columnists, journalists, men and women of letters, educationalists, mass communicators, politicians, preachers all astride on the tread mill above the well of humanity, have been pushing the wheel, the cycle of life, to enable the water of knowledge and wisdom and belief to flow out into the myriad drains of the land, into the fields of humanity, to quench as it were their lifelong thirst. 

The water tread mill continues its movement. When people get off it at times the land parches. Some fresh legs get on again and the wheel moves. Humanity continues to exist. Continues to baffle and surprise us.

But today I wish to address an issue that has been played out for months and one that perturbs me no end. It is the matter of my relationship with Shah Rukh.

Despite numerous clarifications and denials from both Shah Rukh and myself through the electronic and the print medium there seems to be no letting up. It is hurtful and unwanted and I wish to bring with all sincerity a final end to this much imagined ugliness.

So I shall start with myself first.

If there has been, for any reason whatsoever, a lapse or error on my part I wish to apologize for it right here and now. If any expression or opinion of mine, deemed or otherwise towards Shah Rukh has been the cause for any grievance then I am sorry for it. I have never deliberately or with any false intent ever meant or said anything towards him, or indeed any colleague or member of my fraternity in my 40 years as a professional. It is not my nature and does not fall within the confines of my upbringing. I am filled with remorse if some have felt otherwise. I would wish that this plea of mine coming directly from me be given its due merit of forgiveness.

Shah Rukh has been and is a friend and a wonderful colleague. He has never ever crossed that very delicate line between familiarity and respect. On occasion I may have desired a little more of the former, but the difference in our age has perhaps been a barrier. He has never failed to reciprocate affection that has come from me and hopefully neither have I. Despite his exalted position and authority he has always acknowledged my existence however diminished or insignificant it may now be. He has always shown great affection for Abhishek and given him elder brotherly advice voluntarily. Having worked together with Jaya the two share a very warm mother-son relationship reciprocated in equal measure from both. His closest friends are our common friends and are like family to us – Yashji, Karan Johar’s late father and Yashji, Adi Chopra’s father. Gauri his wife has always displayed great warmth and hospitality. Members of his close circle are also sincere friends with my daughter Shweta and her children.

Shah Rukh knows as do I that if there were to be a need for any clarification on either part, we would pick up the phone and talk to each other or walk across to either home and meet and resolve. If we have not on this occasion ( actually we have never had any occasion ) then it has shown how insignificant and unnecessary the occasion has been.

There are well wishers on both our sides, committed and passionate. If they are upset for something that I may have done or not done it is deeply regretted. I have never shirked the responsibility of an error nor shied away from correcting a fault. Forgive my errors if any I pray and allow me the intent of correction.

The spoken and the written word are vulnerable indicators of perception. Each expression can connote through the liberty and guile of intelligent juxtaposition, a different meaning. The language that we use ensures that. In this intriguing world of thriving middlemen it is possible to accomplish it. 

And I direct the attention of my readers today to an earlier paragraph above on ‘the strength of the tongue and the spoken word..’ and with folded hands very humbly submit to those that desire to prolong mischief and anger and animosity. Please stop. You have the power with you to bring change. It is not just a matter of Shah Rukh Khan and Amitabh Bachchan. It is a matter which embraces a much wider spectrum.

I thank you for your patience, for your concern and for your understanding -

Amitabh Bachchan

May 15, 2008
Day 28

Nice/Vance/ Cannes    France,           May 15, 2008    1:30 am local time

Just returned from the opening night of Cannes Film Festival. Aishwarya was already here, Abhishek joined in from Miami and together with Jaya we went to the Festival.

It is a big festival, many interesting films and people gather every year and it is sad to see no Indian representation. But just to witness the dignity and respect they give to artist and technitions is quite amazing. The management , the dress code and protocol, all so methodical and artistically managed.

Opening film was, ‘Blindness’. An amazing story, but philosophical in nature.

I read some comments from the last two blogs and have noted the points they have made. Most of the issues were putting up questions relating to future projects and a general excitement to the blog. Some have liked the stand that I take on false accusations, and others, a smaller lot resent the advice I chose on the TRP’s of various shows.

There are some amongst you who feel that there has been an attempt on my part to compare myself with other colleagues of mine. This is false and incorrect. I think the whole purpose of my account has been incorrectly interpreted. I have never ever meant that at all. I have never considered myself worthy of such position and have hated such indulgence.

However, if some amongst you have felt otherwise, I wish to sincerely apologize for that and say that I am sorry ! It shall not happen again.

I also wish to clarify an accusation thrown at me by MidDay today. The tabloid states through sources from the server bigadda.com that I have been paid an amount of Rs 115 cr by them to write my blog.

This in entirely incorrect. I use the services of the server bigadda.com and nothing else, there are no finances involved at all. So, a challenge to the tabloid -

i/ show me receipts of the payment made or any contract signed

ii/ disclose or prove the name of the source that has confirmed this information to you.

It is beyond 3:00 am now and I need to rest. Have not slept since my take off from Mumbai..

More when I awake -

Till then, as always

Amitabh Bachchan

May 15, 2008
Day 27

Prateeksha,   Mumbai    May 13, 2008    11:37 pm

Dearest Ones,

I am in a rush. The morning was filled with meetings on schedules for future projects. Well more importantly for ‘Teen Patti’, which is to be shot in USA during the time of our Concert Tour. 

A friend in Goa was releasing a book on the history and culture of the land and wanted me to do the honors. I flew in there at 4:30pm, finished the function and have flown back to catch a flight to Nice. Its the Cannes Film Festival, Aishwarya is to be there as Ambassador for L’Oreal, Abhishek has just finished his schedule in Miami for Karan Johars ‘Dostana’ and is leaving for Nice as well. The family has not been together for long, so we are going there to be together.

Will be in aircraft for long hours and shall connect once I reach French territory.

Till then.. an interview I did for Times of India this morning..

My love and more

Amitabh Bachchan

Subject: Re: TIMES OF INDIA QUESTIONS FOR MR AMITABH BACHCHAN–Meena Iyer

Date: Tuesday, May 13, 2008 1:36 PM

Conversation: TIMES OF INDIA QUESTIONS FOR MR AMITABH BACHCHAN–Meena Iye

On 5/13/08 8:31 AM, “Meena Iyer” <meenaiye@gmail.com> wrote:

Namaste Amitji,

As per the sms last night(i.e.12-5-08) I’m emailing the questions to you, for my article.  Please sir, send me the answers asap.

Thank you,

Regards,

Meena 

Namaskar Meena,

Herewith the responses as desired.

AMITABH BACHCHAN

Your blog is now the hot topic of discussion.  Every day there is a new revelation.

What people want to know is—who is the real Amitabh Bachchan?  The extremely private actor who was very diplomatic in his answers to the media for nearly 40 years/and revealed very little about himself…or the man, who is now very vocal about his feelings on everything/everyone.

ANS//

I really do not understand what all the fuss is about and I have not come across any discussions that have been hot enough for this rather unusual sounding word called blog. I do understand the curiosity though in the minds of readers and listeners, whenever there has been a seeming departure from the usual, particularly in matters that involve public figures and celebrities. But for it to be given the importance of a dedicated interview or an entire editorial, as I notice from some papers, is really quite unnecessary and a bit embarrassing if I might say.

However, having committed myself to you for a response I guess I am obliged in some manner to give you one.

I would in all sincerity have to subject myself to an analyst’s couch to ascertain who I really am. And so I believe would many others in similar profession. After 40 years of playing and enacting varied roles and characters I wonder what remains behind within us that could be termed real. We go through real life situations several times in front of the camera that you would go through only once. It would be easier therefore to judge who you really are. For us, no matter how honestly we may reveal ourselves, you would always question and doubt that, as do many of my readers on the blog, who insist, and some rather strongly, that ‘this whole humility bit’ for instance ‘is a façade’.

You see what I mean. When I shall express something in all honesty it is being taken as a deliberate contrived humbleness.  And there really is no other way to defeat that perception. In the end therefore, all that matters is the perception. I could be doing the most vile acts in person, but if the perception in the minds of the people is that I am a good man then that is what will be termed real.

 I hope and pray that the perception people have of me is good. If not, then I shall very humbly strive harder towards it.

Your strong reactions to the following have shocked many.

a)     your reaction to the Raj Thackeray picketing your home;

b)    your reaction to Union Health Minister,.Anbumani Ramadoss saying film actors shouldn’t smoke or drink on screen;

c)     your reaction to a critic, criticising your work in Bhoothnath;

d)    or your thoughts and feelings for the Gandhi family

e)     Shatrughan Sinha and his reactions to IIFA

f)      Your decision to quit politics

These are some of the topics you have touched on.  And at times, there is a no-holds barred response. Is a blog an area where an actor lets his guard down?

ANS//

Most of the reactions you mention above, barring perhaps two, have all been addressed through the media, both in print earlier and the electronic when it came into existence, later. The matter on the Health Minister and my friend and colleague Shatrughan Sinha came after I started my blog. And not without reason. I wanted to retain the exclusivity of my remark for my blog first. These were issues the media had not questioned me about, directly. I chose voluntarily to speak on them and that too after I had been questioned about them by the concerned individuals. The media picked it up from my very small and limited blog and gave it a larger profile by carrying it in their more impressive medium, thereby giving it a much greater presence.

There have been no rules stipulated as to what needs to go on the blog or not. I am believing it is a vehicle for me to express my thoughts and inviting others interested in it to read and comment. No where does it say that it is an ‘area where an actor lets his guard down’. And even if I were to say, for the sake of argument,  that it is, what is the guarantee that you would believe that this is indeed the ‘real person’ !

Are you over-whelmed by the reaction you have been getting from readers/fans to what you post on the blog, on a daily basis?

ANS//

Yes. Immensely. There has been the good the bad the ugly the abusive. There has been dissent and criticism and anger and harsh words. There has been emotion and love and adulation. All very overwhelming. Much like various phases of my own life and career. Fascinating .

Is the blog a current passion/fascination?  Do you see this—blog and u— as a long-standing relationship.  Or do you think, you will tire of giving a little bit of yourself away each day.

ANS//

These are early days. I want to be able to have sufficient material everyday to remit. Shortly our website shall be operative and four other prominent members of the family will be a part of it. Naturally there will be the obvious dilution in interest. I shall wait and see. 

Will you, via your blog, vanquish anyone who annoys you?  Your blog, is like Lord Shiva’s third eye.  Folk lore has it, that when Shiva opened his third eye, the world quaked.

Similarly, the blog has become your new weapon of hitting back.

ANS//

Ha..ha..this is comedic !!  I never looked at it this way, but since you are the one that brought it up, maybe you believe in such practices. Do I suspect an attempt to suppress a guilty conscience here ?

Are you disillusioned with the media?  Has a section of it, been unfair to you and your family?

ANS//

Disillusioned ? You must be kidding ! How can I ever be disillusioned by a medium that provides me with the bread and butter for my blog !

How much time do you dedicate to your blog each day?  Is there a fixed routine…like writing in the morning/evening?  Or do you just pen to paper, as and when you are inclined/angry/happy?

ANS//

I have never counted and there is no fixed routine. I write whenever I get the time. And it is not pen to paper, it is single finger to keyboard !

Are you aware that other actors like Aamir Khan and Ajay Devgan too have been communicating via blogs. Is this the Indian film industry’s latest fascination.

ANS//

I learnt from the media that they do and was not aware of it earlier and I cannot say whether the Industry is fascinated by it.

May 13, 2008
Day 26

Prateeksha,  Mumbai,    May 13, 2008    12:07 am

Its the end of the day. And in the solitude of my room, my thoughts are back with you.

The morning started with spending time with the technicians from the bigadda server, understanding the intricacies of the functioning of the blog; how to copy photographs, how to bring in the Hindi text, how there are complaints from readers of their texts awaiting moderation and their anxiety whether their words will ever reach me.

There is no moderation in what is written to me. Yes, I believe some notices do appear, but eventually it all comes to me. Good, bad, abusive everything.

CNN-IBN wanted an interview, which I gave in both English and Hindi to their anchor Bhupendra Choubey. Nothing very exciting. The routine questions – politics, attacks, why the blog, why the anger, why this why that. I think some of our best performances come out when we do electronic media interviews. I mean in how many different ways can one answer the same questions.

I shall try and put this one up when I get a copy, just in case some of you missed it.

Over lunch my lawyers inform me that I won in the Supreme Court today. It was the matter of the UP advertisement and certain queries raised on its authenticity and the misinformation it purportedly carried. The UP Government had moved court and ordered an investigation as to the correctness of the advertisement. The Election Commission, headed by a bench of High Court judges ruled in my favor, for, the information contained had been obtained from the Ministry of Home Affairs and the NCRB ( National Crime Records Bureau ) and was authentic. 

Not satisfied with this the same matter was filed under RTI ( Right to Information ) and there too the Commissioner dismissed the petition stating that the information was from the Central Government and on its site and moreover that Mr Bachchan was not a Government servant and could not be questioned under the RTI.

This matter was again challenged in the High Court and again it was summarily dismissed. The matter was then filed in the Honorable Supreme Court, the highest legal body of the nation and  today, well, yesterday now since we are past midnight, the matter has been dismissed, finally.

So ‘UP may dam hai, kyunki jurm yaha kum hai’ is without fault. There are no lies here. The highest legal body has passed judgement on it.

Mr Salim Khan your accusation in the Marathi press against me on this issue was and is wrong and incorrect. I now await for you to inform me the names of my close associates or friends, who you have insinuated are giving me wrong advice.

Sanjay Leela Bhansali came over later in the evening to give me the final script for his next production ‘Chenab Gandhi’ and we talked about the film, its locations, the look, the cast and then went into nostalgia and ‘Black’.

‘Black’ was exceptional. Nothing we did on any particular day of the shooting was ever out of place. It was always the right nerve, the right expression, the right movement, almost as though it was pre ordained. And Sanjay went on waxing eloquent to his assistant, who will be directing ‘Chenab Gandhi’, how the climax of the film was shot. The old man and prosthetics used. The number of hours it took to put it on and then take it off. That poignant moment when the ‘teacher’ comes over to the ‘student’ to acknowledge her accomplishment, her graduation.

And how they all sat a little distant from me during the shoot, for I had, according to them built an imaginary wall around me for that moment.

He was right. The idea of breaking into that customary dance by the teacher during moments of excitement, was mine. But how it would be executed I hadn’t the foggiest.

I had pulled up a chair against the wall of the set; my 4 plastic chairs put one into the other to give it height for my bad back and shut my eyes. I had an ipod in my hand and had put on the head phones over my head, not disturbing my wig and my cap, and  listened. Listened to the music that came out in a soft drone into my ears.

I had lost my father. For 15 years I had struggled and fought to keep him well and healthy. Day and night I kept a vigil, interspersed with my hectic work schedules. He hated going to hospitals and whenever it would become unavoidable I remained with him, in the room, conducting my affairs from there. On occasions when I had to travel, it was like tearing myself away from him, worried throughout how he would be managed. Kept speaking to him twice a day, wrote to him a letter by fax every day and insisted that he write back the same day, just to keep his mind busy and for him to feel that he had not been left alone. I was in the middle of a world concert, a commitment I could never have come away from. So I worked over the week end in cities in the US, where the tour was and travelled back on the Monday to India to be with him and then get back in time for the shows. Thank God for the Concorde, it saved so much time for me. As he deteriorated I never shifted him from the house, he would have been miserable. I put up an Intensive Care Unit in his room, managed by nurses and doctors round the clock. He was slipping into a coma. The doctors labored furiously. I could sense that he did not have long to go. The staff and the servants wanted to come in and pay their last respects, some close friends and relatives gathered. Sitting on the chair by his side I never drew my eyes away. A lifetime flashed by. Dad in his army fatigues as a member of the University Training Core, the early morning baths in the Sangam at Allahabad where I was born and brought up, the ‘jhakis’ that he would take us to see during Dashehra walking through crowds of people, my accompanying him late during the nights for his numerous ‘kavi sammelans’ and to witness the euphoria that he created throughout the night with his fans and lovers of poetry; lakhs of them out in the open in the cold winter nights of North Indian cities in raptures over his recitation, his early morning walks that he would drag me along to, his teaching me the math tables and the fear of getting them wrong during those walks, his study, his books, his determined will power coming through in endless episodes, his words of wisdom, his anger at indiscipline, his happiness and joy over an impressive mark sheet…

And layer after layer, pages after pages of my time spent with him flowing by and the realization ‘I wish I could have spent more time with him’.

The monitors behave erratically. The doctors in hushed tones ‘it will happen soon now’. A young niece breaks into a sob. Someone puts a hand on my shoulder. I still stare at his face. They tell me to hold his hand, ‘be with him’. I sit unmoved. And then…

His body quivers..ever so gently..

 The sound in the room changes. The monitor tone has switched from a beep to that ominous singular, much read about, much heard about, but never ever seen before, drone….

A tear falls without warning, out of one eye down the cheek. I blink and adjust the head phones over my ears. People move about in the room on the set. It is a hospital. I am in white. I am old, very old. An muffled instruction is heard. I move in measured steps towards my coartist, I go around her touching her graduation dress, now not able to control the flow and the pain of emotion and as I reach around her, look at her with admiration and gently move into my little dance of joy.

It is the climax of ‘Black’ !

Sanjay leaves soon after and I remain with so many flashes.

I have to leave for a function at the Marriott. Shivji, Pt Shiv Kumar Sharma that great santoor master has asked me release the album of his son. Shivji and Yashji had come together for the music of ‘Silsila’. We talked of those times and that one magical night in Delhi, during the shooting of the film, when three greats, Pt Shiv Kumar Sharma on santoor, Pt Hari Prasad Chaurasia on the bansuri and that bundle of energy, Ustad Zakir Hussain on the tabla, had played for us in our Hotel room in what I believe to be the finest impromtu performance I have ever heard in my life.

The record to be released is by Rahul, Shivji’s talented son, a fusion of modern music with the traditional santoor that now Rahul plays so dexterously. Its called ‘Confluence’. Quite apt. For me though it is the confluence of not just the music of two different styles, but the confluence of two traditions. The tradition of the upbringing of Rahul and the imparting of his illustrious father’s talent to him. In todays day and age when the new generation drifts unconsciously away, how wonderful to see our culture and ethos being transferred from one generation on to the next, with the same respect and order enjoyed by our ancestors.

Its the end of the day. And the solitude of my room. And my thoughts remain with you -

Good Night

Amitabh Bachchan

May 13, 2008
Day 25

Prateeksha – Jalsa, Mumbai, May 11, 2008 12:30pm / 11:35pm

There has been an overwhelming response to my last post and I must admit it has made me somewhat emotional.

I cannot say about other celebrities or how they react or entertain that which comes out in the print and electronic media, but for me it was a catharsis of sorts to discover so many of you that not only agreed with my comments, but were equally incensed by the unfair and biased attitude of the fourth estate, in some of the incidents that I brought up.

Many among you have been firm in asking me to desist from this futile exercise and not lower myself to the indignity of a response. The odd ones have not agreed with my stance at all; they are on the other side. Pretty fair. This is not a platform which propagates one-sidedness. Healthy comment and debate is a must for any public discussion and I encourage that.

There is accusation on being obsessed with media. They want substance on other matters. Things personal and more social and moral based.

I think if you were to go through my blog you would notice that there is a sincere effort to do just that. There are accounts of my daily routine, descriptions of my work and my films, issues that have come up through allegations; none instigated by me. There is talk of my father and his poetry and a fairly rounded objectivity to all that has appeared. If there is error or fault on my part, my apologies, I shall learn and attempt to correct it. This is in all earnestness and not a façade as some have claimed it is.

If I have asked opinion on game shows and television it is with a sense of sharing some of my issues with you and not to compare with or bring down an esteemed colleague as CNN-IBN claims. It is beyond my nature and upbringing to behave in such a perverse manner. I am not accustomed to gloating or being immodest, it is not in my temperament. I merely share with you what comes as a question in my mind and what has been in my mind for long. Surely this liberty is the very least I can expect from this wonderful medium. And so I write.

I do have strong questions in my mind about the media. Those that are not subjected to their writings are perhaps insulated from the effect it has on people like us and are then perhaps not in an equal position to discuss the matter. But as one that faces them everyday, a few queries do come up. They are not to look down upon media or to deny them their right of expression, but to give us a right as well.

The strength of the media and its medium is, according to me, the psychological effect it has on every reader. When we read an opinion, a comment or an accusation against someone or something, it comes across to me, as the opinion, comment and the accusation of a 100 million people. That is the strength of the press. The instant, direct and final word. For the individual that has been mentioned, it becomes his subconscious belief that every other individual that he shall meet or see subsequently, is now carrying the opinion expressed by the media. The words are constructed by one journalist, but they in fact become the words of millions of others. That is frightening. That is impressive. That is devastating.

What I am saying is this.

I want to be in a position where I have similar right.

Why is it that just one community is beyond scrutiny, beyond questioning, beyond opinion. And I am not satisfied by the face saving odd comments, hidden in some unseen corner, justifying your fair play.

I want to have the liberty of doing a review of your review. I want to give you marks as well. I want to allocate ‘star ratings’ of approval or disapproval through my judgement. I want to be able to call an issue of a magazine or a tabloid or a daily, a flop. I want to then, on reading this, comment on the completely destroyed and deflated expressions of the editors or owners of named paper. And I want a platform that shall allow this observation of mine to go into the rest of the world, to a 100 million people. I want the media to feel how we feel when we are faced with such disparaging assessment. Because, it is the expression of that student that has failed his examination, it is the expression of the employee that is sacked from his job, without the prospects of another, it is the expression of the young man or lady that has been told by their lover that there is someone else in their lives, it is the expression of the young hopeful being told by the producer that he is not good for the part in his film. It is the expression of abject despair and rejection. It breaks you, crushes you, destroys you !

Nobody is perfect. And it is demeaning, debasing and humiliating to be continuously told that you are not.

Be dignified we are told; we are honorable people. Ignore, for we are honorable people. Be elusive, for we are honorable people.

My dignity and my honor has lain dormant for too long, its picking up some rust and I believe if it is not exercised I shall completely lose it !

There is a saying in Hindi – ‘chadhee rushta, chadhe tushta’ – quick to be annoyed, quick to be appeased. I shall not fall in that category. It is not in the category of dignified men. If it has taken me 40 years to explode, it shall perhaps take me an equal number of years to calm down. The record for posterity must bear my voice as well.

And so to things of greater importance.

Chandrima thank you for your response. And tell your husband Nitin Agarwal that I acknowledge his too.

Nina Arora, I do recollect your name and shall perhaps be able to place you if ever I see your face. Do fill me in on those early days and the attitudes of some in your profession. And there are still no moderators on the blog, but I shall check why you are getting signals to the contrary.

Somen Deb – I shall never ever envy any other’s success, I shall always encourage it.

Andrews, Ramakanth, Lopamudra, Gaurav Lamba in US, Laxmi Purohit, Rajeev Ranjan, Divvy, Akshay Sope and the hundreds of others for your generous comments on ‘BhoothNath’. Thank you Ranjit for responding.

And thank you Gaurang Bookseller for your inputs and Kunal Jadhav for the mention of the Nasik shoot.

And Vineet – yes I do write my own blogs !

Till later then, with love and much more –

Amitabh Bachchan

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Just a few photographs from my schedule in Nasik for ‘Shoebite’ – with beard and without.

Love,

Amitabh

May 11, 2008
Day 24

Prateeksha, Mumbai May 10, 2008 2:13 pm

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Back home after the ‘Shoebite’ schedule and the heat and the dry winds and the glue !

As is apparent from the photograph all that extra hair needs to be put on twice a day, by the very accomplished hands of my make up man Deepak Sawant; his devotion and skill and labour being exceptional. He came on 35 years ago and I have never changed him since.

The night before, BR Films sent down the print of ‘Bhoothnath’ to Nasik for me to see. We booked a local multiplex and I invited cast and crew to come along.

‘Bhoothnath’ is a cute simple film. It is not the adrenalin pumping high octane fare, that perhaps is the norm these days, but one that is staid. It carries an innocence that we may have lost in todays fast paced world. It touches on values and tradition subtly. It actually refutes the existence of ugliness with goodness. The Mother in the film corrects her little child with ‘there are no ghosts, only angels’. Its the one factor that changes the main protagonists point of view, into being a kinder soul. Its a healthy thought. Not just for the child in the film, but for humanity per se. The ‘Bhooth’ is a metaphor.

Among the hundreds of congratulatory sms’s and comments on the blog about the film, I was most touched this morning by a phone call from the music director Shekhar. His little daughter, all of 3, had gone to see the film and on returning home picked up a framed photograph of mine that I had given to her father and put it by her bed. When asked why, she answered ‘He’s my angel’, an obvious reference to an important reference in the film.

A young gentleman expressed his utmost joy after seeing the film thus – ‘ Thank you for taking me back to my childhood. I wept profusely during the film because it took me back when I was little”. Prominent distributors all over the country, who possess extra sensory powers to smell box office, loudly proclaim it to be a ‘super hit’ and to wait for the word of mouth to take over. Friends, unknowns, well wishers all send profuse praise, which I dutifully pass on to Vivek the first time director, who is desperately seeking the make up department to supply him with the false set of nails I wore in the film, he having devoured his own. And, my phone sms memory is having a cardiac arrest !

The question is not whether the film touches the topic of ‘superstition’ or ‘exorcism’, as was very guardedly expressed by some reviewers both in the electronic and print, it is the faith and the strength of its existence for hundreds of years, that formed a part of the story.

The shradh, is a religious ceremony conducted in Hindu tradition, by the son of the deceased individual, for the peace and tranquility of the soul. When we express our condolences in a moment of grief, we always say in Hindi ‘Bhagwan unki atma ko shanti de’ or in English ‘May his soul rest in peace’.

The film gave a finite form to the soul in the shape of Bhoothnath the character of the ghost played by me, a name devised by the little kid, who is confused by the fact that when he does confront the ghost and refuses to believe that he is one, wants to know his name. The ‘ghost’ directs his attention to the gate of the house and the name plate, Kailash Nath. The ghost tells the kid he is a bhooth, the name plate reads Kailash Nath, so the kid reckons in his innocence that the guy must be BhoothNath !

Indeed, the revelation of the story during the later half and one which some critics tend to dislike, is I feel, the very essence of the story.

There is a disturbed soul in the house and for him to be at peace, the shradh which his son had ignored, needs to be performed. The back story is important to narrate in order to show the circumstances that led to the disturbance in Kailashnath after he passed away.

The irony, as is apparent in most problem homes is that, it is always the outsider that proves to be more ‘loyal than the king’. In this case, its Banku, the kid that has now endeared himself to Bhoothnath, who, convinced first by his own father ShahRukh in the film, now volunteers to conduct the ceremony for his ‘buddy’ himself. And the sad part is that, Banku in performing this much required deed, is unaware of the consequences – that he will lose his best ‘friend’ to the ‘stars’. His friend would have achieved salvation, peace, and leave him and go away to the heavens. The separation of this beautiful relationship that both have enjoyed, and one that most critics have too, is the poignant moment of the film.

Now tell me. Anything wrong with that ?

And Khalid Mohammed who reviews the film for Hindustan Times of date, who instead of reviewing writes a personal letter to me through a public document, who wishes that I go and learn how to act from the Pune Film Institute, who laments at the only dialogue he heard in the entire film, my oft repeated ‘Haiiiiiiii’, who as director made three of the most colossal bombs in the history of Indian Cinema and who now tries to educate others in the craft, who credits the cast of the film as AB,AB AB, disrespecting the other eminent star presence, who allegedly as Editor of Filmfare, coerced the talent of his directed films to work for him in lieu of the alleged consideration of an Award, titles his diatribe -

‘TO BOO OR NOT TO BOO’

Well KHALIDA ! And this is not a gender error, but a call you respond to lovingly, when Jaya addresses you, as you spread yourself across our dining table in Jalsa, sipping our, in your own words, ‘exclusive and expensive wine’, this is what I have to say to you -

‘BOO’ !!!

May 10, 2008
Day 23 (i)

Apologies ! It is the Supreme Court in the Ramadoss story. I stand corrected.

And … I finally have been given the know how on Hindi Devnagri and how it can be initiated on Mac. So after a few lessons on its use I shall be there with you in that script – ना !

Amitabh Bachchan

May 9, 2008
Day 23

Nasik, May 9, 2008 12:19 pm

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A late start to the shoot today and so a little time to catch up on sleep, an element that has been of some concern to many of you.

IBOS Network sent me the above graphics on the TV ratings of some of the game and other shows and I was wondering if, rather than gloat over them, they could become the base of some of my observations.

The strength of KBC as a game show is quite apparent. ‘Who wants to be a Millionaire’ was and is successful in over 80 countries, so India moved with some degree of advantage, Star TV having tested the waters so to speak, before its launch.

Major stars presenting it came as an added benefit and the little prelude on morals and life I think became attractive for the elders. KBC 1 ran non stop for almost two years and then with an adequate break the 2 and the 3. I am unable to understand its falling interest as the graphs show despite the fact that they were presented by bigger and more popular stars, namely ShahRukh.

And now to see ‘Panchvi Pass’, or as one rival channel executive sniggered, ‘Panchvi Fail’, after its not too encouraging numbers, facing relative lower ratings is what I wish to debate on and would love to have inputs from readers.

Is the format of question answer game shows loosing its shine ?

Despite the presence of the biggest name in the business, why its depleted performance ?

Are the TV ratings a correct indicator of the popularity of a particular show ?

The number of people accessible to TV has exponentially gone up. Does this reflect positively or negatively on the ratings ?

Is the fall in ratings due to the increase in the number of channels ?

These are some of the questions that arose in my mind. I am a layman as far as marketing and research and analysis is concerned and I was wondering if there were some geniuses out there who could enlighten me.

My motive is a little selfish. I am meeting several TV channel executives, keen for me to do something on TV again. They have made several presentations to me. Not knowing the prevalent hits and misses or the reason for their success and failure, I am at a loss as to which one to consider, if I consider at all.

Each project shows potential and each executive feels it is the right choice for me. Obviously I cannot entertain all, but some guidance from quarters that are greatly more knowledged, would be of immense help.

My very limited logic says this.

Humans sleep an average of 7 hrs every day, work at an average of 7 hrs too. That makes it 14hrs. Eating and other formalities another 4 hrs. 18hrs ! Travel and commuting 3hrs (a little more maybe in metro cities due to the traffic). Thats 21hrs. Socializing another 2 hrs. That makes it 23hrs. Of the 24hrs in the day, they get just 1 hr left for TV. Out of the 200 channels on show, which one would they have time to watch and for how long, not taking into account the time taken in surfing to find desirable channel ? Note that I am judiciously not even attempting to go into the territory of individual family member choices and the disputes thereof !

There is grave consternation on my inability to make personal responses to the comments you send. I have only apologies to offer, for, I am still gathering management inputs in the manner in which this can be addressed. I will find something, this I promise and if I cannot will devise some other compensation. So bear with me.

And, Hindustan Times, Mumbai, Thursday ay 8, 2008 carries an article titled ‘Laundered Reputations’ by V. Gangadhar who writes among other things that ‘Amitabh Bachchan has begun to blog’ and ‘has been giving clean chits to himself on all issues’ .

Clean chits Mr Gangadhar have been given to me by the esteemed and honored legal bodies of our land – the Honorable High Courts and the Supreme Court. Casting aspersions on their decisions could bring serious contempt of court proceedings against you. ‘Laundered’ is an ominous term. You are trying to say that the reputation of the individuals that you mention in the article are dirty and that they have been ‘laundered’ to look clean. This is defamatory and downright objectionable. Let me warn you that such remarks if not with drawn, could put you in not too pleasant a location, where you would personally have to be laundering your own clothes every morning !

My love for you and more -

Amitabh Bachchan

May 9, 2008
Day 22 (ii)

Nasik, on location, now drenched to the bones in fake rain sequence  

still May 8, 2008    and its   7:20 pm

Screen, the respected film paper, with changed editor contains an article – Windows 2008, by Kenneth Lobo, on the recent burst of celebrity blogging.

Compares the blogs of Aamir Khan and yours truly. Compliments the material on Aamir’s stand on the Olympic Torch and refers to mine as one that ‘rambles on’ !

‘Rambles on’ !!

Mr Lobo !! Forget all else on my blog, would my committed speech on female infanticide at the launch of Shobha De’s book, be a ramble !! Maybe, your own sensibilities on this issue need to be defined. Tell me, and through this blog the world, what really are your views on equality in womanhood. Do you still fall, in most degrading manner, in the category of those chauvinists, who live in archaic and de humanized beliefs. Speak up Mr Lobo ! You are the conscience keepers of the world.

I dare you to dismiss my speech !!

Minister Ramadoss has had a bad day today. Dr Venugopal the renowned and most qualified director who headed AIIMS, the national medical institute, and who was most unceremoniously removed from his post, is back after winning in the Honourable High Court, his reinstatement.

 But I have another observation. The Times carried a bold review of some of our statements on the desired banning of drinking scenes in films. But on the very next page carried an even bolder review of the massive increase in production of wine in the country, accompanied by glorified figures of past and present statistics.

 Mr Ramadoss, the Government is taking pride in the increased production of alcohol, you are wanting actors to stop drinking scenes because they encourage alcoholism. Tell me how are you expecting the consumption of this enhanced wine production in the land ?? 

May the force be with you always,

Amitabh Bachchan

May 8, 2008
Day 22 (i)

Nasik, still on location for ‘Shoebite’ May 8, 2008 6:06 pm

Encouraged by the enthusiastic responses to my media clarifications, I wish to comment on some more. A few lament the futility of it all and that, apart from it giving more publicity to the named journal it does nothing else. Media needs no publicity. They are all well known and well circulated tabloids and journals, have a committed readership, and a prestigious standing.

The blog has no rules as to what its contents will promise. Readers are free to go there or if it is not deserving, to abstain from it. This is surely, your democratic choice.

I write what I feel, needs to be written – even if there is just one that reads it !!

Ms. Bharti Dubey, by line/TNN, writes in Times of India, Mumbai,Wednesday, May 7, 2008 in Times City Page 4 – ‘Big B plays committed politician’

She talks of our up coming film ‘Sarkar Raj’, the supposed plot according to ‘industry sources’ and the film being, according to sources, an answer to allegations made on migrants and outsiders in Maharashtra. It quotes a promo, and construes it as a rejoinder to the current situation, ‘however weak’.

Dear lady, firstly – Sarkar Raj was shot in a non stop schedule in Hyderabad, a year ago. The migrant issue you talk of and relate the film to, came up only a couple of months back. Your desire to link it with events more recent, questions your research capabilities. It also is a firm pointer towards how you, in order to sensationalize your column, will forego details and facts.

Secondly - I have noticed through definite proof of stored sms’s, that every time the migrant issue has erupted, you have been the first one to ask me for a response.

“Sir ! They are throwing bottles at your house ! What do you have to say !”

“Sir ! North Indians are under attack, please give your response !”

Bharti Dubey, you are from the Northern regions of our land. Is it your own personal sense of insecurity that makes you desperate for a response, or in usual journalistic fashion, are you seeking comments from me which would indeed form your own defence !! Get the drift ??

You come out looking clean. You have got someone else to say what indeed you wanted to say. And ha..ha.. you actually get paid for it !!

My dear, neither the film or the promo you wrongly mention as a rejoinder, is ‘weak’.

Your article is of very poor quality. Your article is weak. Very weak !! In fact its quite a flop !!

Love and respect,

Amitabh Bachchan

May 8, 2008
Day 22

Nasik, On location for ‘ShoeBite’, some miles out   10:14 am     May 8, 2008

Stark beautiful and barren hills.  Barren and dry, without any vegetation. Dark steely rock formations peeking out of low moisture clouds as the sun appears behind them.

Its 5:45 am and the unit is trickling in. Trucks and buses with the camera and production equipment. Reflectors, boxes, trolley tracks. Languid momentum. The odd unit hands sipping make shift tea. Assistant directors just beginning to adjust their mode of communication – the walkie talkie. A few wild ‘testing’ crackles here and there. At some distance the jimmy jib – a vast crane like arm which holds the camera and moves it to exciting angles and heights through remote means, being set up on tracks. Men moving. Men lifting. Men getting busy.

Its show time !!

I settle into my vanity van, the news on satellite TV already on, CNN-IBN – Parliament, nuclear deal, a murder, cricket. I put it off and open up iTunes. Feel a bit religious this morning. Holy chants come up. Good and auspicious way to start the day. Certainly a calming factor before the GLUEEEE !!! comes on !!

Wig, beard, mustache, make up, costume. A quick glance at the mobile for messages. None. Strange ?

Oh ! No signal !

OK.. READY..READY..READY !!

Movement around the jimmy jib gets into a flurry.

The walkies crackle – ‘Stop the traffic, block it !!, ‘Copy that !’ ‘ I said BLOCK IT !!’ ‘Look at that guy moving across the field, GET HIM OUT OF THERE !!’ ‘AYE ! AYEEE ! HATO ! HATO !! ‘MAAGHE, MAAGHE !!’(this is Maharashtra, people).

Director : ‘Stand by !!’ ‘Stand by’ “ Take the camera lower’, ‘LOWER LOWER !!’ ‘Ok’ ‘Taking.. TAKING !!’ ‘Kopal, make sure the truck moves as soon as the little girl comes and stands next to Sir !!’

 AD :‘YEAH YEAH COPY THAT SIR  !

 Director :‘OK STAND BY !  ROLL SOUND !!

 Sound :‘EH ! AYEE ! SILENCE !! SILENCE ! No ! no ! I can still hear someone talking ! Come on shut up ! SHUT UP ! QUIET PLEASE !! Are chup karao yaar ! Kaun peche bol raha hai ! WHO GAADI KA ENGINE BAND KARO !!

AD : ‘Sir woh passing hai shot may truck ka, uske engine ki awaaz toh on rahegi !!

Director : ‘DON’T WORRY ABOUT THAT, JUST START !! START !! BABY, baby ! Look here Baby ! Don’t look into the camera ok !! YEAH STAND BY !! STAND BY !! START SOUND !!

Sound : Sound Rolling !

Director : Baby ! BABY !!! Smile… SMILE rakhana face pe.. OK SLATE !!

Camera : AREE SLATE NEECHE LAO, AUR NEECHE !! YA ! Camera rolling ! Slate ! SLATE ! GIVE THE SLATE ! MOVE ! MOVE OUT !! Reflector thoda right may le ! Right ! Right ! RIGHT KYA HOTA HAI !! YA ROLLING SIR !!

Director : STAND BY !!

Director : STAND BY !!

Camera : SIR CAMERA ROLLING !! ROLLLINNGG !!!

Director : ‘Kopal truck chodho.. leave the truck.. MOVE THE TRUCK !!

AD: Copy Sir !

Director : WHAT COPY !! ASK THE DRIVER TO MOVE ! MOVE !! BABY, SMILE RAKHNA OK ?!! OK STAND BY !!

Director : STAND BY !! HERE WE GO ! HERE WE GO !! KOPAL CROWD, CROWD !! GET THE CROWD BACK !! THEY.. ARE… IN… THE.. FRAME !! CAMERA TRUCK KO LE, TRUCK KO !! GO LOWER ! YA ! STAND BY !!

Camera : Sir, camera rolling for a long time sir !

Director : OK ! OK ! TAKING , TAKING !! Baby, smile ?

Director : ANNNNNDDDDDD !! ACTION !!

Director : AYE ! CUT ! CUUUT !!! TRUCK KIDHAR HAI !! TRUCK !!!

AD : ( walkie crackle )

Director : WHAT !!

AD : ……. Sir, truck nikal gaya… time pe !

Camera : Mag change !  Naya magazine lao ! Kitna bhara tha isme ? 400 wala lao.. LAO !!!

(Silence)

Director to AB : Sorry sir ! Quickly we’ll do one more.

Director : STAND BY !!

An actor is sensitive to certain command sounds on set.

Generally, its SOUND, CAMERA, CLAP…. And ACTION !

These four precious words are the actors life. They normally take on an average of 4-5 seconds to be completed. In those 4-5 seconds, he composes his face, his character, his lines, his cues, his markings… his career ! Whatever he can gather in that time, is what will remain for the audience to see, for box office to judge, for critics to analyze, for his future to be assessed, for posterity to record.

And I wonder sometimes, in all thus confusion and noise and management, do we really get our fair opportunity to get into the role and perform ?

Tabu, the lovely Tabu, who had just returned after working with a French film unit in Europe, told me how diligently respectful people and crew working on the film were, to ‘talent’. ‘Talent’ ?. The artist, the actor. Talent must not be disturbed, must be kept comfortable, away from all confusion, allowed to appear on camera only after all was set and then given sufficient time to rehearse, to check, to discuss, to perform to change, to give alternatives, to act !

Sometimes we clamor desperately for it. Sometimes we just go with prevailing circumstances. We are compromising. A terrible attitude to have as a professional.

Sanjay Leela Bhansali gave me that moment to myself for ‘Black’. He and many others too spend a great amount of time in the mechanics, technically required for the shot, but on many occasions the artist must have the capacity to switch on in a couple of seconds.

Not so fair I think. And I scream and shout at times for that little moment of respect, not just for me, but for my colleagues too. Colleagues who may not have substantial parts, of lesser dimension, but who all form an integral part of the team. Just because the length of their role is less compared to the lead, does not diminish their requirement as an actor for that respect and time to give their best. It bothers me to see some of them being rushed through their part. Asked to perform at an instant they at times falter, they are only human. And then I see the agony of them being replaced because they held up proceedings, or kept the ‘star’ waiting. I admonish units that practice this and feel deeply about it. After all we were all in that situation in our early years and still are. We make our mistakes, we forget our lines, we do numerous retakes, but we are looked upon compassionately, with understanding. We are no different from the others, only our treatment is different. And that pains me !!

With love as always,

Amitabh Bachchan

May 8, 2008
Day 21

Nasik,  May 7, 2008      10:38 pm

Thank you ! Thank you ! Thank you !

Your responses and their endorsement gives me strength and courage. Your concern for my safety, your advise on my conduct, your appreciation of my work, bring a spring in my feet every morning. They make me look forward to an exciting day. A day full of hard conditions, uncertain decisions and indifferent moments.

It is difficult to imagine or even assess the strength of one singular man. History is full and complete with endless examples. If I possess merely an infinitely minuscule portion of that strength, you must know that it comes from your affection and support.

So, Somya, Ibrar Hussain, Ali Ahmad, Raksha Naidoo, Pritam Dutta, Santosh, Alshaaaaaaaaa, Kuldip, Swati Pai, Madhu, Shameera and K., thank you for being there in my life. You I have randomly picked. There are millions of others on the blog that I cannot address now, but will. Your confirmation of my actions is cathartic for me.

There are some however, that do not totally agree, but express indignance at the fact that I pay attention to anamolies and criticism and negetivity and in particular to named media. They feel I give them a greater visibility than they deserve and that they, in doing what they are doing with me, are indeed doing with deliberate intent to increase their own profile.

Elisabeth, in particular, even though she is a foreigner, expresses similar sentiment.

I am fascinated by the belief that the media is that one entity that exhibits everything that is true and correct and worthy. I am fascinated by the thought that they live by the adage ‘ because the truth involves us all’. I am fascinated by the fact that there is one institution in this entire world that truly are our keepers and our conscience. I am fascinated by the fact that they continue to stand alone and tall and incorruptible. I am fascinated by their unbreakable code of conduct. I am fascinated that in this bias world, they remain steadfastly unbiased. I am fascinated that in a world full of personal agenda, they are without agenda. I am fascinated that their sense of equality is unrivaled. I am fascinated by their theory of placement, of headlining, of editorial by lining. I am fascinated that they are apolitical and never take sides. I am fascinated by their endless bank of ‘reliable sources’.

But most of all I am fascinated that they can achieve all this and still remain human !!

This is a rare community. They are the true idols and icons of the modern world. They need to be at the top of the power lists they so painstakingly compile. They, who are beyond questioning, beyond any repair. They are our modern Gods and Goddesses ! 

When all else fails and falls around us, turn to them. They shall have all the answers. They will guide us, advise us, correct us and put us on the path to salvation. They will teach and educate us, feed and dress us. Accommodate us and build us into better humans just like them.

God Media, we are on bended knee at your alter !!

Thunder and lightning ! The roll of the drums and clash of cymbals and the melodious voices of chapel choir, rising in divine crescendo up to the heavens !!

Happy every one !! Such eulogy !! Such devotion. So intense our submission and respect !!

Really now ??

I type this because I cannot speak,

My tongue being firmly in cheek.

Ugumgan distummmhs caluuugos eeethbsbsbdui bvvzzypmnosah sjintcafhyqsfff !!!

Sorry I tried ! Tongue refused to leave cheek !

Amitabh Bachchan

May 7, 2008
Day 20 (i)

Nasik,   May 6, 2008    11:22 pm

I would have preferred to have left you with DAY 20, but on returning back from location, I went through my faxes that contain the days cuttings and could not resist commenting on what appeared in MidDay.

Tuesday May 6, 2008 . MidDay Mumbai . LIFE@WORK Page 13 subtitle YOU@WORK Title – Are you super-sensitive ?

And the text beneath reads : ‘Amitabh Bachchan has been perceived as super-sensitive, taking offence at the slightest provocation. And that reflects in the actor’s blog. Are you like Big B ? Find out.’

After years of accusing my family and I of arrogance, aloofness and non cooperation.

After years of making desperate attempts at provoking us into response.

After years of throwing every possible ‘yellow pencilled’ ‘post its’ at us, you now, at getting suitable response and noticing that the ‘dignifed silence’ bit is not working, get sensitive about my insensivity ??

Ladies and Gentlemen, you are standing on rubber crutches !

You pleaded for response, you pleaded for reaction, you pleaded for information. Now that it has started coming via the blog, you want to limit and control its voluntary existence.

You enter my house uninvited and then complain about the design of the non existent invitation card. And thats not all. You enter my drawing room and set up your shop there, for the whole world to come shopping in !!

Not comprehendible ! Let me put it less metaphorically.

When we did not talk, you sulked. When we do talk, we have suddenly become ‘over sensitive’!! Ideally, what you are trying to say is that, we should talk, but within the limits of your control. Does the functioning of just one insignificant blog, make you that insecure !

I do not think so. Because even though you criticize that we are super sensitive to provocation, you do not hesitate to use that as a column, in running a survey, inviting readers to contribute. Thats the shop you have set up in my house !! Compliments ! And you run a story that I am being paid to write my blog !!!??! You think we cannot see through this. Its such a desperate attempt to find fault and run the blog down. Which is rather silly I think, since the blog is providing you, somewhat intermittently, with printable information. Information that you do not have to pay for !! Information that you continuously seek to make good copy !! Deny that ??

Well here’s something that would interest you. A verbatim transcript of an sms sent to me by your own ilk, after I have repeatedly denied a query of his -

“Sorry. Then those are rumours. But any plan of settin up ur dub theatre ? Anyth more newsy ? Keep in touch. Regards.”

Anyth more newsy?

Media asking Amitabh Bachchan, anything more newsy ?? Same Amitabh Bachchan you claim above as being sensitive to slightest provocation !

So.. we should be around to give you any news you want, yet if we challenge an accusation we are being ‘super sensitive’.

Ha !

Doublenium Standardum ! Doublenium Standardum !!

Rest well MidDayum ! And may your next issue come out blaring with anti- Bachchanisms !

This is a game two can play now !!

Amitabh Bachchan

PS: To MidDay : As the lovely Upala, from your office, once quoted in a piece she did on me, reeking of sarcasm from every pore ; ‘I hope that you will take the above, with your renowned and acknowledged  sense of humor’. Or words to that effect.

May 6, 2008
Day 20

Nasik , May 6, 2008     11:04 am

Up at 4 am, ready to leave for location which is an hour away.

Its the film ‘Shoebite’ – a working title and still trying to find a suitable name. Directed by a young adfilm maker, Shoojit Sarkar with whom I had done several ads.,. some of prominence being the Cadbury, Miss Palanpur and the Times of India, India Rising campaign.

The terrain in the interior is harsh. Dry parched mountains and plains, strong winds and soaring temperatures. Add to that the discomfort of glue on my face to stick my beard and wig and I am ready to scream. I swear never to work in a film where a beard is to be stuck on and I succumb each time, ready to swear again. You cannot talk, you cannot eat and each time you utter dialogues, retakes have to be done because either the beard or the mustache has come off. Fresh glue is applied, greater discomfort and even greater determination to avoid such films. But..

When the camera rolls, every care and concern in the world takes a back seat and you simply glow in the thrill of the moment !

Somewhere in the distance I can hear the dull sound of artillery fire. Its probably coming from Deolali – an army camp near by. A training course must be in progress at the firing range.

And my thoughts go back many many years to when I was about 10 or 11.

Rami Mamu, my Mother’s ‘dharam ka bhai’ a major in the Army, posted in Deolali, invites us to come and spend our summer holidays with him. He was a good hockey player and we would go in the evenings to the playing grounds to see his artistry with the stick. Rami Mamu’s Mother, Biji we called her, a warm affectionate elder, had adopted my Mother in the days when she was studying in Lahore, as a daughter, my Mother loosing hers almost at birth, and all along till this day we have kept that relation.

Mamu had taken us to the range to see how these big guns operated and as a youngster we were so overawed by the sound and the fury of them.

I think it was the monsoon period, for it rained incessantly. I had never seen such volume of rain ever. And it continued for days without stopping. An elderly domestic in the house made a little doll with little sticks and put it out in the open, like a mini scarecrow. She said the rain gods will see her getting wet, have pity and it would stop raining. We were all so excited to see if it would actually work. And it did. Obviously not because of the doll, but for us at that age, we were so impressed with elder domestic !

Its been 40 monsoons in Mumbai now – pretty close to Deolali, and how much we look forward to the rains and the joy it brings. Every year our area in Juhu gets flooded and an annual exercise of removing the ground floor furniture to the first floor is conducted, to salvage it from the water that enters the house. It has almost become an enjoyable little episode. Wading through waist deep water, getting the supplies in stock, shutting off the electricity, bringing out the candles and no TV ! Just a bunch of us sitting and chatting, a pastime long forgotten.

Except.. that horrible day, when the entire city submerged ! And the tragedy and the misery it brought to the hundreds with lesser means and facilities. I had sat up all night in the dark, knee deep in water, watching the levels rise unabated and hoping for the rain to stop.

Would that little doll put out in Deolali by the elder domestic, have worked ?

A few days back the media sent me a questionaire on the conditions in Juhu with regard to flooding and the steps being taken by the authorities, to improve them. They need to widen a ‘naalah’ that flows through the scheme and in doing so have bulldozed the several shanty huts of those that live and work around the area. The displaced are being rehabilitated miles away from Juhu now. It will be impossible for them to function. Some are domestics working in Juhu; some in my house too. I have put them up in my premises after their homes got destroyed.

But the work on the ‘naalah’, the reason for uprooting the shanty homes, has still not begun. 

Reason.

A corporate office, on the bank of the ‘naalah’, so the media informs me, has allegedly prevented demolition of its premises, due to it’s alleged political connections !!

I respond to the media query as far as my own condition is concerned and no further. I cannot do or say more. I have no answer.

But maybe the media should seek one !

Rami Mamu and Biji have passed away, as has my Mother. Shooting for another film ‘Khakhee’ in Deolali a couple of years ago, I drove through the Army Camp, desperately trying to locate signs of where we stayed during the ‘doll-in-the-rain’ moment and the playing field. Nothing was found, except that firing range.

Strange, how the dull sound of that artillery fire brought back so much !

These words on the post today, shall probably remain in the world of optic fibre for a while, but they shall also remain in another medium. In the medium of my film – ‘Shoebite’ !

The scene shot a short while ago, was of my character sitting by the side of a lonely road, writing a letter to my wife. And as the camera rolled and I pretended to act out the moment, the dull thunder of artillery fire in the background , I actually started writing out my post as above. Nothing deliberate. Just happened.

So when you see the film and come across this moment, ‘remember’, as the media often says, ‘this is where you read about it first’ !!

My love for you and more -

Amitabh Bachchan

May 6, 2008
Day 19 (i)

Nasik,  May 5, 2008      11:07 pm

In the middle of wind swept dry terrain, bearded and wigged with glue, Shaheen of MidDay sms’s me with a whole line of questions and wants instant response. They always do, because their page is always on closing !

‘You are being paid to blog on Bigadda’

Really now ! This is my personal blog, why would I take money to blog on my own site ! I get paid to work in Movies, TV shows, commercials, not to express my personal views to the public, that too on my own platform.

‘Bigadda is an Anil Ambani group venture, hence the added interest’

My personal relationship with Mr Ambani has got nothing to do with this. Bigadda is a medium for my blog. They are the service provider ; my own technical knowledge being low. I am not the Brand Ambassador for Bigadda, I am merely using their services till my own website comes up.

‘Will you set your own blogging site like other stars’

I have just started blogging and enjoying the medium. My complete website is presently under construction by Zapak.com and shall soon be presented to the world. Till then I shall continue blogging through Bigadda.

‘Will you be launching your own website and what will it be called’

Work is in progress on my site and it should be ready in a few weeks time. Once that happens, I shall blog from my site. A fine team of people are working on the site and I am happy with the progress.

‘How long is your contract with Bigadda’

Zapak and Bigadda are service providers and I am happy with the way they have been handling my blog and in the building of my website. More than a contract it is the relationship that counts, which I hope should last a lifetime !

Now, why would Mid Day be interested in all this ? Do I sense a feeling of insecurity !!??

There are some blatant errors made by other media, which need clarification to set records straight -

CLARIFICATION

Mumbai Mirror  Dated April 30, 2008

Section : FILM

Title : ‘Promises to keep…

By line : Kunal M Shah

‘In 1983 Amitabh had met with an accident..’

Correction : The year was 1982.

‘was admitted to Chennai’s KJ Hospital, where he stayed for seven months…’

Correction : The accident happened in Bangalore, where I was treated for a few days. I was never brought to Chennai or admitted to KJ Hospital. I was brought to Breach Candy Hospital, Mumbai, where I stayed for approximately 2 months.

CLARIFICATION

Asian Age  Dated April 29, 2008   Page 29

Section : Movies

Title : Amar names house after Aishwarya

Written by : RAK

‘The much disputed land owned by Big B in Daulatpur village in the district of Barabanki, where he plans to build a girls school….’

Retort : By what authority are you calling the land disputed ? We have clear possession of this land and your remark is wrong and defamatory. Bring proof of its disputed status or offer a corrected apology.  

Namaskar, Shubh Ratri, Shabba Khair, Satriakaal, Good Night – been up since 4:00 am !!

Amitabh Bachchan

May 5, 2008
Day 19

Somewhere in the stunning and wild mountains, hills and wind blown landscapes of Nasik

May 5, 2008 10:26 pm

Pritish Nandy, eminent journalist, commentator and now head of a flourishing production house, devotes an entire story, through his by-line, on the topic of celebrity bashing and takes a sympathetic stand for them.

image

A self-consciousness grips me. We are not used to media taking a stand for us and I appreciate the fact that he has, even though it comes, in his own words, 20 years late.

There are few in this profession that I have admired for this courage of theirs. Courage because credibility for media is their mantra for nirvana. Once they loose that they might as well shut shop.

Pritish Nandy bravely admits his judgment of error and remarkably, does not hesitate to put it prominently in the public domain.

‘Finished’, the front-paged headline of the Illustrated Weekly, of which I made a guarded reference to in my rejoinder to Anurag Basu, came at a particularly low phase of my career. Such phases often invite such headlines. It added to the pain of my suffering. It wasn’t just a stab, it was like twisting the blade in the intestines, after the knife had been put into my stomach.

I tried to bear it as bravely as I could and silently swore to myself the possibility of proving him wrong. I placed the magazine on my desk and allowed it to stare at me ominously every day. It remained in that position for years, until one day, in decidedly congenial circumstances, Pritish on a private visit to my desk, noticed it. He expressed surprise, I, quiet restrain. But after he had gone I wrote him a letter about it accompanied with a small gift. He wrote back. Reciprocated my gesture with a gift of one of his art works and asked that his correspondence, be kept personal. I still have that letter with me and yes, it shall never go beyond me, but I will convey this that his forthrightness today, has been very close to the contents of his private letter.

There are two others I have admiration for.

Nari Hira, Publisher and owner of Stardust and several other magazines and MJ Akbar, renowned senior journalist, Editor, owner, author, commentator – in fact the first journalist to have pioneered serious TV debate as a host and anchor.

And this is why –

During the period of the press ban on me, Nari Hira and Stardust, relentlessly came after me issue after issue, with some of the most devastating ‘yellow’ reportage I had ever encountered. Yet, as I lay crippled and injured in Breach Candy Hospital fighting for my life in 1982, after the accident on the sets of ‘Coolie’, he broke ‘tradition’ and came out with the most endearing cover story I had ever read in his paper on me. I was moved by it and when I recovered, paid him a visit to thank him for it. But, I was curious. I was curious to know from him, why, after taking such a hostile stance he had relented. His answer was straight and honest.

“We wanted you to fail, but we never wanted you to die !”, he said, looking me in the eye. It was a moment that has remained with me and one for which I admire him.

MJ, as he is often addressed, has always seemed to the outside world an individual with the perpetual cynical smile on his face. An expression of, ‘I know the truth better than what you may think I know’. And it reflected in his writings. On the eve of the General Election of 1984, after the assassination of Mrs Indira Gandhi, on coming to learn of my nomination as a candidate from the Congress Party to fight the Lok Sabha election from Allahabad against that great adversary Mr Hemvati ‘never lost an election’ Nandan Bahuguna, he gloriously predicted with great eloquence, that I would get the ‘pasting’ of my life.

When the results came in of my victory, he was the first to write an editorial, admitting how wrong he had been and that he was ‘eating humble pie’.

It is not easy for someone of his eminence and caliber to have done that and that is why I admire him.

One morning more recently, I received a hand written note from him after he had seen my film ‘Dev’. The warmth of that letter forms a prominent framed position on the wall of my office in Mumbai.

Incidentally, Pritish has brought a proposal for a film now, for me to work in. Produced by his Company, directed by his son.

My father’s lines from his poem on the ‘Rush of Life’ resound again, as they have on so many other occasions –

Main kitna hi bhuloon bhatkoon ya bharmaoon,

Hai ek kahi manzil jo mujhe bulati hai,

Kitne hi mere paon paden unche nichen, prati pal woh mere paas chali hi aati hai.

Mujhpar vidhi ka ehsaan bahut si baatoan ka,

Par main kritagya uska ispar sabse jyaada,

Nabh ole barsaye, dharti sholay ugale,

Anwarat samay ki chakki chalti jaati hai.

No matter how many times I may have lost my path,

There is but one destination that calls me,

My feet may have stepped unevenly, up or down, but the destination has always moved towards me, every moment.

I am obliged to nature on many a call,

But I am indebted to her most for this ;

Let the skies pour down in hail, let the earth explode with fire,

The unstoppable cycle of time, always keeps moving !

Time !!

My love and more -

Amitabh Bachchan

May 5, 2008
Day 18

May 4, 2008  9:40 pm

No location details.. nothing ! Happy ?! A few concerned friends were apprehensive about this for security reasons. I have complied.

I had a little more time than usual to look through the comments and am amazed at the rapidity of the responses and the complexities of their contents.

Whilst a majority are enjoying the humor and the retort on the Ramadoss matter, there are others that seriously differ with my thought. They are of the opinion that matters relating to smoking and drinking sequences on screen do indeed effect people, especially those vulnerable.

This debate could become interesting and long. People have different interpretations of the subject. I do not deny the strength of the medium and never was there any discussion on that, my wish was for the Minister to also look at other horizons as well. Singling out one community was not democratic.

I also have another view. Lets look at it in reverse. If the strength of the medium is so vociferously accepted, why draw attention only to the ‘bad’. Their is sufficient ‘good’ in our film as well. Where else in life do you attain poetic justice in 3 hours ! When we sit inside a cinema hall do we ever ask whether the person sitting next to us is a Hindu or a Muslim or a Sikh or a Christian, or what color or caste or creed he belongs to. But we all laugh at the same jokes, sing the same songs, cry at the same emotion. There are very few locations left in this world where under one roof such an integration prevails. We integrate. We do not separate. And if film is such a destructive medium, bringing with it all elements of disaster and the cause for it thereof, how does one explain the occurrence of shattering catastrophe, before the advent of Cinema.

Cinema after all is a 20th Century phenomena !

The most devastating violence in the country took place at the time of the partition in 1947, when Pakistan was formed. Which film propagated that ! The Bhagalpur blindings in Bihar by the police in prison has been described as the most ghastly human violence. Which film propagated that ! And.. which film did our forefathers get influenced by, to start smoking and drinking !

I am not deliberately trying to win argument. I am wanting a rational balanced outlook. I am not comfortable with the Film Industry and its occupants to be made solely responsible for every wrong in society.

There have been reactions to the ‘outsider’ attacks again. Some compassionate and guarded. Some not. Some polite, others not so polite.

ANON addresses me as a ‘puny scared coward’, a ‘chhakka’ for not admonishing and fighting for the oppressed ‘bhaiya’. And pandering to those that attack them. He feels I am a disgraced bhaiya Amitabh Srivastava, born to that tabela bhaiya Harivansh Rai Srivastava.

Your anonymous demeanor Mr ANON, amply demonstrates, I am afraid, your own cowardice sir, of not having pride in your own father. Nothing unusual. When you pay scant respect to him that I was born to, it is unlikely that you would want to respect him, that gave birth to you. You may have your own legitimate or illegitimate reasons for it !!

I have through an interview with Anil Thakraney in the Mumbai Mirror spoken extensively and with some finality on the issue. It does not deserve any more. I shall attach it for your reference again and for the reference of those that may have missed it.

CUPID, questions my relationship with Bala Saheb and why I did not stand up for her Baba, Sanju when he went to jail. I think this response should be sought  from the gentlemen concerned. Ask them. Or if you have no access, write to me, to them. I shall get you an answer.

There is endless support too from Kanal and Pankaj Gupta and Satyam who writes well. “Respect should not be ‘owed’ to anyone because of age or seniority, it should be earned “.

There is Seema and Alpesh Shah who show concern and support. Madhukar Pandey feels my penchant for putting denials constantly on the blog is deliberately done to keep it looking interesting. Maybe some of you could enlighten him on this. Or me.

Vikram Jit, I note your point on enemies reading the blog too and its subsequent repercussions. And BICHAR I am so glad that I can bring a smile to your face. Thank you.

JOY RANA, thank you for your frank confession that you are not my fan, but that you recognize me as a power to reckon with !! Hmm… Wait till you see the ‘power’ of Sarkar Raj !! And Nilesh Mishra, still questions my guest list for the marriage of Abhi-Ash. Dude ! Its over now, a year has gone by, those that should have been there were there. Matter over, move on !

ZINEB, I love you too !

And NOBAB MUNNA from Chittagong,  Bangladesh, kaymon accho !!

AVINASH, is cynical still on my land matter. You do not have to. Let the judgement come, I shall spend an entire chapter on it for you. Promise !!

VINITA DESHMUKH is upset. She enjoyed watching the Charles-Diana wedding and is furious that we did not allow the media access to Abhi-Ash wedding for her viewing pleasure.

My dearest, C-D are/were Royalty. They rule. It would be mandatory for them to publicly present themselves. Not A-A !! For your enjoyment I must offer to open up my house ?? I think not.

Oh ! And I have another delightful piece of information.

My father’s all time classic ‘Madhushala’ was translated for the first time in Marathi. And three subsequent translations were all done in Marathi ! Would this honor be considered as an ‘inside’ or an ‘outside’ job !!

My love and more -

Amitabh Bachchan

May 4, 2008
Day 17 (i)

Prateeksha, Mumbai   May 4, 2008   4:07 am

A more comprehensive retort to Minister Ramadoss -

I appreciate your concern for the general health of our nation, particularly so as this is your professional remit as minister. Indeed, I admire and encourage your speaking out against addictive and dangerous substances that cause early mortality and violence by their abuse.

However, these addictive substances are structural aspects of our economy and it is in this manner where government action would be most effective: penalties for their production and sale would convince an electorate of the serious intentions of your administration. Due to the intimate relationship between a healthy and dynamic democracy and education, punitive financial measure MUST be allied to better public health campaigns that do not merely pronounce upon behaviours, but actually inform and persuade.

Nevertheless, it is without question that in a democracy, treating citizens as autonomous individuals capable of rational judgement and practicing self-government in their own choices about how they lead their lives is actually of greater importance than the specific concerns of any particular health campaign.

It is the duty of a democratic government to provide its citizens with adequate information from which to make their own informed choices about life style, within the context of legislation that prohibits those individual choices from causing general harm to others.

It is the duty of the citizen to inform themselves of the nature of their private choices and practise responsible judgement. Any other arrangement produces a citizenry of children. Good parenting demonstrates that to make an individual more responsible, one must give them individual responsibility.

With regard to the use of alcohol or drugs of any kind in films, you seem to misunderstand the medium. It is an art form. Good art only flourishes in freedom. Legislating against the use of particular props, such as alcohol or tobacco, in films is a direct attack on such freedom. As an art form, it is not the business of the film industry to promote government agenda. If made so, then it is no longer art. It is mere propaganda, no matter how worthy the cause.

With national suicide rates soaring, would you strip Hamlet of his bare bodkin? Would you ban his immortal lines whether to be or not?

May 4, 2008
Day 17

Prateeksha, Mumbai   May 4, 2008   2:25 am

It is late, beyond mid night and i open a page from my fathers autobiography.

The narration hinges on the last moments of the death of his first wife, Shyama. It is mid night. She is breathing her last, the strained sound of her labored breath tearing him into pieces with a saw.  And my father wonders, why is it that every thing that is delicate, harsh, mysterious or romantic have to take place in the middle of the night. Literature has many examples of these he states -

Hamlet meets his father’s ghost in the middle of the night.

Macbeth murders King Duncan in the middle of the night. Romeo reaches the bedroom of Juliet in the middle of the night. Mephistopholes, the devil, appears within the thoughts of Faust in the middle of the night, with who’s hands he destroys his soul.  Prince Siddharth decides to leave the pleasures and comforts of home in the middle of the night. Ram embraces the wounded body of Lakshman and laments in the middle of the night. Raja Dashrath looses his eye sight in the sorrow of the absence of Ram in the middle of the night. And it is in the middle of the night that his thoughts remember Shravan Kumar and in the middle of the night it is, that he sacrifices his life.

The poet and the litterateur have often chosen this moment by looking at a conducive condition in the atmosphere.  Philosophically It is often a moment when nature exhibits deeds that can be done or not be done – a to be or not to be situation, when equal forces pulling each other in opposite directions, come to a zero condition. And then if there were to be even the slightest pressure on either side the entire body would move in the same direction. Mid night says my father, could well be the symbol of the mid point in the stresses of two forces. Is it any wonder then, that the stresses that humans suffer, nature suffers them too.

I wonder if my own personal stresses culminate at that one central moment in nature, when equal forces exert pressure in opposite directions and bring the condition to zero.

How poetic the elucidation of mid night !

And many among you express concern for my health, for not keeping proper time !

More love -

Amitabh Bachchan

May 4, 2008
Day 16 (i)

Prateeksha, Mumbai May 3, 2008 11:55 pm

Landed !! A message I send to all members of my family and my office every time I board an aircraft and then land. This blog is my family now and I want you to know that I have landed safely.

I had left off mid way on my comments to Mr Salim Khan. The wait is over -

FACT
To propagate and execute investment and development in the State of Uttar Pradesh, the UP Development Council under the patronage of the then Chief Minister Mr Mulayam Singh Yadav and the Chairmanship of Mr Amar Singh was formed. Prominent corporate heads including the likes of Mr Anil Ambani, Mr Kumar Mangalam Birla, Mr Adi Godrej, Mr Nandan Nilenkeni of Infosys, Mr MV Kamath, MD of ICICI and other important dignitaries from various walks, were honorary members of this council. Yours truly was also a member. I was appointed Brand Ambassador in order to invite through audio visual ad., campaigns, investment into the State.

These advertisements were done by me free of cost.

If Mr Salim Khan can prove to the contrary, then I am guilty. Else not.

The accusation of ‘lying to earn money’ can perhaps be construed as a reference to the contents in the campaign and the alleged misinformation. The issue was the crime rate in the State. What was spoken in the ad., was from a report of the Home Ministry of the Central Government. In that, the level rating for UP was put at the 26th or 27th position compared to other States who were much higher.

Mr Salim Khan’s accusations on land matters have been through due process of law in the Honorable High Court and the Supreme Court and dismissed in my favor. One of the issues is still sub judis and it would not be prudent for me comment on it. I await trial and shall accept the verdict, either way. I am confident that it shall amply justify my questioned actions.

The issue of friends and invitations to the marriage have already been talked of and discussed ad nauseum. I cannot understand Mr Salim Khan’s interest in matters that occupy my private domain.

Since Mr Salim Khan has refrained from mentioning the names of individuals, he thinks are ill advising me or those he cautions are of wrong company, I am unable to comment. Were he to do so, I would happily clear the air for him.

Salim Saheb, as I have always addressed him, my elder both in age and in my profession and Javed Saheb, as I have always addressed him, have undoubtedly been prolific writers as a duo for several of my films, most of which have achieved historic critical and commercial acclaim. I have always had the highest regard for them and have and still do hold them in great esteem. I do hope that my clarifications against wrong and unacceptable accusations, shall justify my acknowledged maturity.

My love and more for all -

Amitabh Bachchan

May 3, 2008
Day 16

On the plane to Mumbai, will connect on arrival – bear with me !

More love

Amitabh Bachchan

May 3, 2008
Day 15

St James Court Hotel Crowne Plaza, London May 2, 2008 7:05pm (GMT)

Asthma’s gone, interviews over – time now to spend some moments with you !!

The morning started early – 3:30 am ! Jet lag does that to one. Wakes you up at odd hours and puts you to sleep at the most unwanted moments. I struggled to stifle a yawn at the BBC for my broadcast earlier today. So embarrassing !!

And media was in complete force as soon as Mumbai got up. Are you doing the Mujibur Rehman film ? Producers in New York confirm your acceptance. Shyam Benegal to direct !!

Its the first time that I hear all this and obviously negate it, but they are persistent. The person producing it has confirmed your participation, Mr Bachchan ! Well Mr Bachchan has not heard of it yet, thank you !

Fresh queries pour in. Now its the Health Minister, Mr Ramadoss, asking film stars to stop drinking scenes in their films. First the smoking, then the drinking. Hola !! What next ?

I shield myself behind the pages of our revered Constitution and Law and the Censor Board. Bring in a law to ban such participation and we shall follow it diligently Mr Minister. We fake it on screen. Diluted tea, honeyed water, an aerated drink, soda watered to match the color of champagne. Thats what we are actually drinking on set to simulate the whisky. Our intoxication, Minister, is in the credibility we bring to a drunken scene without being literally drunk, not to propagate alcoholism. There are other more refined bodies, some within your own fraternity that are adept at this. Have mercy on us sire, we are but professional actors enacting stories. You and your merry brethren, I have heard, allegedly ( smart word to keep defamation at bay ) enact similar stories when you seek admission every 5 years into the ‘Large O’ or to be more precise the ‘Large Half O’ !!

I believe, Honored Excellency there is great respectability accorded to what I gather from sources ( another smart word to keep defamation at even greater bay ) to be, ‘The Liquor Lobby’, a body of distinguished ‘hala ites’ that, on the issuance of a license to manufacture liquor, make gracious contribution to Government coffers ! Official of course ! Of course official !! How could it ever be any other !!!

Did I notice a blushed tinge on your ‘healthy’ facial skin !!

You have not named me Honored Sir on this factor. It is perhaps the general knowledge amongst most, that I do not consume alcohol, nor smoke, nor eat meat, nor drink tea or coffee, nor coke or pepsi, nor paan or paan masala, nor Indian sweets or chocolate, nor cake nor pastry and recently no rice. I am grateful for this mercy.

But I have been named on your no smoking campaign, along with my colleague the Great King Shah Rukh Khan. Some of my posters of two of my not too recent films have led you to believe that there has been a grave destruction of the ethics of your campaign.

I applaud your concern Sir and applaud the choice of your example, in my dear friend and colleague, the other true King of Cinema, Rajnikanth, but honored Sir could we perhaps dare to inquire whether you, being in Governance have considered first, to ban this dreaded habit from all Government servants in the country.

And more importantly. Would you ever, Sir, consider banning the existence of the vast plantations of the ‘beedi’ leaves in the States of Uttar and Madhya Pradesh, or would that not be such a correct political decision. After all such act would jeopardize the employment of thousands of worker’s ( oop’s voters ! ) in the region and I believe, the business prospects of one of your ‘flying’ Cabinet colleagues !!

Upala, the affable and rotund by-line writer form MidDay is insistent on my responses to the utterances of Mr Sinha, Mr ShahRukh Khan, Mr Salim Khan, Mr Aamir Khan. I inform her that I have extensively done that over various interviews and through my blog. She reiterates that she has failed to find them. The monotony of repetition and the sufferance it would cause readers compels me to not address it. For Mr Salim Khan, yes, I had desisted. I desisted because I had not seen the reported report. I have now, and this is what I wish to say -

The Nava Kaal Marathi newspaper of Mumbai dated Monday April 28, 2008 carries a headlined column which roughly translated reads “FOR THE SAKE OF MONEY AMITABH SPEAKS LIES”. It further goes on to describe the ‘criticism’ leveled at me by the renowned writer Mr Salim Khan -how he feels that I am in the company of wrong people, how I have been lying for my earnings, how all the people have remained with me in my hour of trouble and how in the hour of happiness on the occasion of the marriage of Abhishek and Aishwarya, I have invited only a selected few friends. He states that I should be cautious from the wrong advice being given to me and concludes by accusing me of buying land illegally, returning it and then wanting it back again.

In the absence of any names or specific situations being mentioned, I can only assume what he wishes to draw my attention to and I shall respond within those parameters.

The ‘lies’ for the ‘sake of money’ is perhaps a reference to my advertisement campaigns on Uttar Pradesh. Here are the facts -

( i rush to catch a flight to Mumbai, will post the rest on arrival or at the first internet connect )

My love for you and more,

Amitabh Bachchan

May 2, 2008
DAY 14

St James Court Crowne Plaza Hotel, 51, Buckingham Place, London UK

May 1, 2008    10:22 pm (GMT)

I breathe heavy ! I think my asthma returns after a long remission. The timing and its difference from different zones begins to overpower me. I am sluggish and not optimum. But I miss the blog and the messages and the comments and my post and all my readers. So I gather strength and am back with you !!

Its been a 12 hr flight from Bangkok to London and within a short while after arrival its been the press in England and the promotion for ‘BhoothNath’. First a general conference, then each one of them wanting a one on one. I have always wondered why ? 

Bangkok was equally pushed for time. IIFA announced activities. Premier of ‘Sarkar Raj’ at Bangkok on June 6th. A formal meeting with Her Royal Highness the Princess of Thailand – a gentle soft spoken sanskrit scholar, with a great love for India, the United Nations to plant a champa tree as token participation in their ‘Billion Tree’ programme – Bangkok being the head quarters for the UN in the entire South East. They were unaware that I was Ambassador for UNICEF, that I had worked with some degree of success in the polio eradication campaign in India, that I had been now asked by UN, NewYork to work for the female infanticide in India. As crowds collected in the premise, of Indians that worked there, a sudden interest gathered among the local officials. I paid my respects to a recently installed statue of Mahatma Gandhi and that was an end to the day.

Thailand and Thai’s dress predominantly in pink on Tuesday’s an in yellow on Friday’s. What a wonderful practice ! It is not a forced regimentation I think, but what a marvelous way to demonstrate unity and togetherness, fast disappearing from a cruel and disturbed universe of today !

Your messages pour in in overwhelming fashion and my frustration brims over too. I am unable to address each one individually. I will someday, despite Anupam’s(helloanupamsonu@gmail.com) disbelief that it is actually I that am writing my posts, or worse, even duly reading them.

There is constant and untiring comment by hundreds, on my efforts to clear media misreportage. They believe in my integrity and not that of the media. They are annoyed that I bother to challenge colleagues and others that comment on me, and I am annoyed that they are annoyed.

I need to justify my attitude, my stand of a million years. I have a medium to be able to do that. I have a medium that converses with me and my conscience. I may not be faithful to you as a viewer, an admirer or even as an antagonist, but I doubt if any would deny me my little moment with myself. I write what is within me, not to fill a page or to garner the admiration of an invisible mass of humans that show me abundant love, but to be able to talk to myself. If you listen I shall not despair, if you do not I will not question.

Allow me then to continue. Allow me to acknowledge what baban pawar (babanpawarmumbai@gmail.com) expresses that “I am the most fake person” and that my writing “irritates him” and that he wishes why “I do not just move to the mountains”. Allow me to acknowledge Prasad’s (pacapetown@gmail.com) ‘disgust’ at my ‘going to temples’ and to understand why he feels that in doing so I am any less than ‘a modern man’. Allow me to apologize for my in capability to write in Hindi, not because I do not want to, but because the software for that is being prepared for my Mac, an instrument 80% of most users do not work with. Allow me the temerity to address Salim Saheb and his comments through a Marathi paper that headline that ‘I take money to speak lies’ and that I am a victim of ‘bad and ill advised company’. Allow me to correct facts stated in Kunal M Shah’s article in the Mumbai Mirror of April 30, 2008 titled ‘Promises to keep…’, before his printed word becomes an inaccurate document of history. And allow me to comment on Shubha Shetty-Saha’s article in the DNA of April 25, 2008 titled ‘Whose award is it any way ?, with some pertinence, in order to honor the glorious and most dignified code of ‘unbiased’ journalism. Allow me… Just allow me that…

But…before that..some self praise ! Ha..Ha

There has been endless appreciation on my speech at Shobha De’s book release and demands for a personal copy. Thank you.. I attach it here much to the consternation of those readers who wish that my post would contain itself within the confines of a post card !!. Er..mm…!! These are early days and this, my little childhood birthday gift. You know what I talk of ?? As kids we looked forward to our birthdays and the birthday party, simply because we were so anxious to know what gifts our friends would bring. At times, even have the audacity to walk up to them and ask “What have you brought me !!”. Then when the guests had gone,

to open each gift with patience and delight and keeping the precious ones close to your bed as you turned in for the night – some under the pillow, for fear of them being pinched !! Oh !! Those wonderful years !! I feel much the same with my blog. So, please please please allow me my indulgence !

 The speech -

Shobhaa Dé  Superstar India; from Incredible to Unstoppable

Book Launch 29th of April

 

 

 

Shobha De, distinguished guests, ladies and gentleman .

It is an honour to be here. The honour is not only that of being asked to say a few words to commemorate the release of Shobhaa Dé’s present book. It is also a great honour to do so in her beloved home town, a city so deeply embedded in my own affections and habit of life for these last forty years. It feels right and good to be here.

Political correctness been taken care of. I can now dare to move on !

 

May I first wish Shobhaa the happiest of birthdays in her sixtieth year, an achievement of longevity in itself, although to see and hear her tonight, the mere accumulation of years is not what first springs to mind. Needless to say, it is obvious to anyone that Shobhaa Dé is not over yet, far from it.  

 

Indeed, so all of us might hope to mark such rites of passage. Shobhaa herself tells us how she marks each day, watching the sun descend over South Mumbai into the Arabian Sea, acknowledging its blessing of life and the promise of another day to come – that is, when she is at home. Considering the contents of this book, she may mark each day in such a manner, but not every day in Mumbai, presumably watching the sun decline into many different horizons as she makes quiet prayer.

 

So in its sixtieth year of Independence might we do the same for India: count our blessings, know our strengths, admire the great achievements of our compatriots, as the sun sinks into the Arabian Sea and we also mark this rite of passage. These blessings are the promise of another dawn: our next decades and generations, our hope for a shared future.

 

I applaud Shobhaa’s achievement. I applaud India’s achievement. I applaud the applause of Shobhaa, I applaud your applause of Shobhaa’s applause that the dynamism and resourcefulness of the achievers of contemporary India are indeed extraordinary; our industrialists, people of commerce and the emerging greatness of the Indian middle class are blessings. Let us not forget the blessing of plenty – even surplus – provided by our veritable Stakhanovite agriculturalists – that is, those professional farmers amongst us. As Shobhaa notes, the present energetic youthfulness of our population is a blessing. The proven endurance, stability and justice of our political system, the largest democracy in the world, surely this is the greatest of blessings. For at its best, it will enrich us more than all else, economically, socially, culturally and intellectually. These are the promised outcomes of a virtuous body politic at the core of our nation. We count such blessed bounty and feel enriched in our first sixty years of Independence.

 

———————————————————————

 

And now, this evening, in the darkness as we await the dawn, there is time to speak of other things.

 

Shobhaa must be publicly defined according to her own wish, primarily as a writer. This must be respected. She writes: it is her active vocation, her creative labour. Her prolific works are truly extraordinary, spanning all the many shades between professional journalism and literature over a long and productive career. The writing is distinctly hers: an insatiable curiosity, chronically alert observational skills, playful juxtapositions, impassioned responses and a sheer joy of life. She brings graceful intelligence to the frivolous and mordant wit to the serious. She is eminently readable – she is, actually, beyond my powers of description. I humbly defer to her own.

 

But I was most interested to hear that this present book has already been noted for its ‘distinctly female voice’. By contrast, within its pages, Shobhaa expresses legitimate concerns about her professional achievements being colonised by her sex. As she says,

 

‘The minute you create separate categories for successful women, you are already insulting womankind. There are counter-arguments in abundance, and determined feminists will point out the inspirational/aspirational value of holding up such role models.’

 

Shobhaa is right. But Shobhaa, you are also right about something else as well: as much as we applaud and dwell upon our blessings now as we await the next dawn, we must balance our enthusiasms with careful analysis, acknowledge our weaknesses and then speak out against their ills. So I am going to try to be one of those determined feminists that you mention who disagree with you, abundantly but respectfully.

 

The reason is this: the insult is not that some people create a separate category for successful women, however well-intentioned that insult might be. The real insult is that even in the most enlightened cultures across the globe, there is still a separate category from that of a human being per se. It is the separate category of being a woman, whether successful or not. This is the insult. It is an insult to all of us, men and women alike. It is an insult to humanity.

 

All of us here tonight have been the beneficiaries of comparative privilege. Most of us here have probably grasped the potential of incipient privilege, and through endurance, intelligence and luck, we have flourished beyond its first blessing. Individual asymmetries can thus be largely overcome by individual achievement. But that does not mean the asymmetries aren’t still there. They remain with us, even if they merely cloud our thoughts. For others, these asymmetries are real, insuperable structural obstacles. They suffer.

 

The absurd and intolerable way in which humanity has been separated from each other by all manner of prejudice against difference is at its most shameful when it categorises half of the world’s population into a different, secondary and profoundly demeaning status from that of humankind.

 

In India, it is worse. Womankind is not even permitted the dignity of fifty per cent of our population. Over the last four decades in this country, the child sex ratio has been declining, with the sharpest fall from 1981 onwards. A 2001 census found there were 927 girls for every 1,000 boys in the age group of six years and below, compared to 945 in 1991. The male-female equilibrium will be lost within a few decades: this would not only be a future national disaster. It is now already a source of deep shame to us that ten million girls have disappeared at birth in the last twenty years alone.

 

Where have they gone?

 

We cannot blame economic poverty: it is Rajasthan and Punjab, two of India’s wealthiest states, where female infanticide is most prevalent. When we look for these lost daughters, sisters and mothers, do we there find our all-pervasive progress? When we look for them, do we there find our most revered cultural traditions in which we take such pride?

 

No. We find these lost souls murdered by a lethal alliance of new technological and medical advances – progress – and one of the most backward chauvinist traditions in our culture.

 

Thus we know our present strengths in how we are weak.

 

It is one of our greatest national weaknesses that we ignore this catastrophe to value females equally from birth in our culture and society, in our minds and in our lives. One of our greatest failures is that we have permitted it to worsen. There are those deserving of more or less opprobrium, but we are all to blame. It is our problem. India’s problem.

 

———————————————————————

 

Shobhaa Dé may indeed only happen to be in that separate category of womankind by the sheer whim of fate. And after all, it may be an irrelevant public identity to her, the identity of being a woman. I completely agree with her that for the present, claiming the category of humanity is infinitely more appealing. And thus she chooses to be primarily a writer, before a female one; a ‘voice’ before a female ‘voice’; to claim power, not ‘Woman Power’. She has a human right to be successful according to her own lights, as does anyone else, and I defend her claim absolutely.

 

But then I find that I must disagree with Shobhaa’s choice in order to follow her lead in critical judgement, because I want this harmful predicament of categories to change. Such change is not a promise, as we are promised another dawn over Mumbai after the passing of these few dark hours. The juggernaut of ‘progress’ will not deliver us this change of its own mindless accord. First we must acknowledge our failure. Then we must hope for change, and lastly, we must work strenuously for it together.

 

If we are to change, then this cannot be achieved merely through formal legislation and activism. We must accept that to change, we must change our mind. We must change our minds. We must re-think ourselves, without sterilising the richness of our language and culture with the extremities of political correctness. We must be more imaginative.

 

There isn’t a person in this room who would not wish to respect the basic dignity to life of another human being, regardless of sex, age, ethnicity or any other attribute of difference between one individual and another. There must be one ultimate category for all of us, wherein our most basic human rights and duties reside. Sixty years after our independence, it is now time for ‘humanity’ to be de-colonised.

 

Here, I must now defer to my betters for such a task.

 

———————————————————————

 

So I applaud Shobhaa now. I wish to honour her present choice with all due respect and admiration: I applaud her achievements as a professional writer, a serious writer, a creative writer, an astute cultural and political commentator.

 

But I will not await an unpromised dawn of change to arrive when females, girls, women, are no longer subject to slaughter at birth and direct and insidious discrimination throughout the rest of their lives. In that better future, it would not be problematic to acknowledge a true respect for Shobhaa Dé in her entirety, as all women of our country should be – whether successful or not – without a hint of any under-handed criticism by naming their womanhood, nor castrated as honorary men.

 

I pre-empt its arrival. As a gesture to hope, I honour Shobhaa in the entirety of her identity right now. I wish to publicly acknowledge the true extent of her achievement in contemporary India. In hope, so I applaud Shobhaa now, problematically and impatiently.

 

Yet after all, I believe that Shobhaa Dé already claims that unmistakable identity in this most recent book: within its pages, she insists on being entire. She thinks with her entirety and she entirely writes it. Of all her shrewd predictions for the future, I hope that this is how she proves to be most gifted with foresight.

 

Nevertheless, this is still not enough with which to honour her. I must also honour my conscience as an Indian, and as a man, in the present, for this particular dawn ahead that we will soon see rise to our East. I salute her achievements simply as a woman in India today. Regardless of any initial comparative privilege, she has met inveterate prejudice and active discrimination with endurance, resistance, courageous self-belief, and the sanity of good humour. Simply because it is the general fate of contemporary women in our nation, it does not belittle her achievement of transcendence.

 

Surely Shobha, the more achievements, the better.

Finding the name of the author in a larger font than that of the title of the book, is a conscious and brave beginning !

(Shobha De’s name is printed much larger than the title of the book !)

 

Ladies and Gentleman, thank you.

Relevant I hope, for the protection of the girl child and the need to address it.

I recall an incident. My father was once hospitalized at the Hinduja Hospital for a broken hip, due to an accidental fall. We had put him in one of the more exclusive floors of the Hospital, an area that had fewer rooms, but with large attached accompanying areas, to house relatives and visitors. A set of nurses looked after him. I stayed in the adjoining room to be constantly by his side. He was happy and comfortable with the care he was getting. In hospital one tends to get attached to the nursing staff, purely because they work so hard to make the patient feel at home, despite the strenuous circumstances. One morning his approved nurses did not come on duty. Instead, a male nurse started attending to him. He was disturbed by this. A change in curriculum at an advanced age does this to people. He inquired from the male nurse where the regular nurses were. With great hesitation the male nurse informed him that a ‘Baba’, a preacher with some following, had been admitted in the room opposite his and that he had wanted all female nurses to be removed from that floor. A somewhat puritanical practice that he and his followers believed in. My father, now not able to contain himself at this absurd discrimination, quietly turned to the male nurse and said ” Unse jaake poocho, ki woh jab is duniya mein aaye thae, to nikale kahan se thae !!( Go and ask him, that when he came into this world, where did he come out from !!)

I rush now to BBC, London and their Studios for a live interview. Long may the Indian Film Industry live ! BBC wanting to have a ‘third rate actor’ from the ‘third world’ on their programme??

The World changeth ! And changeth for good methinks !!

My love for all and more -

Amitabh Bachchan

May 2, 2008

April 2008

27 posts

DAY 12-13

The Dusit Thani Hotel, Bangkok, Thailand   #Majesty Suite    

April 30, 2008   7:45 pm ( Bangkok Time)

My most cherished and beloved,

Your candor and your affection, your outbursts of immense joy and wonder at our connectivity, your allegiance, your confirmation of the path i stumble on, your notice of the incorrect ‘i’ to the corrected ‘I’, your exuberance and the length of it, your time that you spend on me and your undying love, all provide me with the belief and the strength that, if ever i were to stretch out my arms and seek a supportive shoulder, if ever I were to ask you to steady my faulted steps… you would all without hesitation or purpose, not just provide that to me, but lift me up towards the sky and give me the satisfaction of breathing fresher air and perhaps a clearer vision !!

Ah !! Music !!

Dramatic, thunderous, heralding… drums and cymbals !!! Ha ..ha

I jest with you !! You must pardon me !!

I am in Bangkok as you may have noticed. Came in this morning for the press conference that generally precedes the main IIFA event. That over there were visits to the Royal Palace of Her Highness the Princess, then the United Nations, and now I rush to the airport again to catch a flight to London, for the press conference for ‘BhoothNath’. 

My love for the media so so so apparent !!

I beg my absence from the blog then and shall on landing be back with you with more !

Till then..

Amitabh Bachchan

Apr 30, 2008
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